Rock the Kasbah

First Hit:  This film was all over the place; intimate, touching, flat, uninteresting, and in the end survives as being very uneven and forgetful.

This film had heart and it was difficult to find.

The real story, which is revealed prior to the closing credits, is worthwhile. I also don’t mind when Bill Murray, playing music manager Richie Lanz, mixes comedy in a story that is has real merit. But when the mishmash of scenes, supposedly pivotal, are handled in such a stilted and lack luster manner, they discredit the real story and the film.

Take for instance the scene in which Lanz comes back to his hotel room to find Bombay Brian (Bruce Willis) lying on the bed threatening to kill Lanz for money that Lanz didn’t actually owe. Or worse the poor plot device to put Lanz in Kabul Afghanistan without his singer - she just leaves? Or even why Merci (Kate Hudson) is in Kabul hooking herself into a bank account large enough to fund a funky retirement. Let alone the “double-wide” mobile home inside a barbed wire compound the size of the double-wide just outside her front door.

Juxtapose these poorly created scenes with the scene of Salima (Leem Lubany) talking to Lanz on the wall of her city. How Tariq (Fahim Fazil), slowly becomes at peace with his daughter’s boldness to sing in public. I also liked many of the settings, many felt very real.

Murray was both funny and mediocre. Some of the dialogue didn’t work well and other times it was spot on funny. Willis seemed like a friend choice to play a role. He didn’t seem engaged and it felt like he was phoning it in. Hudson’s whole character didn’t seem to add much to the film except to help Lanz live up to his obligations. Lubany was very good and seemed like the only person playing it straight. I personally loved the song choices she sang. Fazil was good as the intense village leader, father and protector of their faith. Mitch Glazer wrote a mixed level script and I don’t know how much it was changed by Murray along the way. Barry Levinson has done much better films (Wag the Dog, Rain Man, or Good Morning Vietnam).

Overall:  I walked away disappointed because the whole film seemed like manufactured setup for Murray, but I’m also glad to know that a young woman did actually break a taboo about singing.

Steve Jobs

First Hit:  I liked the intensity brought forth in this film of Steve Jobs as played by Michael Fassbender and developed by writer Aaron Sorkin.

I’ve seen a number of Steve Jobs films and have read Walter Isaacson’s book and numerous articles about Steve and what works for me about this one, as a biographical drama, is that it takes 3 product launches and builds the Jobs’ persona and struggles around and through these launches. And although these launches probably didn’t have all the interactions shown this this film, it gives the audience a view of the man.

The often rumored Jobs' intensity and single mindedness is well represented in these 3 product launches: The issues and his responses around the demo’s not working, his distaste for Chrisann Brennan (Katherine Waterston) the mother of his daughter, his lack of acknowledgment, support and love for his daughter Lisa (Makenzie Moss – 5, Ripley Sobo – 9, and Perla Haney-Jardine – 19), the struggle with the Apple Board of Directors, his admiration and anger towards John Sculley (Jeff Daniels), the friendship and differences between himself and Steve Wozniak’s (Seth Rogen) view of their relationship and computers, and how much he depended on his Marketing Executive Joanna Hoffman (Kate Winslet).

Sorkin’s script is crisp and brings out many of Steve’s strengths and challenges while Danny Boyle’s direction puts all this on the screen in an interesting, dynamic way.

Fassbender is strong and intense in delivering the Jobs identity. Rogan is very good as Woz and the scene in the final product launch was excellent. Moss, Sobo, and Haney-Jardine, especially, were excellent as Lisa in their different ages. Daniels was outstanding as Sculley. Winslet was amazing as Hoffman and kept the whole film centered. Sorkin wrote an marvelous script and kept it focused. Boyle clearly did an excellent job of directing the characters through the script and scenes.

Overall:  I was fully engaged in this film and all the ups and downs experienced by each character.

Bridge of Spies

First Hit:  The difference between Spielberg films and other director films is always attention detail through craftsmanship – this film excels in every way.

When a film supplies and fulfills details around my childhood memories and does it with great storytelling, I’m hooked.

I remember the cold war. We use to practice diving under our desks and covering our necks with our hands in case “The Bomb” went off. We were told, we’d see the flashing light of the bomb in LA (I grew up in Southern California) and when we did see the flash we were to "drop, duck and cover".

The way Spielberg crafts the era and the story of three men, Rudolf Able (Mark Rylance) accused Russian spy, high altitude U2 surveillance pilot Francis Gary Powers (Austin Stowell) and lawyer turned negotiator James B. Donovan (Tom Hanks) was sublime.

