Bitter Harvest

First Hit:  This film was a bitter pill to swallow let alone watch.

It is incredibly sad when the Holodomora, a hugely historical event of the last 100 years, gets such a milquetoast treatment. Russia admits that between this event of starvation, birth deaths, and war killed between 7 and 12 million Ukrainians.

The film tries to tell this story through a love affair and romance between Yuri (Max Irons) and Natalka (Samantha Barks). One unfortunate circumstance of this film is that there was little believable chemistry between these two. The film portrays her as damaged because of her family’s dynamics and him as a non-warrior because he’s a talented artist. When Russia decides it needs all the grain and riches in the Ukraine because Russia is starving and struggling to survive, Stalin orders his troops to take everything of value in the country by force.

By taking the food, their religious icons, and anything of value, the Ukrainians are starved to death. Unfortunately, the film’s treatment of this horrific event, and the lack of providing clarity around the depth of this historical precedence, turned me off. It might have worked if the love story was well done and a key driver, but it wasn’t. It was sort of a mishmash and smattering of scenes that just didn’t add up to telling this story.

One of the stories has Yuri’s grandfather Ivan (Terrance Stamp), once a famous war leader, leading their village’s resistance to the Russian occupiers by organizing the Ukrainian men. Another story is Yuri goes to Kiev to become an artist, but finding out how bad it is at home he stages, with friends, revolutionary talks in Kiev and gets jailed for his association with Ukraine. You have a story of his wife and villagers being pressed into subservience, including Natalka earning favor for her family by giving her body to a Russian leader.

Even the story of Yuri evolving to a warrior, breaking out of a Russian prison, and coming back to his home village lacked the kind of dynamics to make it work. None of the stories have enough oomph to make it all work.

Irons is flat as Yuri. I never bought him as an artist or revolutionary warrior. Barks was better in her role, but the continual dark scenes and lack of a consistent storyline hurt her part in the film. Stamp looked tired and bored as Ivan. His natural commanding presence was wasted and it seemed as if he knew this while being filmed. Richard Bachynsky Hoover wrote a weak script, especially if he wanted to share this horrific historical event with the world. George Mendeluk probably followed the script and story by Hoover, but I think he probably contributed to this mess.

Overall:  This horrible story was hidden from the world when it took place and as the first film to try to tell this story, it failed.

Fifty Shades Darker

First Hit:  Only at the very end did I sense/feel an actual connection between Anastasia and Christian, which told me that this film does not work.

There is a distance between Anastasia Steele (Dakota Johnson) and Christian Grey (Jamie Dornan) which might be reflective of “steel gray” or “gray steel”; they go together but one doesn’t necessarily mean the other and they aren’t necessarily connected.

Anyway, the set up of Grey isn't strong enough to make him realistic or believable. I didn't buy any of this characters strengths (smart and rich) and flaws (can’t touch his chest). This isn’t how one would act with his issues – it is too fabricated. However, the story wants us to believe that the superiorly damaged rich boy can’t have a relationship without out being sadist (his words not mine – “I’m not a dominate, I’m a sadist”).

One would think that this rich smart aware boy (and he’s more like a boy than a man) would seek out additional help to have him work through his maladjustment relationships with women. However, to make the film work, we are back for more of Steele’s naked body along with some submissive stuff and we're suppose to believe that she wants him, and wants to be the girl that saves him from himself.

This, of course, pisses off the woman who “taught him to fuck”, Elena Lincoln (Kim Basinger) and past submissive Leila (Bella Heathcote). In fact, the scenes with these two characters are supposed to be very telling, but that don’t really add up to much. When Leila gets on her knees when ordered by Grey, like a dog, it is pathetic for both. When Steele has one-on-ones with Lincoln, they don’t work and I never felt the feeling or intensity of a deep desire or love as required by the script. Both characters, mostly Grey, were lifeless.

Lastly, there isn’t enough information or interest about each of the characters to care much. There are attempts to flesh-out Steele, but they mostly fall flat as there isn’t enough depth to her. The only scene that was really strong was her confrontation with her boss Jack Hyde (Eric Johnson – no relation to Dakota) who is seen at the end of the film signaling at least one more “Shades” film to come.

