Comedy

The Campaign

First Hit:  It was very funny at times while at other times reflectively poignant of our political process.

Cam Brady (played by Will Ferrell) is a multi-elected congressman who does little in congress but loves being a member. He’s running unopposed until two wealthy businessmen Glenn and Wade Motch (played by John Lithgow and Dan Aykroyd respectively) decide they want some influence in congress so that they can build a new factory in Brady's congressional district.

The kicker is that the workers will be imported from China at very low wages. It is what they call "insourcing". They select the younger odd-ball son of Raymond Huggins (played by Brian Cox) Marty (Zach Galifianakis) who they think they can easily manipulate.

Marty gives tours of his home town for a living but he’s always wanted to be seen as someone more than this, especially by his father. To assist Marty, Glenn and Wade hire a take no prisoners campaign manager Tim Wattley (played by Dylan McDermott). With Tim’s guidance, Marty becomes ruthless in his quest to win the election.

Cam is and becomes more of what most people don’t like about politicians, untruthful, unfaithful, scheming, and willing to do anything, including airing manipulative television commercials, to win. Marty is meeting him punch for punch, but learns the lesson sooner than Cam that he has to live with himself and in the final day of the campaign decides to promote telling the truth, the real truth.

The parallels to the real election process are astonishing and with our country in election mode, this film is timely. One very nice touch is having real and famous newsmen be part of the script. They are used to announce the latest news from the campaign.

Lastly, showing how both wives can and are affected by the power of publicity was very good.

Ferrell, although not my favorite actor, is pretty good in this role. Although too much Will Farrell and less of his character at times, he does carry this role, enough for the audience to see our election stupidity. Galifianakis is good but also stuck in a type casting of the same kind of person he’s played in other films. Fortunately it works here. Lithgow and Aykroyd are great as rich manipulators who point fingers at each other in front of a congressional hearing. McDermott was very amusing as the dark hired hand to make Marty a winner. Cox is great as Marty’s overly stuffed and arrogant father. Shawn Harwell and Chris Henchy must have had a lot of fun writing this script knowing this film would air during an election year. Jay Roach did a very good job of bringing poignant humor and truth by showing us the absurdity of our election process.

Overall:  This was an enjoyable film with some interesting likenesses to our current election.

Hope Springs

First Hit:  Poignant and well-acted film about how love and real romance begins with communication.

Kay (Meryl Streep) and Arnold (Tommy Lee Jones) have been married for 31 years, sleep in separate rooms, and barely talk to each other.

Arnold complains or is critical about everything and appears to always be worried about spending money – he’s a tax accountant. Kay is a housewife with a part-time job in a clothing store. Kay is unhappy with the whole situation while Arnold seems complacent with the status quo. Kay decides to seek the assistance of Dr. Feld (Steve Carell) who helps couples re-find their magic through communication.

Kay throws down the gauntlet to Arnold by telling him, she’ll be on the plane and he can choose to go or not. Through Dr. Feld’s sessions Arnold and Kay struggle and learn to find their love and caring for each other again.

The story is filled with the truth of what happens to couples when they quit communicating with each other. Each person is stuck in their own comfort zone and struggling to find a way to move forward as their life is reaching their later stages.

The fearless quality of the script to have this couple in dialogue about real issues was fantastic. The acting by both Streep and Jones was outstanding.

Carell showed honest restraint while facilitating the direct discussion with dialogue between the couple with pointed questions.

The only fault I found with the film was that I didn’t believe that Jones and Streep had any real or believable romantic and physical chemistry. But this didn’t take away from the point of the film.

Streep was perfect as the woman who followed or, maybe better, acquiesced to her husband’s path for their life together as demonstrated by accepting of a water heater for Christmas. Jones was fantastic as a man who has insulated himself from life especially his wife. He’s loyal but he ignores her. Carell is really good here as a therapist and enjoyed the way he portrayed Dr. Feld. Elizabeth Shue had a minor role as Karen, a bartender in a Maine seaside bar, and it made me wish she was doing more films – she was really engaging. Vanessa Taylor wrote an outstanding script. David Frankel did a great job of bringing a pointed script to life and it has got to help when you have two actors like Streep and Jones.

Overall:  This was a thoroughly enjoyable film.

2 Days in New York

First Hit:  At times funny at other times it felt like it was pressing.

Julie Delpy playing Marion also wrote and directed this film. This is her 7th directorial effort of which one, 2 Days in Paris, was the only one I previously watched.

Like 2 Days in Paris, she wrote, directed and stars in this film. Perfectly understandable because in today’s film making system; sometimes the only way you get work is to make it yourself. In this film Marion (Delpy) is living with Mingus (played by Chris Rock).

