San Andreas (3-D)

First Hit:  Some of the visual effects were awesome even if improbable, the rest was mediocre.

To be frank, the storyline was extremely implausible. As pointed out by the experts, the San Andreas fault would not create the type of crevasses as depicted in this film. Neither would the tsunami that picks up a large cruise ship and tosses it against, and breaks, the Golden Gate Bridge.

Despite the unreal depictions, the way they were presented was fun in 3-D. I loved the rolling ground during the earthquake. However the helicopter scenes where they fly between the falling buildings of LA were not believable.

As for the characters, they were subsets to the whole film. Although Ray (Dwayne Johnson) with his huge physic did what he could, he and the rest of the characters couldn’t compete with the visual graphics. I was also highly suspect of Ray’s ability to fly the helicopter and borrowed airplane, with his wife Emma (Carla Gugino) from LA to SF during this type of catastrophe to save their daughter Blake (Alexandra Daddario).

Johnson did his best to be as big and dynamic as the visual effects of the earthquakes. It just wasn’t a possible task. Paul Giamatti (Lawrence) as the scientist who figures out how to predict the huge quake came off as odd. At one point he seems unhinged and at other times clearly in-charge. Gugino as Johnson’s wife was good, but competing with the effects was just not possible. The best acting was done by Daddario because many of her scenes are more human oriented and not based solely against special effects. She showed both vulnerability and strength that worked with the two English boys she was helping. Carlton Cuse wrote an unbelievable screen play which was not based on actual science. Brad Payton did a wonderful job of putting in lots of effects, but as far as directing a believable film – it didn’t work.

Overall:  Go to watch the effects, just don’t expect much in the way of realism from the story or actors.

Aloha

First Hit:  At times the story was whimsical, then thoughtful, and generally improbable.

This film seemed like it didn’t know what it wanted to be. Was it a romance? Was it about how rich people and their companies try to influence and deceive the government for their own gain? Or was it about the culture and people of Hawaii and how they been treated by the government?

It probably was supposed to be all three and it failed because, in the end, the film didn’t work. I enjoyed the relationship between Brian Gilcrest (Bradley Cooper) and Allison Ng (Emma Stone). My heart was pulled by Gilcrest trying to put closure on his previous relationship with Tracy Woodside (Rachel McAdams).

The scenes between Brian and his friend John “Woody” Woodside (John Krasinski), Tracy’s current husband, were priceless.

The story about how the government is contracting satellite launches to private companies is real but the added piece that the contractor put a nuclear device on the satellite was improbable. This seemed to be part of the film so that there could be a hero. The part that would have made this story more interesting would have been to add scenes about native Hawaiians and how they viewed the land and the sky. Some of the more beautiful scenes were when Gilcrest and Ng were with the Hawaiians on their sacred land.

For the most part this film didn’t know what it wanted to be and the fault lies with the writer and director, Cameron Crowe.

Cooper was really good in moments in the film. When he’s working relationships, he’s superb, when it involves him working his job, his acting comes off as mixed and not embodied. Stone’s character was a little high strung for me and, I think, for her as well. It didn’t come off very well. When she settled down a little she created a wonderful character and it worked. Her chemistry with Cooper was great. John Krasinski was excellent as the silent quiet man who struggled with letting his feelings being shared. Bill Murray as the business man Carson Welch who was attempting to put the armed satellite into space was OK, but not really a great fit. Rachel McAdams, as Cooper’s old girlfriend and Krasinski’s wife, was good and her performance and believability was elevated when her daughter’s blood line was revealed. Best scene in the film? Probably when Gilcrest stands outside his daughter’s dance studio and they connect eye to eye. Cameron Crowe seem mixed in his ability to create and execute a cohesive story and film.

Overall:  Having the three stories in one film didn’t work and ended up creating a scattered, somewhat lifeless movie.

Wild Tales (Relatos Salvajes)

First Hit:  A wonderful set of 6 short films that are well done, interesting, to the point, and enjoyable.

From the opening film called “Pasternak” to the end film called “The Proposal”, all of them are intense, dark, and in the end funny.

The writing and direction by Damian Szifron exemplifies a bright creative mind and the wherewithal to deliver these ideas and stories through film. All of the actors in each of the films were great.

Overall:  This is a wonderful set of films, they are Wild Tales.

Tomorrowland

First Hit:  Interesting scope, parts that excelled, but overall this movie fails to deliver an engaging film from beginning to end.

The film’s early opening scenes included Casey, a truly curious smart girl (Britt Robertson), trying to hamper a rocket’s launch thereby keeping her engineer father employed. It also included Frank Walker (Young Frank played by Thomas Robinson and older Frank played by George Clooney) telling the story through two sets of eyes, the young curious smart boy and the wise old man who’s given up hope.

These three characters are pulled together by Athena (Raffey Cassidy); a robot created from the future whose mission is to find hope in the human race and give them the clue to the possibilities by giving out Tomorrowland pins.

The point of the film finally comes towards the end, when Nix (Hugh Laurie) gives a speech about how humans don’t care enough to fix the problems they are facing. The lavish way this film is presented is wonderful and engaging. The movie felt long which isn’t good and at 130 minutes, it was long.

Robertson was good and I felt that she did a great job of embodying her role. Robinson was cute and his early scenes were wonderful to watch. Clooney was good but there was something missing that kept me thinking “Clooney” and not about the role he was playing, Frank Walker. Cassidy was fantastic. I was fully engaged when she was on the screen, her way of being this robot was amazing. Laurie was a wonderful antagonist and his colloquy on the future was on target. Damon Lindelof and Brad Bird wrote a lengthy screenplay which is a commentary on how we are mortgaging our future and not paying attention to our self-created predicament. Bird did a great job of creating wonderful pictures of the now and the future, but it dragged on and could have used some snipping to tighten it up.

Overall:  A bit overblown, visually nice, but in the end not a very good film.

Pitch Perfect 2

First Hit:  The upside was the music the downside was the comedy, which was sophomoric, staged, and unnecessary.

I’m not much for musical films but when done right as part of the plot it can be good. The singing here was very strong and some of the representations of current and older songs were fun to hear. Unfortunately the part of the plot that didn’t work was the staged comedy scenes.

Fat Amy (Rebel Wilson) rowing across the lake, Fat Amy hanging from the middle of the stage and her costume rips. Yes the screenwriters and director used this to push the plot in a particular direction but the women in the film are too old and too smart for this sort of plot.

The only actress that seemed to fit age wise for college was Emily (Hailee Steinfeld). Beca (Anna Kendrick) sang well but I couldn’t help but think she wasn’t really interested in the role. The silly scenes of her being pulled up into a tree on the retreat or her unintelligent comebacks to Chloe (competitor lead singer) weren’t in-line with her, the depth of her character or the film.

Kendrick is a very strong singer and it is unfortunate that the screenplay had her underplay her skills. Wilson is hard to watch. Her voice is mediocre compared to the rest of the cast (occasionally flat or sharp) and having her be the brunt of the humor because of her size is type casting and unfortunate. Steinfeld was good and seemed to be the only person who was age appropriate for the part. Kay Cannon and Mickey Rapkin wrote a very poor script and the story they created to put the Bella team into a situation where they had to sing well to get their reputation back, was lame. Director Elizabeth Banks didn’t make this film stand out but she wasn’t given much of a script to work with.

Overall:  This film probably didn’t need to be made and there better not be another.