Testament of Youth

First Hit:  This beautifully acted film, especially Alicia Vikander, is a powerful story of how WWI affected a woman, family, friends and a country.

It isn’t often that I’m transfixed by an actor in a role, however Vikander as Vera Brittain, did just this. As Vera, a young woman who wants to be a writer and go to Oxford, she is independent, willful and driven. She spurns her brother Edward’s (Taron Egerton) friend Victor (Colin Morgan) as a suitor for her hand because she doesn’t have any intention of getting married.

However, when Victor and Edward’s mutual friend Roland (Kit Harrington) comes into the scene, things change, she is emotionally moved. Yet, despite her budding feelings, her primary focus is her career and she does find a way to get into Oxford. Soon after, her brother, Victor, and Roland are drawn into the war so she decides that she must do her part and becomes a nurse’s volunteer.

Through this experience she sees and experiences the travesty of war on human lives. The scenes, the pacing of the film, and the eloquence by which this story is told was deeply felt, moving, and sincerely touching.

Vikander was first rate and amazing. She was excellent in Ex Machina and again here. This actress is someone who will continue to grow and amaze on the screen. Egerton is wonderful and endearing as Vera’s brother. Harrington is strong as the shell-shocked lover. Morgan is endearing and wonderful as the heartbroken friend. Dominic West and Emily Watson were perfect as Vera’s parents. Juliette Towhidi wrote a wonderful screen play based on Vera’s own book of the same title. James Kent did an outstanding job in directing by showing the depths of WWI on a personal, family, friends, and country level.

Overall:  I was deeply moved by the film and this stemmed from Vikander’s performance.

The Wolfpack

First Hit:  Although not well structured, this film amazingly shows how one family, locked away from society, learned about the world through films.

This documentary highlights how the Angulo brothers; Bhagavan, Govinda, Jagadisa, Krsna, Mukunda, and Narayana journey from being home-schooled and raised almost entirely in a New York City Housing Authority apartment to where they go outside and begin interacting with the world.

There were years when they never left the apartment and at the most there were years where they went out as a group a half-dozen times. To while away their time, they created music and watched films. Then after watching the films, they would write down the dialogue and make reenactments in their apartment.

Their father locked them in the apartment and told them that he knew better than most people how they needed to stay away from society. He despises work. Their mother is loving, gets beat by their father, but perseveres through all the weirdness to give the kids a sense of strength.

The way the film is cut/edited together makes it more difficult to piece the whole story together. But I’m sure there wasn’t a lot of archive footage to use, but maybe some narration about how their story came together and where they are today would have helped.

Crystal Moselle (Director) did a good job of getting the boys to share, express and open up about how they were raised.

Overall:  It was, at times fascinating, and other times had me wanting more information.

Inside Out

First Hit:  The film was conceptually brilliant, for the most part very well executed, and very intelligent.

There probably isn’t a human being on this planet who hasn’t experienced one or all of the following; fear, anger, sadness, disgust, and joy.

Given this, Pixar did what no other filmmaker has ever done well, create an interpretation of the inner workings of the mind and made them the film’s main characters. Riley (Voice by Kaitlyn Dias) and her family moved from Minnesota to San Francisco where she feels lost, without her friends, familiar surroundings, furniture, and her dad is stressing about a company he’s creating. The comfort of what once was is now gone and changing.

This change allows other feelings, besides joy, to have a larger voice in her head. What results is what happened in this 12 year old’s mind. This film is brilliant in the sharing how the other emotions of fear, anger, joy, disgust and most importantly sadness can creep into a young person’s life. The lesson of not covering up, but embracing them and working through them is well done and on point.

The only downside of the film for me is that joy spends too much time wandering around the inner recesses of the brain. This film could have cut out 10 minutes and been more effective. Lastly, because the film is only 94 minutes, Disney/Pixar felt compelled to run a short called Lava prior to this film. Lava was an extremely poor setup to Inside Out. Lava, as a lead-in was way too schmaltzy and sappy and hurt watching the beginning of Inside Out.

Amy Poehler as Joy was perfectly upbeat and single-minded. Phyllis Smith as Sadness was dead on perfect. Her ability to apologize and yet continue to create more sadness was amazing. Bill Hader as Fear was funny, his expressions we’re well thought through. Mindy Kaling as Disgust was good in this more minor role. Lewis Black as Anger was the funniest. The way he would be immediately triggered because of an event was perfect. Dias as Riley was very good, especially when she was introducing herself to her new classmates. Pete Docter and Ronaldo Del Carmen both wrote and directed this excellent animated film. The only downside was the amount of time spent wandering around long term memory.

Overall:  This was an excellent film and provided a way to know how the brain could work.

Ted 2

First Hit:  Some very funny laugh out-loud moments along with crude and sophomoric scenes.

This film was much like the first with John (Mark Wahlberg) and Ted (voice by Seth MacFarlane) being best friends, doing drugs (mostly pot), and acting like they are frat brothers.

However, Ted decides that he’s in love and marries Tami-Lynn (Jessica Barth). Donny (Giovanni Ribisi) still has a grudge (from the first film) that Ted belongs to John. He decides to hatch a plan to have Ted declared “property” and not a human. The case goes to court.

Along the way, we have lots of cameos including Jay Leno, Liam Neeson, Michael Dorn and Sam Jones in roles that personified characters they’ve played. The crude language was more than required to make it funny but there are lots of humorous situations.

Wahlberg was OK at John but I actually like him better in more serious roles. Barth is perfect as Ted’s wife and made her role work. Ribisi is always great in his slightly perverted role. Amanda Seyfried as Samantha, Teds lawyer, was a great counterpoint. Morgan Freeman playing a civil right attorney Patrick Meighan was a typical role for him and even Ted made fun of his perfect voice. Seth MacFarlane and Alec Sulkin wrote the script, which, for the most part worked. MacFarlane also directed the film.

Overall:  It was funny but film becomes forgettable by the next day.

A Little Chaos

First Hit:  As with most period pieces it was slow in its development, yet it kept my interest to the expected conclusion.

Sabine De Barra (Kate Winslet) is a woman that has focused her single and alone life towards gardening. We learn later it wasn’t always that way, she wasn't always alone. Her work is noticed by Andre Le Norte (Matthias Schoenaerts) who is the King’s head garden designer.

King Louis XIV (Alan Rickman) decides to build the Palace of Versailles and wants the grounds to be exquisite. Andre is more conventional in his garden designs and likes organization. Sabine uses organization in a different way which includes natural flows (a little chaos). In those days, men had lovers and wives which, in this film, affects the King, Sabine and Andre in different ways.

The best scene in the film was when the King and Sabine are in an enclosed garden together and have an open peer to peer type conversation.

Winslet is great as the grieving and growing woman finding her place and love. Schoenaerts was a little too reserve for me, but that might have been the direction. Rickman is good and his natural tendency is reserved arrogance. As a King, it works. Jeremy Brock and Alison Deegan wrote this script. It’s a period piece so the dialogue is long winded, but the points they make about society in the time we’re well done. Rickman directed the film.

Overall:  I enjoyed moments of the film. Those times were when the King and Sabine were in conversation.