Our Kind of Traitor

First Hit:  Really nice build up for first half,  just sustains the intensity through the back half, but ends quite nicely.

My wife mentioned to me that she thought “Our Kind of Traitor” is a lackluster title for a film and I agree.

There are a couple of stories going on in this film:  First we have and see a Perry and Gail (Ewan McGregor and Naomi Watts respectively) struggling as a married couple. And second we have a Russian laced espionage thriller. How do these two stories meet? Struggling as a couple, Perry and Gail are on holiday in Morocco to try to bring some romance back into their ten-year relationship.

They are very different people; Perry is a poetic professor at a prestigious university and Gail is a workaholic lawyer who makes a lot of money. In a Moroccan restaurant, Gail gets a work call and has to leave so Perry gets propositioned by a gregarious Russian named Dima (Stellan Skarsgard) to join his party for a drink. