Gone Girl

First Hit:  This was like watching two different films – the first section, a long ~2 hour segment was fascinating, the last part was a very different film and not as interesting although more pointed.

I’m really not sure why this story was created this way.

In the first two hours the audience watches Nick Dunne (Ben Affleck) squirm to try to prove his innocence of killing his missing wife. Affleck is perfect at giving the sense that he’s innocent as well as guilty all at the same time. His enigmatic personality is well used in this role because as soon as you believe he’s innocent then he does something that makes you wonder.

When the film moves to show Amy Dunne’s (Rosamund Pike) story it adds to the film greatly. However, as this section moves forward, there is a point about 2 hours into the film where I think it takes a turn too far to the left. As we watch Amy’s escape plan fail, it gets to the point where her sickness is pushed more into physicality of action.

It is at this point that her actions with Desi Collings (Neil Patrick Harris) where the second film begins. From here I was reeling from the change of view and pace of the film. And although I found the new story interesting, it was so much more upfront and in your face than the previous two hours.

Affleck is absolutely amazing as his ability to be enigmatic and be two sides of the story as required by the character. He was perfect for this part. Pike was absolutely beyond amazing. She was sublime in her ability to pull off the character she was supposed to be. She was amazingly calculated, vulnerable, steal skinned, and intellectually manipulative. Tyler Perry as lawyer Tanner Bolt was really a fun and good part of the film. Carrie Coon as Margo Dunne (Nick’s twin sister) was very good. Harris was also strong in his role. Kim Dickens and the lead detective was also very good. Gillian Flynn wrote an interesting screenplay from her own novel, however the story at the end was either too jolting or miss-directed. David Fincher directed this film and as separate parts these films were well directed, but as a single film, it was more difficult to watch the two pieces made into one film.

Overall:  For the most part this film was very good but be jarred as I was, I think the transition could have been better.

Last Days of Vietnam

First Hit:  A very interesting film about how this war ended.

I was in Vietnam from 1969 – 1971 and I can still recall our soldiers, my experience, and the people. After arriving there I quickly realized that we, our country, was wrong to be there. In our being there we created fear based thought around what the South Vietnamese could expect if the North Vietnamese took over.

When I returned there after 30 years I discovered a country that seemed at peace with itself and, except for a few people, I was welcomed with there with their open hearts. Watching the fear based thought we instilled in many of the South Vietnamese of what would happen to them if the North took over Saigon (now called Ho Chi Minh City) is what this film shows.

This documentary shows how people did everything they could do to get out of Saigon and get on board US ships sitting off the coast of their country. With hopes of finding freedom in the United States they came anyway they could.

The most dramatic scenes were the ones where people jumped off helicopters and then they pushed them off the ship into the ocean. Billions of dollars were sunk.

This film covered our policies and the stubbornness of our Ambassador to Vietnam. I think getting some of the background to the very graphic and public images of the time was fascinating.

Mark Bailey and Keven McAlester wrote a great logical and descriptive script. Rory Kennedy did a great job of splicing together actual footage of the time.

Overall:  This was an amazing film and piece of history.

The Equalizer

First Hit:  Satisfying film with powerful acting by Denzel Washington in a story that has a slow burn buildup to the inevitable.

Robert McCall (Washington) is a quiet mentor to the people he’s around at the home building supply store where he works. He rarely sleeps at night, reads a lot, and has very specific behavior patterns that he uses to keep his life intact.

From the beginning you have the sense that McCall has a history, one of which he’s not proud, one where he was one of the best, and he’s sad without his wife. He shows up to his peers at work by helping them eat right and supports them to live their dreams. He also rights the wrongs to his friends and he does this with cool calculation.

You see early on he’s an expert at killing and making things right. He gets into a conflict with the Russian mob through late night café meetings with Teri (Chloe Grace Moretz) who wants to be a singer but works as a prostitute to some hardened Russians. When they hurt her, McCall becomes the man who will right this wrong all the way to the top.

His main protagonist Teddy (Marton Csokas) is good for this film as he is as self-assured as McCall is competent. They are a good matchup and the way this film delivers this adversarial relationship is great.

