Labor Day

First Hit:  What was disappointing about this film was that it didn’t seem realistic.

Why would someone who’s hiding from the law, be so openly visible through the front windows and in the backyard? He was supposed to be hiding.

This is what I kept thinking while the story on the screen unfolded. Did I like the basis of the story? Yes, but it was this poor direction about the story that made it not work. We had great actors working with a reasonably good script/story and ignore the reason behind the story - one of the main characters was hiding out. An emotional and feeling based story, such as this, must also be logical in its execution.

Adele (Kate Winslet) is a depressed mother of a young pre-teen boy who, as we learned, is depressed because of 4 miscarriages and a stillborn child she had. These events put her into a tailspin from which she couldn’t escape. Her then husband wasn't strong enough to help her so he left. Her son, Henry (Gattlin Griffith), tries to be everything to his mom, her only friend, her housemate, and the man to do the chores around the house to help her survive.

In an infrequent outing to a store, Henry gets corralled by Frank (Josh Brolin) who is an escaped criminal. Frank talks Henry and Adele into letting him stay there a few hours which turns into a weekend. What we learn is that Frank, despite his physical presence of strength, is thoughtful, kind, wants to be helpful, is smart and cares.

His background story is told in flashbacks, that aren't very well scripted or put together - but the audience does figure it out. His strength of character comes through as he becomes a strong male role model for Henry by showing him how to hit a baseball (yes, they’re all openly in the backyard though he’s supposed to be hiding out). He cleans the house and fixes things a "man" might around the house. His coup-de-grace is that he shows Adele and Henry how to make a pie (this is a turning point scene).

However, despite engaged actors, the scenes weren’t congruent with the story – someone hiding out trying to escape being captured.

Winslet clearly knew how to take this role and deliver it. Griffith is really engaging as Henry and he did a good job of being both protective and open to change. Brolin was commanding of the screen when he was in it. Almost too commanding. Jason Reitman wrote and directed this film from Joyce Maynard’s novel. Felt that the screenplay was more effective than the direction which seemed too loose with the hideout theme.

Overall:  Just didn’t hit the mark.

That Awkward Moment

First Hit:  There were some very funny moments in guy oriented film about relationships.

Three friends since college come together again because Mikey (Michael B. Jordan) finds out his wife is having an affair with her divorce attorney.

The other two Jason (Zac Efron) and Daniel (Miles Teller) work together at a book cover company. In order to help Mikey, the three make a deal to go out to bars, meet women, and make no commitment to a relationship - just have fun and get laid. Jason and Daniel have common theme with women – when a woman says “so, where is this relationship…”, these guys leave the women and the possibility of a relationship behind.

Mikey is still in love with his wife Vera (Jessica Lewis) and instead of enjoying the nights out with the boys, he pines for her. Daniel, on the other hand, uses his friend Chelsea (Mackenzie Davis) to get himself introduced to women in bars and have sex with them. However, when they say "so...", he hightails it out of there. 

This is the same story with Jason, who seems to be headstrong about not getting into a relationship, but when he meets Ellie (Imogen Poots) his world begins to be rocked. The scenes of the guys hanging out together, joking with each other, and talking about life gives insight to guys afraid of commitment and to a younger (than me) generation.

A few of the bits are out-loud funny but mostly for a guys kind of humor. For me, one of the funnier scenes was when Jason showed up to a party at Ellie's house totally dressed in the wrong kind of outfit. His vulnerability and ability to deal with his mistake was well acted and very funny.

Efron is cute in his own sort of way and appears to have a good handle on the role. Teller is equally strong in his role and has the total feel of being a jokester. Jordan is a great straight man for the other two while staying clear about his role. Poots is very engaging and it is easy to care about her character. Davis is really good as a part-time free spirit and in giving hints at her longing to be close with Daniel. She was one of the most engaging people in this film. Tom Gormican both wrote and directed this guy oriented film with the women getting what they want in the end.

Overall: I enjoyed this film and although it wasn’t great – it was fun to watch.

The Invisible Woman

First Hit:  This film had possibilities but really failed to deliver feeling.

This is a film about a famous writer (Charles Dickens) who meets a younger woman and keeps her as a secret girlfriend. So what is the interesting about this story - not a lot. Therefore it would have to be the acting of this story to make it compelling to watch. 

From that end Ralph Fiennes (Dickens), Nelly, the younger woman, (Felicity Jones) and her mother Francis Ternan (Kristin Scott Thomas) did a good job of making the story interesting. However, by the next day it was gone, the thoughts, feelings and the story.

