Wish I Was Here

First Hit:  An interestingly good and not new or great view of family and how they heal and grow.

Zach Braff funded this film through crowd funding. In other words no one in Hollywood believed in this film so he decided to find another way to fund it. There isn’t much new here.

The film is about forgiveness, family love, and seeing the best in people. Zach playing an out of work actor named Aidan Bloom can’t seem to land a job. His wife Sarah (Kate Hudson) supports him by working at the water company. His kids Tucker and Grace (Pierce Gagnon and Joey King respectively) are being schooled at an expensive Jewish school because their grandfather pays for the schooling.

But grandfather is dying, cannot afford to pay for school and now the kids have to be homeschooled by Aidan. He’s unorthodox and the kids begin to learn something about life in many different ways. Adding to the situation is Aidan’s brother Noah (Josh Gad), who won’t speak to his dad and is caught up in his own world.

I didn’t particularly think the story about how he and his brother use to play that they would save the world in their fantasies was very well thought out. The symbolism wasn’t that strong.

Braff was good and the story line, for the most part was good – not great. Hudson was, at times, very good like when she was at the hospital speaking with Aidan’s father. However, at other times she just seemed to be to easily joyful while being in a stressful situation. Gagnon was superb, he was perfect. King was the star of the film. Her range was amazing and she embodied a young woman learning to trust and love life. Gad was strong as the affected brother. Braff did a good job of directing his and brother Adam’s script. It just didn’t ring true at times while at other times it was wonderful.

Overall:  Entertaining and at times very thoughtful.

Boyhood

First Hit:  An amazing film that boarders on being a documentary type film and yet it isn’t.

I was swept up into the story from the very beginning. Richard Linklater has written and directed some of the best films in the past decade.

The three Before and After series with Ethan Hawke and Julie Delpy, are outstandingly written as is this film. The writing is precise, yet loose and modern. The way this story falls together is sublime.

Linklater follows a young boy Mason (Ellar Coltrane) from ages 6 through 18, shooting him with his acting family of Mom (Patricia Arquette), Dad (Ethan Hawke), and sister Samantha (Lorelei Linklater) over this period of time. This means everyone ages correctly, what they bring to the part has real life wisdom and experience while the storyline evolves in small jumps through these 12 years. How these actors interacted with each other was amazing, but more importantly, if felt so real because in many ways it was.

Coltrane was an amazing choice for Linklater and fulfilled his gamble amazingly well. The likelihood that that Coltrane would be so amazing when selected at age 6 was small. To have these results is sublime. Arquette was absolutely wonderful in all ways. Strong, vulnerable and really embodied the woman who does her best to fend for her family. Hawke is fantastic as the dad who learns how to become a dad over this time period. Lorelei Linklater was wonderful as Coltrane’s sister. She embodied a young girl that struggles and flourishes through puberty and added so much to the dynamic of this family. Richard Linklater has created yet another masterpiece.

Overall:  This is a must see, as it is truly different and groundbreaking.

Begin Again

First Hit:  Thoroughly enjoyed Keira Knightly’s role and character – she made this film work.

There are a number of scenes in this film in which Knightley shines, one is when she sings the first song in the alley way. Another is when she connects with Dan’s (Mark Ruffalo) daughter Violet (Hailee Steinfeld). There is an infectiousness light that exudes from her.

Basically, Gretta (Knightly) is in New York to support her singer boyfriend Dave (Adam Levine). She is also a songwriter and has penned and partially penned some of Dave’s hits. He gets caught up in being famous and cheats on Gretta. Dan, who is a down on his luck alcoholic record producer walks into a bar and hears her sing a song.

What I loved about this scene, and others in the film, is that the audience gets different views of the same scene, which show a different perspective – wonderful direction. Dan hears her song fully produced and even through his drunk state, you get this is a great song. Their relationship helps them both grow as people and in their professions. Another wonderful relationship in the film is Gretta’s with her old friend from London - Steve (James Cordon). He’s in New York trying to make a living with music and the way he openly reaches out to Gretta is beautiful.

I felt the direction; especially the use of seeing the same scenes from a different point of view was excellent. This technique wasn’t over used and added to the “setup” of the characters.