The director takes his time, gives the audience relevant information, and then crafts a story that is interesting and fully engaging. Every scene is crafted to share an emotion or add to the audience’s understanding of story. The CIA agent following Able when the camera moves around the car to introduce the suspicion – perfect.

The story is about how an insurance lawyer, Donovan, is hired by the US Government to first defend Able in the US Court of law and then he’s recruited to negotiate a prisoner swap. The swap was for Powers who was a U2 pilot that was shot down over Russia. Because we were in the midst of the cold war with Russia neither government would acknowledge that they were talking with each other.

The feel of East Berlin, where the swap happened, was perfectly dreary. The relevant side story was that Donovan wanted an additional person included in the trade, Fredrick Pryor (Will Rogers). In this side story Pryor, a student, had gotten caught on the wrong side of the wall and was being used by the East Germans to make a name for their government. It also showed the strength of conviction of Donovan to get what he wanted, to be a humanitarian and how good he was at negotiating.

My favorite line spoken a few times in the film was:  “Would it help?”

Hanks was superb. He’ll probably be nominated for an award during award season. I would also say that Rylance was equally superb in his supporting role. He’s perfect and his ability to portray a subdued man on a mission who can be trusted is brilliant. Stowell was good as the U2 pilot. Matt Charman, Ethan and Joel Coen wrote a compelling, interesting engaging story, but it was Spielberg’s direction through clear vision that makes this film absolutely great.

Overall:  This is a perfect slice of history presented in a way that is simply great storytelling.

The Walk

First Hit:  This film kept me on the edge of my seat the whole time.

Yes there are parts of the film I wanted a fast forward button so that I could see Philippe Petit (Joseph Gordon-Levitt) walk the wire between the twin towers, however all the parts are necessary and they provide a great lead up to "The Walk".

In fact, I almost felt as though there wasn’t enough information in the film to make me feel sure that he’d practiced walking the wire enough to meet the challenge and goal he wanted to complete:  To string a high wire between the World Trade Center (WTC) towers and walk between them.

There’s enough biographical information to set the stage that Philippe marches to his own drum – regardless of the circumstance. He meets Annie (Charlotte Le Bon) whom he connects with, romances, and she becomes his muse. There are wonderful scenes with her and Philippe, but my favorite is when they come out of the subway and she sees the twin towers for the first time and says:  “woha" - it was perfect.

The team Petit put together to assist him were perfect, and each had their beliefs, strengths, and foibles. As they prepare for “The Walk”, it is easy to get engaged with the challenge. To provide expertise, Philippe seeks out wizened senior wire-walker Papa Rudy (Ben Kingsley) who teaches him the most important aspects of rigging and safety. Their interaction and mutual respect is obvious.

The use of 3-D is absolutely perfect. This film must be seen in 3-D. The magnificence of the feat, the view of NYC, and the view down from the wire is almost too hard to watch. This film is about courage, single mindedness, and commitment. This film is so filled with tension that there were times I had to close my eyes.

Gordon-Levitt, despite the slightly odd French accent was fantastic. He held single mindedness and the air of invincibility, perfectly. Le Bon was sublime. She was perfect as a muse, friend, lover and believer, all wrapped into one person. Kingsley was very good as the mentor and guide. Everyone in the support team was fantastic. The NYC policemen were amazing as were the WTC construction workers. I also loved that the writer and director included the mysterious visitor that came to the top of the tower viewed what Petit was doing and left. The use of voice over was also very effective. Robert Zemeckis and Christopher Browne wrote a wonderful screenplay and Zemeckis’ direction was perfect.

Overall:  This was a jaw dropping, interesting, and powerful film.

99 Homes

First Hit:  Great and disconcerting story delivered by very strong acting.

The real estate game and crisis is highlighted in this film.

This film highlights families that are not able to continue paying their mortgage and get foreclosed upon. The person who takes charge of the eviction is aggressive real estate agent Rick Carver (Michael Shannon).

When he forecloses on Dennis Nash (Andrew Garfield), his mother Lynn (Laura Dern), and son Connor (Noah Lomax), Dennis finds a way to earn some money back and he hates the way he’s doing it. He now works for Carver as his right hand man.

Dennis likes the money, he likes that he’s able to provide for his son and mother, and he hates what he’s become. The film ensures the audience can, at a visceral level, relate to the people evicted from their homes. This is truly an American story.

Garfield is magnificent. He carries the greed and guilt perfectly. Shannon is perfect as the guy who has one focus, money and more of it. Dern and Lomax are great as Garfield’s mother and son. Ramin Bahrani both wrote and directed with film with a deft touch. He was able to create the sadness of loss and the greed of getting more perfectly through this screen play.

Overall:  I thought this was a really good film because it reflected a true American tragedy and the acting was great.