Johnson was the best part of this overall very weak film. She didn’t add much depth, but any and all the depth in this film comes from her. Dornan is lifeless for the most part. He’s not believable and lands on me the same way that Robert Pattinson lands on me; blank, with little emotion, and little projection of a real fully fleshed character. Basinger is horrible in this film. It is like the producers are using her sexuality from the long past 9 ½ weeks film to validate Grey’s weirdness. Heathcote is OK as the spurned sexual dilettante. Eric Johnson is OK as the jerk boss who uses his authority to get his way with staff at the publishing company. Niall Leonard wrote an OK screenplay but it was director James Foley and the actors’ execution that made this film lifeless and hard to watch, until the last 10 minutes, which was actually fairly good.

Overall:  Don’t know if I’ll be able to stomach the next one in this series.

20th Century Women

First Hit:  I liked it overall and some scenes are wonderfully funny, but it didn’t impress or stay with me afterwards.

There was something missing in this film and I’m not sure what it was. As I previously said, I liked many of the scenes individually but together as a story it just missed the target.

The basic story is that a single mother Dorothea (Annette Bening), in her late 40’s early 50’s, is raising her fifteen-year-old son, Jamie (Lucas Jade Zumann), in Santa Barbara in the late 1970’s. She lives in a large home with people who rent rooms; Abbie (Greta Gerwig) and William (Billy Crudup). Abbie, who’s in her early 20s, has come to Santa Barbara from New York after learning she had cervical cancer to be an artist. William is slightly younger than Dorothea is a handy man with cars and is fixing up Dorothea’s huge rundown house. Dorothea is stressing about her son and wants him to be a smart caring whole man who navigates the restlessness of the ever-changing world. There are peace protests, punk music is flourishing, and there is also the feminist movement.

Julie (Elle Fanning), is a neighbor girl whose mother is a child psychologist and requires Julie to sit in her youth therapy groups. She often spends the night with Jamie but only to talk and rest. She sneaks in by climbing the scaffolding surrounding the house. She comes back into the house, through the front door, in the morning and has breakfast with the rest of the household.

Always worrying, somewhat defensiveness, and not being forthcoming about her past is the byword of Dorothea’s character. Abbie is about finding peace with her life. She wants to express and settle down. William lives easily and as the dialogue stated, women come to him and he gets bored with them easily. Julie is exploring her freedom from her mother through sexual behavior and depressive based rebellion. Jamie is simply growing up and although he’s going out and experiencing new things, his mother seems to think that he needs more help.

Bening is very good, however I didn’t necessarily like her character much. There was a distant neediness to her that didn’t really work for me. Fanning was fantastic. She does the part woman/part girl nervousness with amazement. Watch her hands and feet move as when she’s nervous – wonderful subtle acting. Zumann was very good as the boy learning to become a man. Scenes where he becomes sullen and frustrated are excellent. Gerwig is wonderful. Her energy and engagement with the role and the other characters was perfect. Crudup was strong as handyman William. His soft kindness towards the women in the house and others was delightful. Mike Mills wrote an excellent script, however overall the film felt too scene based which may have been through his direction.

Overall:  Although I enjoyed many of the scenes, the overall film felt a little disjointed and scene based.

The Founder

First Hit:  Michael Keaton makes a very interesting story fantastic.

The Founder is about Ray Kroc (Michael Keaton) and how he built the fast-food empire McDonalds.

There are numerous reasons for me to be engaged with this film. One of them being my own franchising experience. In the mid-late 1970’s I worked for Century 21 International Inc. which was then in its franchising heyday. At that time they also became a public company. More recently I was Chief Operations Officer for Bar Method International, Inc. which among its businesses franchised Bar Method exercise studios throughout the United States and Canada.

With this background, it is safe to say I know something about the trials and tribulations of franchising. This film is amazing at highlighting many of the difficulties of franchising and how quality control of the product is key. One of the questions this film points out is: Do "investor owned" franchises work? This film tells that story and more.

The film begins with Kroc out on the road trying to sell mixers. We learn during the film, he has a history of trying to sell all sorts of products and ideas. He's a somewhat haunted man chasing success. To help him, he listens to records on persistence and positive thinking while on the road selling these state of the art five spindle milk shake mixers. He drives from carhop restaurant to carhop restaurant hoping to make a sale. His wife Ethel (Laura Dern) appears to be quasi-supportive and would like a more stable life, be seen as higher up in their social standing, and go to the country club for dinner more often. She appears lonely and does her best to keep their household together.

One day a he calls his office and learns that some hamburger stand in California bought five of his mixers. He’s astounded and doesn’t believe it. He calls and gets Dick McDonald (Nick Offerman) on the phone who says, “yes”, the order is incorrect, he didn’t order enough, he’ll take eight mixers. So instead of going home he drives from Illinois to California to meet the guy who wants eight of his mixers.

