Horrible Bosses 2

First Hit:  Although there were some funny bits, it lacked being a full on comedy.

The three main characters Nick (Jason Bateman), Kurt (Jason Sudeikis), and Dale (Charlie Day) are opening their own business with a product for the shower.

The whole storyline around this and their interaction is, for the most part, not funny. They try funny bits; like demonstrating their product on TV, breaking into a house and stealing some nitrous oxide; but they aren’t funny at all. There is very little that's funny about the bits these three do together. However the funny parts is when they bring other characters into the fold.

Chris Pine as Rex the son of the owner of a large distribution company. Christoph Waltz as Bert the successful owner of the distribution company. Kevin Spacey as Dave the old imprisoned boss they wanted to kill. Jamie Foxx as Dean “MF” Jones, their criminal friend who gives them guidance.

And last but not least, Jennifer Aniston as Dr. Julie Harris and sex addicted dentist. Each of these other characters bring in dialogue and aliveness that make the audience laugh-out-loud. However in the end, the film is dead on arrival.

Bateman looks bored in the role. He’s supposed to be the smart steady one and he's this character to the detriment of the film. Sudeikis tries to be lively  and funny as the sex starved guy, but again the role and dialogue is old before it comes out of his mouth. Day as Dale the family man, is dull and unintelligent and ads little to the film. However, Pine is dynamic, over the top, and great as the son who wants more from his dad than he has. Waltz is oddly funny as the guy who puts his business and money over the welfare of his son (Pine). Foxx is intensely funny as the bad-ass friend of the crew. Spacey is intimidatingly intense as the imprisoned scruple-less boss. Aniston is great as the sex starved dentist. Watching her spit out her desires of what she wants to do with the men is precious. Sean Anders and John Morris wrote an unfunny story for the main characters while livening up the dialogue for the other characters. Anders didn’t do a very good job of writing and directing this comedy.

Overall:  This has to be the last of this series – it would only get worse if they try.

Wild

First Hit:  The story is compelling and I’m not sure it was reflected in its full glory here. Reese Witherspoon plays Cheryl Strayed, a woman who was lost in her life and found herself again by hiking the Pacific Coast Trail (PCT).

The opening scene is great as it shows Cheryl tossing a boot over a cliff after the other one gets clumsily shoved off the cliff edge while she is pulling off a toenail. It shows her naivety in this hiking endeavor along with her quick tempered anger and easily accessed frustration.

This scene fully represents who she is at that moment. It is a great scene. It is unfortunate that not all the following scenes measure up as well. This isn’t to say there aren’t good to great scenes in the film, there are and they just don’t stand up to this opening scene.

Having hiked a lot when I was younger as part of our family backpacking vacations into the high sierras, I enjoyed the scenes of the mountains, meadows, and trails. We learn why she is on the trail through flashbacks which are like thought bubbles, brought up by music, conversation, or situations.

These flashbacks are OK, however they didn’t give me enough context as to why she became a drug addict, slept with everyone in sight, and tried to destroy her life. There was more to the story and it wasn’t here.

Witherspoon was very strong as Cheryl however I think the way the story was told and directed was the weak point of this film. Laura Dern was really engaging and full as Cheryl’s mom. Gabby Hoffman as Cheryl’s friend Aimee was very good. I liked her repulsion of Cheryl’s lifestyle when they were having dinner at the diner. Thomas Sadoski as Cheryl’s ex-husband Paul was also very strong as the man who loved Cheryl through thick and thin. Nick Hornby wrote the script which was very reflective of Cheryl’s book. Jean-Marc Vallee directed this film and this is where I think that this film falters a bit. There is a lot to digest from this book/script and it's a good attempt – not great.

Overall:  I did enjoy the film but I wasn’t satisfied that it told the story deeply enough.

The Homesman

First Hit:  A well-acted slow evolving film that seems to end in mid-sentence.

Hilary Swank as Mary Bee Cuddy is anything but plain, although the makeup personnel did their best. I think she is and was interestingly beautiful in this film.

Here she is a single smart capable and headstrong woman who is making her way as a farmer in the desolation of “the territories” (later known as Nebraska). She propositions men for marriage by announcing her assets (money in the bank, two strong mules and land) but they decline saying she’s as “plain as a pail” and “bossy”.

The harsh winters have caused three women to “go crazy”. However, to me it was the men who pushed these women towards their craziness by being thoughtless. Anyway, Cuddy decides to take them back to Iowa where they can be with their families.

To help her on this journey she employs George Briggs (Tommy Lee Jones) who is just surviving by cheating and stealing. How they meet is a hoot and sets up their relationship perfectly. Together they set out to take Anabella Sours (Grace Gummer), Theoline Belknap (Miranda Otto), and Gro Svendsen (Sonja Richter) to Iowa so that they can be reunited with their families.

The trip is about the relationship between Cuddy and Briggs and how they survive the long trip through the cold, desolation and their ability to become friends while minding their precious cargo. What was fittingly odd, was the ending – would Briggs have closure or would he just do what was next.

Swank is amazing and could get an Oscar nod. Jones is amazingly strong and he also wrote and directed this film. Gummer, Otto and Richter were good in their limited but strategically important roles. Kieran Fitzgerald co-wrote the longish film with Jones who also directed this film with some great prairie visuals and some very interesting one on one scenes.