Washington is so clearly perfect in this role. I cannot think of another actor that could have pulled this off as well as he did. Moretz is excellent as the girl who portrays both protective strength and childlike vulnerability. Marton Csokas was perfect as the Russian mob enforcer and guy that fixes problems for the head of the gang. David Harbour (as corrupt policeman, Masters) does a good job of being a hard ass corrupt jerk. Richard Wenk and Michael Sloan wrote a very strong script that allowed us to know Washington’s character not through words but through actions. Antoine Fuqua did an excellent job of directing this action film. My only criticism of this film from a director’s point of view is that it was a little long.

Overall:  Although long, I enjoyed and was totally engaged with this film.

A Walk Among the Tombstones

First Hit:  Neeson is really good in an OK film.

Even when he’s given a poorly conceived script, Liam Neeson brings the quality of any film up. Take the last film I saw him in, “Non-Stop”, it was truly a mediocre script, but he made it better.

Here he does the same, although this script is better and overall it's a much better film than “Non-Stop”. As a former police officer who accidentally kills a young girl in a shootout after he’d been drinking, he gives up the drink and law enforcement. When we are re-introduced to Matt Scudder (Neeson’s character), we see he's a changed man, he does AA meetings and does unlicensed PI work on the side.

The story begins when he’s asked to find the killers of a drug dealer’s wife even though the husband paid the kidnappers $400,000 in ransom money. Will he take the job? Yes. At times the scenes of NYC are stunningly shot.

The grit, yet livability of the spaces and streets are true to form and add to the film’s story-line and feel. Scudder meets TJ (Astro) a homeless sickle cell stricken young man who ends up becoming an “associate” that helps him find and apprehend the culprits. Ray and Albert (David Harbour and Adam David Thompson respectively) are two really sick guys that kidnap, kill and maim their young female victims. Their mode is to hit on drug dealers who will have lots of cash on hand, have meaningful women in their lives, and ask for and get a ransom.

However they are sick guys who also just want to maim beautiful women, and paying the ransom won’t return them to their loved ones. I found myself wondering more about the interaction between these two guys because they were sick and odd. This could have been explored more along with their fixation with deviant sexual practices (thrill killing) and the cutting up women.

This edge in the film hung there like a huge weight.

Neeson as is his way, kept the film edgy and believable. Astro was great as the young man wanting to be a part of something and matter in some way. The interactions with Neeson were great. Harbour and Thompson were both perfectly sick in their actions and the way they interacted with each other. Scott Frank both wrote and directed this film.

Overall:  Aspects of this film were strong yet I felt something missing and maybe it was knowing more about the kidnappers.

The Disappearance of Eleanor Rigby: Them

First Hit:  Slow, sullen, and it seemed like pieces were missing to have the film be engaging.

This film is one of three, I think. There is a “Them” meaning that there is also a “He” and a “She”. Will we ever see them? Probably not, because this one, “Them”, just didn’t have the goods to make the story interesting enough to see more.

Not that there weren't moments in this film that the dialogue wasn’t interesting, it is that the spaces between the interesting moments were few and far between. The audience finally figures out that Conor (James McAvoy) and Eleanor (Jessica Chastain) are married, had and lost a small child, and Eleanor tries to kill herself (the opening scene).

Dialogue between Professor Friedman (Viola Davis) and Eleanor were highlight moments as were a few moments of dialogue between Conor and his father Spencer (Ciaran Hinds), especially at his father's restaurant. However, most of the film was watching Eleanor’s angst without having much context as to how or why her child died or why she was so lost.

Chastain was interesting and aloof in this role. Her look was great but one cannot carry a film without giving the audience something to chew on and think about. McAvoy was better because his role did have more dialogue; however it was hampered by the overall story. Davis was great. She used the most of her small but pivotal role to get the audience engaged. Hinds was equally good in his very small role. William Hurt (as Julian Rigby) was strong as the quite inward father who tries not to preach to his daughter. His story about almost losing Eleanor in the ocean was extremely powerful. Isabelle Huppert (as Mary Rigby) was also very good and I felt she was a great choice to be Eleanor’s mother. Ned Benson both wrote and directed this film and unfortunately it seemed really long.

Overall:  This film had a point but seemed to spend its time dancing everywhere else but with an engaging story.