Knightly shines in this role and her singing was delicately very good. Ruffalo was good, and as the film progressed his engagement with making the music was really strong and I grew to care about his character – which was the point. Steinfeld in her limited role was very good. Cordon was very good in his supporting role. Levine was OK as the character and better when he sang. Mos Def as Ruffalo’s business partner was a great casting because he embodied the role he knows so well – producer. Ceelo Green as a friend of Dan’s was also a great casting because he brought an amusing yet sound viability of Dan’s role in the film. John Carney wrote and directed this film and some of his scenes were really wonderfully shot.

Overall:  This was a really nice film to watch.

Obvious Child

First Hit:  This film is direct, at times interesting, and at other times touching.

Although the film is about a woman comedian, it doesn’t necessarily make it a comedy. Is it funny at times? Yes.

But what struck me about this film was the directness of the main character Donna Stern (played by Jenny Slate). Directness doesn’t make the character smart or making smart choices, yet the frankness of Stern’s (character) is admirable.

For me this film is really about how we keep people away by not being open in our hearts to see how others might be reaching out. The opening sequence has Donna on stage at a small comedy club sharing her life and her life with her current boyfriend. As comedians will do, her observations of their relationship in public do not make him feel good, and after the show he dumps her. This begins a sequence of events that have her begin trying to discover more about her life.

Enter Max (Jake Lacy), a very different man than she’s used to being around. This film is about changing, seeing oneself and another in a deeper way and trusting the feelings and another person. My favorite two scenes: When she tells her mom she’s pregnant and when she’s on the couch with Max at the end – both very touching.

Slate was really good at portraying a woman needing to shift her view of family and her life. Lacy was strong as a solid guy who cares and wants to care about Donna. Polly Draper as Nancy Stern (mother) was good at showing her heart at the right time. Richard Kind as Donna’s dad Jacob was also good as the creative dad Donna relates to. Gillian Robespierre and Kelly Maine wrote a very strong script. Robespierre did a really good job of directing this story.

Overall:  It was a good film about a woman making a difficult decision and learning to let go of her stranglehold on her own heart.

Third Person

First Hit:  Three intellectually and emotionally charged stories that become one in the end.

Liam Neeson plays Michael a successful Pulitzer Prize writer in Paris trying to write another book.

Flash - we’re in another story where we have Scott (Adrien Brody) making a deal to purchase stolen clothing designs – he’s a thief. Julia (Mila Kunis) is a young woman charged with intentionally harming her child. Although it wasn’t proven in court she cannot see her child.

Each story starts and is grown from here. In Michaels’ case he has a wife Elaine (Kim Basinger) who calls him from their home in the US and is worried about his welfare. There is pain in their voices when they speak. He also has a lover – Anna (Olivia Wilde) who is both loving and heartlessly mean. Scott hates being in Italy, goes to an “American” bar expecting something like home and doesn’t find it.

He meets Monika (Moran Atlas) at the bar and ends up getting mixed up with her trying to get back her daughter from some street thugs. Then there is Julia’s story of trying to see her son who is living with a famous artist Rick (James Franco) and his live-in lover Sam (Loan Chabanol). She is being defended by Theresa (Maria Bello) who really tries to help Julia see her son but Julia keeps getting in her own way.

As each story evolves the screenwriter slowly brings them together as a singularity. The film is long and at times, I wondered when it would end - and I also was staying engaged.

Neeson’s story is the focal point of the entire film as it begins and ends with him. My perception is that his character creates feelings about things for himself, through the creation of characters in the stories he writes about. His performance was strong. Kunis was amazing as a young woman who tries hard to do the right thing but gets in her own way almost all the time. Brody was divine, in the way he worked through the trials of his life. Wilde was very strong as a heartless woman who wanted to really be loved and cared about while learning to trust. Chabanol was very good and her scene with Kunis in the women’s restroom was very good. Franco was OK as the distant creative artist. Atlas was sublime as the Roma woman trying to get her child back. Her movement between hard and openly soft was amazing. Bello as Kunis’ attorney was very good and her franticness were perfect for the part. Basinger was very good as Neeson’s wife who holds his struggles with equanimity. Paul Haggis wrote and directed this film. He likes complex stories which require the audience to work to understand as well as touching on sensitive subjects – he does this in this film as well. Overall, it boarded on overly complex and trite.

Overall:  I was touched by the acting in this film.