Mortdecai

First Hit:  What a wasted piece of fluff.

There is nothing interesting about the characters and with this cast it's shocking. Although I’m not a Johnny Depp (Mortdecai) fan here he is just bad with a bad script.

He plays an eccentric English Lord who is going broke and married to his college sweetheart Johanna (Gwyneth Paltrow). She rules the roost and there is little that tells the film’s audience why she is married to him. There is a second story in this film about him growing a mustache.

This is where the comedy comes in, from time to time. Ewan McGregor (another great actor) plays Martland a British investigator, friend of Mortdecai, and longs for Johanna. Really? Paul Bettany plays Mortdecai’s man servant Jock and he’s the best thing in the film. The storyline is bad and the acting, for the most part, is worse.

Depp is difficult to watch. The fake spacer between his front teeth was way too obvious and the character wasn’t interesting at all. Paltrow tried to rise above the character and film, but it just didn’t work. McGregor tried to play it straight but this role in this film as a waste of his energy. Bettany was fun to watch and made his scenes interesting. Eric Aronson wrote a silly script that didn’t have a good focus. David Koepp had a bad script, great actors and no idea where he was going.

Overall:  This was a waste of my time – as well as the actor’s time.

A Most Violent Year

First Hit:  The acting, especially by Jessica Chastain, is superb.

This story takes place in the 1960’s, in New York and in the highly competitive home heating oil business. Abel Morales (Oscar Isaac) has built his business with hard work and in a short period of time.

One struggle is that his drivers hurt when his trucks are getting hijacked by someone unknown to him. He’s also trying to buy a piece of riverfront property to give him a leg up on his competitors. His growth and the whole sleaziness of the industry is being monitored by a politically hungry DA name Lawrence (David Oyelowo).

Morales' wife Anna (Jessica Chastain) has a background in the mob and it shows with her attitude, actions and strength of character. She occasionally alludes to her ties to the family with threats to Abel that she wants to bring in the family in to resolve the hijacking as well as other things. The exchanges between Abel and Anna are wonderful and charged.

The scenes of Abel teaching how to sell their service is powerfully priceless. The addition of Albert Brooks as Abel’s lawyer Andrew Walsh was an amazing selection because he brings intense pointed guidance to both Abel and the film.

Isaac is very strong and he exudes drive to make it all work. Chastain is sublime, she is so strong that you know she is the foundation that makes Abel’s business (and the film) work. Oyelowo is good as the DA trying to “clean up” this industry but also seeing where his future bread could be buttered. Brooks is phenomenal. J.C. Chandor wrote a very strong script capturing the time and industry well. His direction was clear and concise and he made his script work for him.

Overall:  I’m glad the film wasn’t as violent as the title but the intensity was surely represented.

American Sniper

First Hit:  An extremely well-crafted film.

Killing in war is sometimes justified by the beliefs of a country and its people.

Settling into this film, one has to set aside any beliefs (especially political) about right or wrong because this film is about how one man processes killing other humans when he believes what he is doing is right and is doing it for his country.

This story is about Chris Kyle (Bradley Cooper) an SEAL sniper who did 4 tours in the middle-east and is credited with over 160 kills. He became "The Legend". Kyle is married to Taya (Sienna Miller) and in-between the first 3 tours she becomes pregnant with a son and daughter, whom Chris loves dearly. Kyle is very controlled and is tightly wound. Around home he is quiet and distant. With the guys in Iraq he’s fearless and engaged.

The pacing of the scenes along with the setups were very strong. The decision making of whether to take a shot we’re well measured and reflected in the actor, screenplay and director. Visually it was a very strong and the edits only added to the action as it transpired.

Cooper was extraordinary in all ways. His controlled looks and measured actions were reflective of someone who had a lot of built up stresses. Miller was very good in her portrayal of a loving wife who wanted her husband back. Jason Hall wrote a wonderful screenplay. Clint Eastwood showed why he is a very strong, precise, and effective director in bringing this story to life.

Overall:  It is an excellent film.

The Interview

First Hit:  Funny enough but the sprinkles of very low-brow bits made it less fun and interesting than it could have been.

Seth Rogen has the ability to make funny films and funny situations. What doesn’t work for me in his films is that he appears to be compelled to make sure he sticks in low-brow dialogue or high-school genre fart jokes and bits that take away from the overall film.

I thought the concept of having Dave Skylark (James Franco) a popular and without a lot of substance television interviewer selected by North Korea’s President Kim Jong-un (Randall Park) to give a once in a lifetime interview was genius. And there are parts of this film that are truly funny and I appreciated those moments. It was just unfortunate that when push came to shove, if Rogan thinks it’s not funny enough he reverts to less intelligent stuff.

Franco at times is really funny and his interviews of Eminem and Joseph Gordon-Levitt were funny and I thoroughly enjoyed him. Rogan as Skylark’s producer Aaron Rappaport as well as writer and co-director was both really good and also misplaced. Lizzy Caplan as CIA Agent Lacey was funny. Park as Kim was really funny and had enough of the "god like" features that helped hold the story together. Diana Bang as Sook who interfaced between Skylark, Rappaport and Kim was really funny. Her bit to overthrow Kim was great. Rogan, Evan Goldberg, and Dan Sterling wrote the story and script which at times was brilliant and other times, sophomoric. Rogan and Goldberg directed this film with both brilliance and stupidity.

Overall:  I enjoyed the film more than not – and that, I suppose, is a good thing.

Taken 3

First Hit:  Third time was not a charm for this series.

Bryan Mills (Liam Neeson) is back for a third time and instead of his wife or daughter being directly held hostage, here we have a situation where his former wife Lenore (Famke Janssen) is killed to get his attention.

He is being framed for the killing and it is up to him and a LA cop Frank Dotzler (Forest Whitaker), to find the truth. As with all “Taken” films, there is a lot of violence, amazing skills of eluding his pursuers, and the righteous ending of his innocence. The frame-up is staged by his former wife’s husband and a Russian mobster.

The film felt constricted and Neeson is getting a little long in the tooth do be riding a car down an elevator shaft and magically surviving.

Neeson is good in this role he owns. However, the script, his age and the tired franchise all need to be retired with this last film. Janssen has a small and shortened role which doesn’t give her much room to show her skills. Maggie Grace, as Kim Mills, Bryan’s daughter, is good in this safe, non-eventful role. Whitaker is, as always, a scene stealer and is a strong presence in the story. Luc Besson and Robert Mark Kamen wrote this weak and uninspired script. Olivier Megaton was the director and the finished result was rather week.

Overall:  This was a very uninspired film.