Black Mass

First Hit:  Very disappointing film as there is little substance about Whitey’s motivation to be the criminal he was.

I was looking forward to seeing this film, because I thought I’d learn something about James “Whitey” Bulger, the man who was on the FBI’s 10 most wanted lists for years.

I learned very little except he, as Johnny Depp played him, had a brother named Billy (Benedict Cumberbatch) that was a State Senator, his childhood friend named John Connolly (Joel Edgerton) was an FBI agent, and that he became an FBI informant to further his criminal career. But there was nothing about what drove Whitey to his life of crime and even more, nothing around the deeper motivation for his killing and crime spree.

The side story about Connolly was mediocre and, in this film, it was obvious his association with Whitey was ill-used and inappropriate. It was bad script-writing, poor direction, poor acting and/or a combination of any of these resulting in the audience being un-engaged while the payoff never arrived.

Depp had a great look for the film, and it appears he did what the script and director called for, but there wasn’t enough there to make it interesting. Cumberbatch was excellent in his small role and his meetings with Connolly were perfectly executed. Edgerton was OK, and it issue seemed to be the way the script was written and how the director wanted him to be emphatic about how Whitey was helping the FBI. It just didn’t see it working as a real story. Mark Mallouk and Jez Butterworth wrote the script that lacked backstory as to why Whitey took up a life of crime while his brother became a State Senator. Scott Cooper didn’t seem to see how the way he filmed this story lacked interest. The subject is a fascinating one, but it was all lost within intense vignettes.

Overall:  This film lacked depth and interest.

Everest (3-D)

First Hit:  Having read Krakauer’s book, the film was generally weak and disappointing.

I do not read many books that are tuned into films and I had read this book when it first came out.

Because it was some time ago, I hoped to just view the film without the prejudice of the book in the back of my mind. However, there was little or no back story as to why Scott Fisher (Jake Gyllenhaal) was the way he was. In fact the backstories were minimal and the attempt to build them during an evening when Krakauer (played by Michael Kelly) asked “Why” the climbers were climbing Everest fell far short of providing the needed information.

The audience needs to know why the characters are doing what they are doing - it is the primary set-up job of the director and scriptwriters. The gist of this story has too many people climbing Everest as part of their bucket list. With so many untrained and unskilled people trying to climb Everest we know something is going to happen.

Having been to Lukla, Namche Bazar, Tengboche and Kala Pattar, I’ve seen Everest reasonably close. I’ve seen hikers/climbers tossed onto the backs of Yaks to bring them expediently down the mountain because of altitude sickness. There just doesn’t seem to be enough respect for the mountain.

Rob Hall (Jason Clarke) had developed a company that took less experienced people up to the top of Everest. One of his rivals was Fisher. They are different in their attitude towards the mountain and they team up to try to get both their parties up and down the mountain safely. I heard this from the first time I hiked in to Lukla, “Everest makes its own weather”.

Having flown over the Everest from Gonggar airport in Lhasa, Tibet, seeing the way the wind whips across the top and the ridges the statement seemed so true. In this story a weather front comes in and seals the fate of many climbers who didn’t put their safety over the goal. There are great shots of Khumbu Icefall and the treacherous ladder bridges.

One of the best stories out of the book and one of the main stories in the film is of the rich arrogant Texan Beck Weathers (Josh Brolin) who ends up surviving the trek but ends up with a severe case of frostbite. The other sub-story is of the wives and supporting women of the men (and one woman) climbing the mountain.

The worst part of the film for me is seeing (and it is true) how much garbage and oxygen bottles are left on the mountain (from Base Camp on up) - lack of respect for nature.

Clarke was OK as Rob Hall. I didn’t believed his character but that could have been the direction. Gyllenhaal was OK, but with a lack of a backstory I just kept wondering why he acted the way he did. Kelly as Krakauer seemed like a very minor character, however his book raised the awareness of Everest and these climbers. Brolin was very good as the abrasive ego centric Texan. Emily Watson as Helen Wilton was strong as base camp manager. Keira Knightly was very strong as Hall's pregnant wife waiting for him to return for the birth of his daughter. William Nicholson and Simon Beaufoy wrote a weak script that really developed only 2 characters (Hall and Weathers). Baltasar Kormakur directed the film and given the intensity of the event and the decisions that were made, I was very disappointed in the result.

Overall:  This film did not deliver a very intense story.

Time Out of Mind

First Hit:  An insightful slow paced film that provides an interesting window into homelessness.

The film opens with cornucopia of noise and a view out of a trashed apartment in NYC. The noise continues through the entire film.