Upon arriving he’s shocked to find long lines in front of the order window, thinking it will take forever to get his food, he finds out that the line goes fast, he orders and gets his food within 30 seconds. Sitting down on a bench, he takes a bite, loves what he tastes and notices that everyone is loving the burger, fries and soft drink they bought.

After Dick and Mac (John Carroll Lynch) McDonald give him a tour of their restaurant operation, he is struck by lightning. He wants in. He wants to be a part of this amazing food delivery service. Serving a limited controlled menu that is prepared the same way every time served within 30 seconds from when the customer orders and pays.

He works out a deal to open franchises under very strict guidelines as indicated in the contract they all sign. Trying to open McDonalds franchises proves to be a test in courage to make sure they meet the strict guidelines. It is through this process that he discovers the right type of person needed to be a successful franchisee, meets his future wife Joan (Linda Cardellini), and what it takes to make money in the franchising business. The rest of the film is about how this journey begins and how he, Ray Kroc, becomes “The Founder” of McDonalds.

Keaton is absolutely amazing as Ray Kroc. He’s wired, fired and inspired. Above all he's persistent in his actions which leads to his achieving his wants and dreams. Offerman is sublime as Dick McDonald. His intellect, ability to create processes that work, and stubbornness are perfect for someone who wanted to protect and perfect his creation. Lynch is very good as the more emotional and feeling based brother. He’s there to support his brothers ideas. Dern has a minimal role which has little range and is very subdued. Cardellini is wonderful as Kroc’s second wife Joan and her character is a perfect match for Ray. Robert D. Siegel wrote an amazing script that did enough research to know what it takes to create products and processes capable of being franchised. John Lee Handcock did an outstanding job of taking the story and letting Keaton act out the story.

Overall:  This was great acting in a wonderful script about something most everyone in the world has experienced, McDonalds restaurant.

Gold

First Hit:  Hard to engage with a film when you don’t like the main character.

There is very little about Kenny Wells (Matthew McConaughey) that is likeable. He’s smarmy in the way he looks, how he acts, and his intentions. Granted the film lets the audience believe he might have changed in the ending scene, however, there’s enough to believe differently.

Supposedly this is based on a true story, however after reading about the real story; “loosely” is probably the best possible description. However, that isn’t the point of this review, therefore I will not spend time on the differences between the real story and this story.

In this film, Wells is drinking and smoking so much of the time I could almost smell the smoke and alcohol laden odor coming through the screen. This isn’t necessarily a bad thing; however, for the main character to be so unappealing made it hard to get into the film. I’m not sure why McConaughey had to gain so much weight and have such thin hair on top of his head, but these things didn’t help his unshaven, scraggly tooth looking character. It was almost as if he wanted to make himself as unappealing as possible.

The way he treated his longtime girlfriend Kay (Bryce Dallas Howard) was horrendous. She loved him and supported him through his destruction of his Dad (Craig T. Nelson) and grandfather’s company Washoe Mining. It gets so bad they work out of a bar.

Kenny gets the idea from a dream to hook up with Michael Acosta (Edgar Ramirez) and find gold in Indonesia. Unbeknown to Wells, Acosta has salted the drilling core findings and because Wells believes they’ve found gold, he revives Washoe Mining and sell millions of shares as they go public.

This film also involves the family of the Monarch in Indonesia. When the monarchy and other investors discover that this has been a hoax, everything falls apart.

The scenes of the jungle and drilling operation were well done. The boardroom scenes were, at times, powerful, and the use of the bar as Washoe’s office was very telling of the whole film and Wells’ personality. The one thing the film did do very well was show just how fleeting wealth can be.

McConaughey was OK as Wells. He had great handle on the maniac part of a gold prospector, but everything else felt very overdone and took away from the film instead of adding to it. Howard was strong as Wells longtime girlfriend. She was appropriately supportive and loving. The scene in the hotel after the company went public on the stock trading floor, was very well done. Ramirez was great as the geologist and Wells gold prospecting partner. His engagement and support, with a slight questionable edge was wonderful. Patrick Massett and John Zinman wrote a wonderful script. I loved some of the lines, however it was McConaughey and director Stephen Gaghan's misguidance for the main character that hurt this film. I liked the sequence of the scenes and many of the sets were very well done, but being put off by the main character who is in virtually every scene can and did hurt this film.

Overall:  I liked the story of greed, gold and how it played out, but without someone or something to care or think about, it felt lifeless.