Even though there were strong attempts to share a story about breaking free from the norms of that society, there just wasn’t enough there to make this film unique or stimulating or even thought-provoking.

Fiennes was strong enough to be a good Dickens. Jones was the most interesting character. Her intelligence and clarity of action was very good. Scott Thomas was good as well. Abi Morgan wrote an adequate screen play about a mostly conventional subject matter. Fiennes had a good hand on the tiller of this story, but it was the story itself that lacked punch.

Overall:  This was a many told story that lacked something unique.

August: Osage County

First Hit:  Overly dramatic with dysfunctional characters and for a story that started as a black comedy it just stays black.

I’m not sure what it was I was supposed to see; a black comedy or drama. What I saw was a drama that was overly dramatic.

That the story, as presented, was not believable from the father dying (Why did he commit suicide?) to the newly discovered brother, it just seemed like a string of strong dramatic scenes. Violet, the mother, (Meryl Streep), and her three daughters Barbara (Julia Roberts), Ivy (Julianne Nicholson) and Karen (Juliette Lewis) are all together to honor Violet’s husband Beverly (Sam Shepard) who committed suicide.

The dinner with other relatives meeting at the house after the funeral is the time that is suppose to set up everything else in the film, but the way Violet and Barbara dominate the scenes it loses momentum. One character that seemed to find the right tone was Lewis as Karen the youngest daughter. Her looseness, attitude, and philosophy seemed to “get” the black comedy part of the script. Did I feel sad for Ivy? Yes, I thought her predicament of being the “one” who lived closest to her mom and having to be the go-to sister was difficult enough but then the information that her love was misplaced added to this tragic character. From the character standpoint I like her the best.

Streep, seemed to want to play this character as dark as possible with little thought towards seeing anyone else but herself. Just a glimpse of seeing would have helped the film. Her role seemed overly self-indulgent both character wise and story wise. Roberts was good and I enjoyed watching her, but it seemed she was taking Streep’s lead and over darkening her character. Nicholson, was someone the audience could actually care about and I liked her involvement. Lewis was both dark and funny. She was one of the best parts of this film. Margo Martindale playing Mattie Fae Aiken (Sister-in-law to Violet) was another role that seemed to overstep the bounds of the character. I could see her delivering what the director wanted and enjoying it, but…. Shepard was good in his very limited role but there wasn’t a reason for his actions. Tracy Letts wrote both the screenplay and play so there wasn’t a reason why it work from a scripting point of view. Therefore, it was the direction by John Wells that moved this film this way – poorly.

Overall:  Not a film I could recommend – it was forgotten the very next day.

Oscars / SAG / Golden Globes

It’s time to discuss the Academy Award (Oscar) Nominations, the SAG Awards and the Golden Globe Awards. Because I only review films, I won’t provide any comments about television program awards. I’ll only discuss the major categories here. During my Oscar Blog in a few weeks I’ll talk in more detail. Golden Globe Awards: First I don’t particularly like the separating of Drama from Comedy or Musical so I won’t separate them here.

  • Best Actor: Although Leonardo DiCaprio was good and a favorite by many, the choice of Matthew McConaughey was a wise choice. For me, I think Bruce Dern in Nebraska ranks higher than DiCaprio. What I missed seeing in the nominees was Forest Whitaker in The Butler. I thought he deserved a nod – there was a lot more that went into being this role than meets the eye.

  • Best Actress: I think Sandra Bullock, Amy Adams and winner Cate Blanchett were the top runners. However, I’m severely disappointed that Adele Exarchopoulos from Blue is the Warmest Color was not even nominated for what I would say could have been the best performance by an actress all year. She fully became the character.

  • Best Picture: Selecting “12 Years a Slave” in Drama and “American Hustle” in Musical or Comedy shows the struggle the press had with what to pick. Granted both films were well done and deserve a nomination. Putting American Hustle in Musical or Comedy category shows why the Golden Globes needs to review what they do. For me the top three pictures having the most impact on me were: Gravity, American Hustle, and 12 Years a Slave. This was closely followed by Philomena and Nebraska. Blue is the Warmest Color would have fit in here as well.

  • Best Supporting Actress: Winner Jennifer Lawrence was superb as was Lupita Nyong’o in 12 Years a Slave and June Squibb in Nebraska. And for me it was a toss-up between Lawrence and Nyong’o with Squibb nudged up next to them.

  • Best Supporting Actor: Winner Jared Leto is my personal choice in this category. He was beyond amazing. However, Barkhad Abdi in Captain Phillips was right there as well.

  • Best Screenplay: Spike Jonze for Her was a solid choice. The idea was original and modern and the execution, driving by this great script, was very engaging.