The background conversations and noise had me probing the screen looking to see who was talking or where the noise was coming from respectively. It was relentless and for George (Richard Gere) his 10 years of homeless or, being “temporarily without a home”, the noise adds to his inability to be clear and function. At times he’s clear and functional while at other times he succumbs to the fogginess of his despair and confusion.

As the film moved along, I felt as though this film was made by shooting Gere unrecognized wandering the streets and through homeless shelters of NYC. It was as if the cameras were shooting him from a distance and the people in the streets had no idea it was Gere. We learn during the film that his daughter Maggie (Jena Malone) doesn’t want to have anything to do with him and his attempts to see her are rebuffed.

The back story is shared with fellow homeless man Dixon (Ben Vereen). Dixon can’t stop talking which adds to the noise in George’s life. During one of their walks George tells Dixon what he remembers, his wife dying from cancer, his losing his job, drinking, losing his home, his daughter being raised elsewhere and going down a rabbit hole.

The scenes in the shelters and many of them on the street were really strong. When watching this film, one has to be patient as it moves at its own slow pace and everything unfolds slowly and realistically, just as in life.

Gere is really great. I loved his looking intelligent and at home within himself, yet barely holding on to what is next – wonderful juxtapositions. Malone is very good as Gere’s daughter. She has an edge of anger, sadness, and determination to not being dragged into George’s life again. Vereen is fantastic. His constant conscious stream of dialogue is perfectly like some of the homeless people I’ve befriended. Steve Buscemi as a building manager was perfect. Oren Moverman wrote the screen play and also directed the film. At first I was annoyed at the noise in the film, but quickly realized how it really made this film work.

Overall:  At the end of the film, I felt I’d been through a really good experience and got a view into homelessness.

A Walk in the Woods

First Hit:  Enjoyable, interesting at times and funny – it was “A Walk in the Woods”.

This film has two veteran actors past their prime, showing why they still have something left in the tank.

Bill Bryson (Robert Redford) and Stephan Katz (Nick Nolte) are two old friends who’ve not seen each other for quite some time. Bryson gets an idea that he needs to change something in his life and decides to walk the Appalachian Trail (From Georgia to Maine).

His wife Catherine (Emma Thompson) doesn’t want him to do this, thinks he’s too old and makes a stipulation that he has to do this with someone. He calls lots of people and everyone turns him down, except Katz who wasn’t asked directly but heard it from a mutual friend. He’s interested because he has arrest warrants out against him and this will give him some relief from those worries.

The characters are clearly defined, Bryson refined, well spoken, and intelligent, while Katz is rude, crude, and well worn. But during the walk we see their likeness and learn of their history together. All the while each is walking in this beautiful part of the country for their own reasons.

They meet people along the way that supposedly challenge their beliefs, but only one, hiker Mary Ellen (Kristin Schaal), challenge them as a team. I never got a solid clear feeling as to why Bryson did the hike in the first place but it probably wasn’t important.

Overall, Redford was strong and was perfect to play this reserved controlled character. Nolte has had a lot of hard miles on him and was perfectly cast in this role because his character called for his background. Thompson was effective in her small role. Schaal was perfectly annoying and wonderful in her role as fellow hiker. Rick Kerb and Bill Holderman wrote a good screenplay that effectively highlighted these two disparate characters. Ken Kwapis got a fair amount of great scenes from these two, but some of the scene sets were obviously done in a studio.

Overall:  This was a very enjoyable film.

Grandma

First Hit:  Most of the time it was creatively funny and interesting while being topical.

Lily Tomlin (Plays Elle Reid – the grandmother) is in one of her finest moments as an actress. It allows both her acerbic and humorous qualities to exist in the same person while making sense.

Her granddaughter Sage (Julia Garner) arrives at her home looking for help. She’s young, pregnant and without the money she needs to have an abortion scheduled for later that day. Elle doesn’t have the money either and although Elle’s daughter and Sage’s mother Judy (Marcia Gay Harden) has money, neither want to ask her.

The story aims to help bridge this gap between grandmother, mother and daughter. Elle is also a lesbian and her live-in lover Olivia (Judy Greer) who is getting the boot early on in the film, provides another side of the story and the complexity of Elle’s life is slowly revealed as the movie unfolds.

Although complex, the story is also simple and gives the audience enough to think about as the story unfolds. This is one of the strong points of the film. Additionally, many of the shots of Sage and Elle driving in the vintage car are precious as was the interaction between Elle and her former husband Karl (Sam Elliot).

Tomlin is fantastic and makes the emotional wise role work well. Garner is a star in this film. She’s both angelic and vulnerable. Harden is strong in her small role. Greer’s perfect in her small and pivotal role. Elliot is absolutely divine as the former husband. Paul Weitz wrote and directed this insightful, funny, poignant film.

Overall:  This film has staying power after watching it.