The Diary of a Teenage Girl

First Hit:  Great view of the 70’s and how one young girl grows through her budding sexuality.

The late 1960’ through the mid-late 1970’s were ripe with open sexuality and drug use. This film captures the mood and feeling of this era with some spot on dialogue, scenes and cinema-graphic feel.

The story is about a young girl, Minnie (Bel Powley), who wants to be touched, love and be loved. Her father Pascal (Christopher Meloni) is long out of the picture and his former wife Charlotte (Kristen Wiig) lives the life of partying with drugs and drink. Minnie’s younger sister Gretel (Abby Watt) and she lead their own lives although they are just teenagers.

Charlotte's boyfriend, joining her in this chosen lifestyle, is a vitamin pill producer named Monroe (Alexander Skarsgard). When Monroe makes slight advances towards Minnie, she responds with enthusiasm and their affair starts. Minnie likes her budding sexuality and her sex with Monroe becomes her life's focus. Monroe just cannot seem to help himself around Minnie.

She documents this new adventure and change in her life by drawing cartoons in her notebook and recording her thoughts on cassette tapes. When her mom finds out what has happened, the expected blowup transpired and then takes some odd turns. Minnie works through her pain in her own way. What struck me about the film was the way it was shot.

The director and cinematographer, really captured the way films looked back in the 1970’s. The strengths of the performances effectively carried the theme and attitudes of the era.

Powley was fantastic as the girl looking for love and affection. She created a strong feeling of young angst while also displaying the ability to grow into a new level of maturity. Wiig was strong as a mother of the 70’s. She was able to exemplify the sense of the era. I know because I was a young father in the 70’s as well. Skarsgard was very good as the guy who couldn’t help himself around the young sexually charged Minnie. Watt was perfect as the annoying, yet loving, sister. Meloni was effective as the guilt-ridden intellectual absent father. Marielle Heller wrote a strong script displaying a great feel for the era as well as Minnie’s view of the world. In her direction, Heller did a great job of creating a perfect sense and feel of the times.

Overall:  Although a difficult film to watch, the strong story makes up for it.

The End of the Tour

First Hit:  Intelligent dialogue in a very well-acted film.

This is a simple intelligent film about David Lipsky (Jesse Eisenberg) a Rolling Stone reporter who works his boss to get an assignment to interview the current hottest writer David Foster Wallace (Jason Segel). Wallace has a past and history that Lipsky wants to better understand but mostly, because Lipsky, a writer himself, wants to find out why Wallace’s book is so much better than his  recently published book.

A number of their conversations take place in the car driving to various book readings, café’s, and Wallace’s home. Because of the physical closeness, their relationship grows to reveal a lot about each of the men. Wallace talks about learning about himself the hard way. He’s deeply explored his depression, has and continues to learn what is important to him, and how to deal with how the public views him, which often is far from the truth. He’s learned what his reality is and how to reconcile all of his life’s difficulties.

Lipsky gets challenged by someone who is as smart (maybe even smarter) as him. His respect and admiration occasionally gets in the way of interviewing Wallace, but those items also create a way to deeply learn more about Wallace and himself.

Eisenberg was his usual high intensity, high speed intellectual self. He’s is smart that he picks roles that display his natural strength. Segel gives a performance of a lifetime. He is stupendous, superb, and sublime. He embodies the character and dialogue. Donald Margulies wrote an incredibly strong script. James Ponsoldt created a great watchable film through his direction.

Overall:  This was a very watchable film by having intelligent dialogue.

Straight Outta Compton

First Hit:  Loved watching these young men fight through police repression to make a name for themselves.

I’ll deal with the downsides of this film first:  It needed about 30 minutes trimmed from its running time. And two, I would have liked a little more about what connected Ice Cube (O’Shea Jackson Jr.), Dr. Dre (Cory Hawkins) and Easy-E (Jason Mitchell) to each other.

The film had the relationships at a slight arms distance, and it may have been how they were, but it just seemed to me that there may have been more to the depth of their connection (especially Dre and Cube). The most powerful parts of the film were how situations with Police drove Ice Cube to write amazing powerful lyrics and then, of course, the concert scenes.

The climatic concert scene was the Detroit concert where the cops told them to not sing “Fuck Tha Police”. Of course they did, using their amendment driven rights of free speech to tell their story. This was was followed by a riot and arrest. The sadness of Easy-E and Jerry Heller's (Paul Giamatti)  greed was hard to watch, especially when the others trusted them. They were getting theirs while the rest of the group wasn’t.