SAG (Screen Actors Guild) Awards:

  • Best Actor: Matthew McConaughey won again here and it was an outstanding performance. Glad to see that SAG recognized Forest Whitaker in his role in The Butler.

  • Best Actress: The selection of winner Cate Blanchett mirrored the Golden Globes and is an outstanding choice – she was fabulous. However, Sandra Bullock’s performance in Gravity was probably more amazing in that her acting was not prompted by dialogue of another person but her ever-changing situation. Adele Exarchopoulos was not eligible and therefore not considered.

  • Best Picture: American Hustle was a good choice because all performances were truly wonderful and amazing.

  • Best Supporting Actress: In one of the strongest categories – this one is difficult because Jennifer Lawrence, Lupita Nyong’o and June Squibb all gave such outstanding performances it is a difficult selection. SAG gave this award to Lupita Nyong’o.

  • Best Supporting Actor: Jared Leto received this award just as he did at the Golden Globes.

Academy Awards:

  • Best Actor – Nominees are: Christian Bale (American Hustle), Bruce Dern (Nebraska), Leonard DiCaprio (The Wolf of Wall Street), Chiwetel Ejiofor (12 Years a Slave), and Matthew McConaughey (Dallas Buyers Club). Of this group, my selection would be McConaughey by a narrow margin over Bruce Dern. That Robert Redford was not nominated for "All Is Lost" and Forest Whitaker for "The Butler" were hard to swallow. However, I’m not sure whom they would replace. Also that Tom Hanks (Captain Phillips) wasn’t nominated shows how strong this category is.

  • Best Actress – Nominees are: Amy Adams (American Hustle), Cate Blanchett (Blue Jasmine), Sandra Bullock (Gravity), Judi Dench (Philomena), and Meryl Streep (August: Osage County). Of this group I’d be happy with either Blanchett or Bullock. However, that Adele Exarchopoulos (Blue is the Warmest Color) wasn’t nominated is sickening. Her performance was heads above Streep’s.

  • Best Picture – Nominees are: "American Hustle", "Captain Phillips", "Dallas Buyers Club", "Gravity", "Her", "Nebraska", "Philomena", "12 Years a Slave", and "The Wolf of Wall Street". The only one missing is Blue is the Warmest Color. For me the top films are: American Hustle, Gravity, and Dallas Buyers Club. However, all these films are very strong with great subjects.

  • Best Supporting Actress – Nominees are: Sally Hawkins (Blue Jasmine), Jennifer Lawrence (American Hustle), Lupita Nyong’o (12 Years a Slave), Julia Roberts (August: Osage County), and June Squibb (Nebraska). This is a horse race between Lawrence and Nyong’o. Both performances were extremely strong as was Squibb’s.

  • Best Supporting Actor – Nominees are: Barkhad Adbi (Captain Phillips), Bradley Cooper (American Hustle), Michael Fassbender (12 Years a Slave), Jonah Hill (The Wolf of Wall Street), and Jared Leto (Dallas Buyers Club). I think Hill’s nomination is poor in comparison to Daniel Bruhl’s performance in Rush. This is a close contest – and either Leto or Adbi will take the award.

  • Best Cinematography – Nominees are: The Grandmaster (Phillip Le Sourd), Gravity (Emmanuel Lubezki), Inside Llewyn Davis (Bruno Delbonnel), Nebraska (Phedon Papamichael) and Prisoners (Roger A. Deakins). Got to love Gravity and Nebraska. Two totally different views of our world and both very effective.

  • Best Director – Nominees are: David O. Russell (American Hustle), Alfonso Cuaron (Gravity), Alexander Payne (Nebraska), Steve McQueen (12 Years a Slave), and Martin Scorsese (The Wolf of Wall Street). My choices, in order are: Alfonso Cuaron, David O. Russell, Steve McQueen, Alexander Payne, and lastly Scorsese’s Wolf - which is a little bloated.

  • Best Adapted Screenplay – Nominees are: Before Midnight (Richard Linklater, Julie Delpy, Ethan Hawke), Captain Phillips (Billy Ray), Philomena (Steve Coogan and Jeff Pope), 12 Years a Slave (John Ridley) and The Wolf of Wall Street (Terence Winter). My choice would be "Philomena" followed closely by "Before Midnight".

  • Best Original Screenplay – Nominees are: American Hustle (Eric Warren Singer and David O. Russell), Blue Jasmine (Woody Allen), Dallas Buyers Club (Craig Borton and Melisa Wallack), Her (Spike Jonze), and Nebraska (Bob Nelson). Here I like "Her" to receive the honor as I thought it the most original and very well done.

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