Overall:  I didn’t love this film, but watching great actors act was worth the time.

Foxcatcher

First Hit:  Well-acted with a long slow buildup to a disconnected ending by a disconnected person.

John E. du Pont (Steve Carell) lives deeply in the shadow of his mother Jean (Vanessa Redgrave), his family, and the family name.

Having never had to work at doing anything for survival he longs to be connected to something, something that gives him a sense of being a man. He thinks himself a patriot and significant contributor to society. The reality is different – it is the name that is famous.

The question I kept asking myself throughout the film was, was he simply a grossly odd individual, or did he have full mental capacity? When you watch some scenes he comes across as either one or the other -  but you don’t really know. I think that is part of the point of the film, not knowing.

What does stand out is that he is completely shielded by money – his family money – nothing he actually earned. He gloms onto the wrestling Schultz brothers who both won Olympic Gold medals in the 1984 games. He does this because he sees an opportunity to finance this sport and these guys to additional greatness as well as his own notoriety. He wants to be seen.

Dave Schultz (Mark Ruffalo) and younger brother Mark (Tatum Channing) are close brothers and great wrestlers. Mark is plodding, not socially adept, but learns wrestling well from his brother and therefore only moderately succeeds. Dave is a brilliant wrestling strategist and coach. Although Mark cannot convince Dave to join duPont’s Foxcatcher team, he decides to live and practice at the Foxcatcher wrestling facility, at du Pont’s home, in Pennsylvania.

du Pont thinks he has become a coach, motivator and mentor of young Mark but in reality he knows nothing about the sport and just supplies the money. The convincingly twisted relationship he builds with Mark is meant to break the bond between the brothers. Mark’s wrestling goes south because of du Pont’s influence (drugs and arrogance) and when the writing was on the wall for the Foxcatcher team, du Pont convinces Dave to come coach the team.

One of the most telling scenes, is when Jean comes to the wrestling facility and John decides to pretend to be the coach. It is a moment where he really begins to see his failings as a human being. The shots of du Pont’s land and the wrestling are effective.

Carell is an oddly disturbing du Pont. I know nothing of the real person so I can only wonder, could the du Pont Carell created by Carell do the deeds as shown? Yes, Carell made the brooding, icy stares and halting rambling speeches convincing. Ruffalo was really good as the smart, very engaged coach and brother to Mark. Channing was good to great. I found it hard for me to believe he survived on his limited social skills, but as a wrestler I thought he was great. Redgrave was perfect as the mother who told her son, “wrestling is a low sport…”. E. Max Frye and Dan Futterman wrote the script that had some interesting lines and others that were funny but maybe not meant to be funny. Bennett Miller directed this film. Some of the shots of the wrestling and land around Foxcatcher were fantastic, however the story plodded.

Overall:  Despite its failings as a film and it being too long in telling the story, I was intrigued to learn more about this event where a rich man kills a wrestling coach.

The Hunger Games: Mockingjay - Part 1

First Hit:  A long and mostly uninteresting run-up to Part 2.

This movie is a set-up, and like most set-up movies it is trying to lay enough interesting groundwork to make the audience want to come see Part 2. God help us if there is a Part 3 because I’m not sure I could sit through another sloggy long set-up film.

In this movie, we catch up with Katniss (Jennifer Lawrence) as she discovers that her home District 12 has been destroyed. Most everyone has been killed. She is staying with District 13 and their President, Alma Coin (Julianne Moore), wants Katniss to become the symbol for her goal to overthrow the Capitol which is still being led by President Snow (Donald Sutherland).

What is holding Katniss back is Peeta, her love, (played by Josh Hutcherson) who is being held by President Snow. She's afraid that Peeta will be killed. Most of the film is about getting Katniss to become a convincing propagandist. In other words, it is an action film without action. Katniss does this fairly well although, I couldn’t help but wonder why she had to have a role that made her act reluctant - and that it appeared that she did this reluctantly.

We have many of the previous actors back from the earlier films: Gale Hawthorne (Liam Hemsworth) as a young man who cares deeply for Katniss. Haymitch Abernathy (Woody Harrelson) a previous and crazy Hunger Games winner. It is also, and probably, the next to last unseen film footage of Philip Seymour Hoffman as Plutarch Heavensbee.

Lawrence is OK as Katniss; an uninspired person trying to become inspired. Something about the brooding look made me wonder if she really like doing this particular film. Moore was OK but I kept wondering if she will turn out to be as bad as President Snow when she becomes empowered ("hail the new boss, same as the old boss"). Sutherland is OK. I didn’t think he was a good choice for the other films and I hold with this thought. Maybe just not regal and scary enough. Hutcherson is in a minor role here but is set up for a larger role in Part 2.   Hemsworth was worthy in his role as probably the best on the screen here. Harrelson is also one of the better actors in this film. Hoffman is OK, but I cannot look at him without thinking of his recent demise. Elizabeth Banks as Effie Trinket steals scenes with her persona. Peter Craig and Danny Strong wrote this lead-in script which at best was mediocre. Francis Lawrence directed this film and we hope the lead in works to something better to come.

Overall:  It was entertaining enough, but certainly it lacked some real grit and content.

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