Then in comes Suge Knight (R. Marcus Taylor) bullying himself into saving the day, but really only for his benefit. The film also gives glimpses of Snoop Dogg and Tupac. We get to see Ice figure out he needs to leave NWA and go out successfully on his own. Then we see Dre figure out he needs to control his own destiny as well. He leaves Death Row Records and starts Aftermath through Interscope Records and Jimmy Iovine. Anyone who knows anything about music knows that Aftermath has a stable of amazing rappers, including 50 Cent, Kendrick Lamar and Eminem.

This films gives a great lesson and view of the West Coast rap scene.

Jackson Jr. was incredibly strong as Ice and playing his dad must have been interesting and amazing. Hawkins was wonderful as Dre. My favorite scene was when his blew up at Death Row Records office which was followed by his telling Suge, “I’m out”. Mitchell was sublime as the wheeler-dealer E. His first scene of him learning to rap was fantastic, along his finding out that he had AIDs were spot on. Giamatti was very good as NWA’s first manager. My favorite scene was when he was pleading with E to not leave – but always stating that he took care of his end. Taylor was incredibly sublime as Suge. He had the cigar smoking attitude down pat. Jonathan Herman and Andrea Berloff wrote a very strong, intelligent, and pointed script. Outside that I think the film was too long, F. Gary Gray’s direction was very good.

Overall:  This was a very strong film about West Coast rap scene and I liked it.

Ricki and the Flash

First Hit:  Nothing lasting about this film and moments were really enjoyable.

It must have been interesting for a real life mother (Ricki/Linda played by Meryl Streep) and daughter (Julie played by Mamie Gummer) to play film life mother and daughter.

The resemblance was there and I couldn’t help but wonder if Meryl’s movie making career created some angst in Mamie’s relationship with her? My guess is that there might have been some but not as much as in this film. Here Ricki/Linda leaves her marriage to Pete (Kevin Kline) to follow her dream of being in a Rock-n-Roll band. Pete was left to care for the three kids, Julie, Josh and Adam, alone. Pete marries Maureen (Audra McDonald) who steps in and becomes the mother Ricki/Linda isn’t.

However, this film is also about following your dreams regardless if you become rich and famous for it. Her band is her family now and we get to watch her relationship grow with Greg (Rick Springfield) the lead guitarist.

The band’s covers of songs by various artists are strong and authentic enough to make it work. Their versions of these songs take into account the age of the band members as well as their abilities. Although I didn’t particularly like the songs chosen – they work well enough.

The film is about acceptance and seeing things from another’s point of view.

Meryl Streep was almost convincing as someone who lives in a dream land kind of way. Her dialogue was good for the part but Streep's inane intelligence belied her part. It seemed hard for me to see Streep be a character that didn't understand the impact of her choices. It is difficult to play ignorantly spacey. As the film progresses her character begins to get it, so the acting isn’t as difficult. Gummer is pretty good at being the spoiled child who cannot believe her marriage turned out the way it did. Kline was very good as the father, still loving his first wife, loving his second wife, and knowing where to be strong and flexible. McDonald did a strong job of being the woman who raised someone else’s kids. Springfield was very good as Ricki’s band mate and lover. It also gave credibility to the music playing in the film. Diablo Cody wrote the, at times, adequate and compelling script. Jonathan Demme directed the cast well, it was just that the subject matter wasn’t presented in the strongest way.

Overall:  This was a feel good film and for the most part it worked.

The Stanford Prison Experiment

First Hit:  A puzzling and difficult film to watch. The behavior changes shown by both the prisoners and guards in the mock prison experiment was astounding.

This film is based on a true event in the summer of 1971 where Dr. Philip Zimbardo (Played by Billy Crudup) set up and ran a prison experiment in a basement of a Stanford University campus building. I sat mostly flabbergasted at the scientists running this experiment, the prisoners, and the guards behaviors. This was supposed to be a two week project where the subjects were given $15 a day to either be a prison guard or a prisoner.

The choice was made by a coin flip by Dr. Philip Zimbardo the guy who conceived and ran the experiment. Although I wasn’t there, and this is a film reenactment, this experiment needed to be stopped far short of the 6 days it lasted. The behavior of Dr. Zimbardo was filled with power and it took him 6 days to realize that he had became part of the experiment and problem. The men who were selected as guards almost to the person found that power over others was intoxicating. This behavior I found less shocking.

However, I was really shocked at how quickly the prisoners fell into such subservient positions to the guards. This film was difficult to watch and I wasn’t the only one. The audible gasps in the audience assuaged my own gasps and nervous laughs.

Crudup was strong as the ego driven psychology professor. Nelsan Ellis as the former San Quentin prisoner, Jesse Fletcher, who was monitoring the experiment was outstanding. All the prisoners and guards were great and made it seem like this is how it could have happened. Strong performances – all. Tim Talbott wrote this powerful script. Kyle Patrick Alvarez expertly directed this film.

Overall:  This film was fascinating and difficult to watch.