He’s a semi-famous radio personality and she is a struggling photo artist. They each have children from previous relationships. Marion’s father Jeannot (played by Albert Delpy), sister Rose (played by Alexia Landeau), and a former lover Manu (played by Alexandre Nahon) come to visit them from France.

They are an odd lot with Jeannot and Manu being held at immigration/customs because they are trying to smuggle 35 pounds of sausages into the country. The cultural differences, lifestyle differences, and language misunderstandings make sections of this film very funny.

However, the same components that make it funny at times, get in the way. There is also the issue that Delpy appears to channel Woody Allen by the the continual talking and over explaining his previous actions.

Delpy is good at times but overall the character wore on me. Rock is toned down from being an intense Rock and here it works. Albert Delpy is amusing to watch and is the funniest character in the film. Nahon is the second funniest, but his role felt a little pressed as well. Landeau was very good as the sister who, although being a child psychologist, has a set of her own issues. Delpy and Landeau wrote the script which at times was great and other times labored. Delpy gets some good performances from the actors.

Overall:  The film just doesn’t have enough to make it really good.

Ruby Sparks

First Hit:  Yes a little schmaltzy, but it worked well and I enjoyed it.

I like the idea of a quirky writer, lost in life and in himself trying to find a way to write.

Paul Dano plays writer Calvin Weir-Fields who wrote a bestseller when he was 19 years old but has done little in the last 10 years. His psychologist Dr. Rosenthal (played by Elliot Gould) gives him a reading assignment.

Calvin begins to write about a woman in his dreams – he names her “Ruby Sparks”. Calvin is highly motivated and writes hundreds of pages about Ruby. One morning after falling asleep at his computer, he walks downstairs and there she is cooking breakfast and acting as if they’ve been together for months.

Outside of his Dr., his brother is the only other person he speaks with, so with Ruby trying to make a meal, he calls his brother, Harry (played by Chris Messina), asking his advice. Harry comes over meets Ruby, and thinks she’s an actress Calvin has hired to show he has friends and can have a girlfriend. But Calvin pleads with his brother to believe that Ruby came to life out of his mind and writing.

To prove it, Calvin rescripts Ruby in his book and, low and behold, she complies by behaving as the book calls for. As Ruby (played by Zoe Kazan) becomes restless and wants to do things outside of their relationship, Calvin rewrites the script to suit himself.

How does this turn out? Watch the film because whether it is fantasy or reality the point is clear about letting go.

Dano is very effective as a writer and as a troubled man searching to find himself. It was good to see Gould again and he’s good as the psychologist. Messina is good as the unbelieving and supportive brother. Kazan is outstanding as Ruby, both the writer’s fantasy and as a real person. Kazan wrote a wonderful and innovative screenplay. Jonathan Dayton and Valerie Faris co-directed this with a great wit and mix of characters.

Overall: This was an enjoyable film and the entire audience seemed to like it.

Ted

First Hit:  At times funny, crude, stupid, and interesting.

Ted, a CG teddy bear, is alive because he was wished life by a young John (played by Bretton Manley) who was a friendless boy.

Ted becomes famous and is even shown on The Tonight Show starring Johnny Carson. The Carson segment was pieced together really well. As John becomes an adult (played by Mark Wahlberg) at age 35 he’s living a stoner life with Ted. He’s got a clerk job with a rental car agency, gets high with Ted as often as possible and has a great girlfriend Lori (played by Mila Kunis).

One of the things missing from their relationship is an understanding for its existence. I didn’t sense/feel any chemistry between them. The jokes and language were crude almost to the detriment of the film. Some of the jokes went over the head of the normal audience that will see this film (“I went Joan Crawford on him”). 

There aren’t that many people who know of Joan Crawford’s antics on her children. But on the other end, there was a moment where John tries to guess the name of Ted’s girlfriend which was very amusing. The acting with the CG Ted was seamlessly wonderful.

This was the technical and acting high point of the film. The overall question this film tries to resolve is; whether John will grow up enough to be an adult in his relationship with Lori? Or, will his friendship with Ted keep his life stuck as an adolescent?

Wahlberg is great at interacting with the CG Ted. Kunis is mediocre in this somewhat lifeless and pivotal role. Giovanni Ribisi (as Donny) was good as the jealous guy who wanted a Ted for himself. Jessica Barth was very good as Ted’s girlfriend Tami-Lynn. Seth MacFarlane wrote and directed this film (he’s also the voice of Ted). It is obvious that this was a pet project and partially worked and partially didn’t.

Overall:  This film was all over the place and in the end forgettable.

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