Ballet 422

First Hit:  Outstanding and revealing film of how a young man and corps dancer, choreographs a new ballet (the 422nd) premiered by the New York City Ballet.

The opening sequence is a Jerome Robbins ballet which sets the film's tone because he is an amazing choreographer. Then we see Justin Peck a corps dancer since 2007 practicing.

The voice over announces that his wish to become a choreographer is coming to fruition again. He's getting the opportunity to choreograph his third ballet for his employer:  Number 422 to be premiered by the NYCB. We watch him in a practice room creating alone. Then we see him work with a couple of principle dancers and an assistant.

We watch him work with the lighting director and the music conductor. We see the development of costumes and the makeup. All of the work he does appears to be collaborative – but his voice is strong and continues to shine through.

While watching this film, it becomes almost oddly haunting that this is the only thing in his life. Each night he takes the train home - alone. The scenes in is apartment are of him only working. We never get to see the whole ballet as a single dance. What we see are parts; some on stage, some in the rehearsal room, some with costumes and some without lighting. However, one gets the power of his creation as we watch it develop.

The part I loved most was him on stage taking a bow, leaving the stage, changing into costume and getting ready to be a corps dancer again in the 3rd ballet of the evening.

Jody Lee Lipes directed this film with amazing deftness.

Overall:  If you like dance and especially if you wonder how a performance becomes a reality – watch this film.

50 Shades of Grey

First Hit:  This film was 50 shades of boredom.

I didn’t read the books and I make it a point to not read books that may turn into a film. The experiences are very different and in the world of comparing things, it is generally a no win situation - either the book is better or the movie is better.

What was wrong with this film? No character development. The attempt to develop Christian Grey's (Jamie Dornan) character has him sitting on the edge of Anastasia Steele's (Dakota Johnson) bed and saying that he was raised by a crack head while Anastasia sleeps.

This is not character development. Anastasia saying she was a virgin and that she loved her stepfather is not history. Both of these items say something about the characters, but it isn’t enough to help the audience understand why they act and respond the way they do.

As the film progresses neither character evolves. Additionally, we know nothing as to how Grey makes his money. He seems to work very little because there are only a couple scenes where you think he’s suppose to be working. What you see is him telling someone on the other end of the line that what they are saying is unacceptable and to fix it. Was there chemistry between these lovers? I could sense Johnson doing a better job than Dornan in showing something, but Grey was virtually a desire-less slug.

The worst thing about this film, was that after about 45 minutes to an hour, I was looking around and away from the screen because I was bored stiff. I couldn’t wait until it ended.

Johnson was best in the first 30 minutes of the film, but she didn’t evolve very well. The only sign of growth was the scene of her sitting and negotiating the contact with Grey. Dornan was about as exciting as a doornail. He seemed stilted, out of place and without any depth whatsoever. There were other actors in this film but when the main characters are dull and lifeless, it takes someone doing something extraordinary to have me acknowledge it. Nothing in this film stood out. Kelly Marcel wrote a tired and lifeless screen play. The direction by Sam Taylor-Johnson was worse than the screenplay and acting because he got nothing out of any of those things.

Overall:  Its funny that the first week out this film did phenomenal business and when we were in a very large theater a week after the opening, there were maybe a dozen people. It is falling fast and justly so.

Black or White

First Hit:  Good theme however the execution was very uneven.

Elliot Anderson’s (Kevin Costner) wife dies suddenly. He and his wife have been the primary care takers for their deceased daughter’s child, Eloise (Jillian Estell).

The child is of mixed race and her black father Reggie (Andre Holland) is addicted to crack cocaine and has not been present in Eloise's life. Reggie’s mother (the other grandparent) Rowena (Octavia Spencer) now wants to have custody of Eloise because she doesn’t think Elliot will be a good parent and because she wants her granddaughter to have a black family experience. To do this Rowena hires her nephew Jeremiah (Anthony Mackie) who is a corporate lawyer.

This film comes to a culmination in a couple of courtroom scenes and a scene at Elliot’s home towards the end of the film. At times, I was waiting for the film to progress and at other times it was interesting. The addition of Duvan (Mpho Koaho) as Eloise and Elliot’s tutor was great. The point of the film was; what’s the difference between how black people see white people and how white people see blacks - only one scene in the courtroom begins to address this important item.

Costner is at times good (as a drunk) and OK with the rest of the role. Estell was fabulous and was the star of the film. Spencer was good as the pushy woman who usually gets her way but having a blind spot for her family. Koaho was divine and joy to watch. Mackie was strong as the Jeffers’ family attorney. Holland was OK as the drugged out father. Mike Binder wrote and directed this film and unfortunately it didn’t live up to the possibilities.

Overall:  The film was contrived at times and funny at others.

Still Alice

First Hit:  Powerful acting in a very strong film.

Julianne Moore plays Alice Howland, famous and prestigious linguistic professor at Columbia University, who discovers that she has Familial Alzheimer’s disease which has a 50% chance of being passed on to her children.

Her three children Anna (Kate Bosworth), Tom (Hunter Parrish), and Lydia (Kristen Stewart), all have different relationships with their mother and are accurately testy with each other. Alice’s husband John (Alec-Baldwin) is also at Columbia and is very supportive of his wife’s oncoming illness.

This film is about what happens within this family as Alice’s disease takes ahold of her. The scenes are well done and allow the audience to feel along with both Alice and the others.

Moore is Oscar extraordinary. She delivers on all levels and the ending scene when she utters, says it all. Baldwin is very strong as the loving husband. Bosworth is very good as the know-it-all, professionally focus, and protective of her mother kind of daughter. Parrish was overshadowed by the other actor, but good at times. Stewart delivered. The complex, rebellious and understanding daughter role fit her perfectly. Richard Glatzer wrote this wonderfully compelling script and his own direction with Wash Westmoreland was spot on.

Overall:  This was a very good film and the acting sublime.

Cake

First Hit:  Jennifer Aniston was great in an OK film.

The pain Claire Bennett (Aniston) is in is palpable. Although we don’t learn what caused her to be in this pain until much later, we do piece the possibilities together during the 92 minutes.

The film consists of us following Bennett from support group, to physical therapy, and to home while she pops pills from her hidden stashes. Her former husband Jason (Chris Messina) feels for his former wife, but cannot save her from her self-destruction.

Her mainstay is housekeeper Silvana (Adriana Barraza) who helps to keep the ship upright. She cooks, cleans and mostly cares about Claire and does this in extraordinary ways. She is haunted by dead fellow pain prisoner Nina Collins (Anna Kendrick) who decided she couldn’t stand it any longer and had committed suicide. Nina’s husband Roy (Sam Worthington) is just barely hanging on, with his son Casey (Evan O’Toole) and Claire finds some solace with him.

Aniston is wonderful in this role. I fully believed that she was in pain and she held the space of pain and addiction in an amazing way. Wonderful acting. Barraza was fantastic as Claire’s housekeeper and friend. Messina with a small and meaningful role, done wonderfully. Kendrick was perfect. Although being a hallucination she was perky and intelligently perfect. Worthington was very good as a lost husband of grief. O’Toole was perfect. Patrick Tobin wrote a strong scrip, however it seemed to labor at times. Daniel Barnz did a good job of directing Aniston’s extremely strong performance.

Overall:  Although there were strong performances the subject and pacing won’t have this become a crowd favorite.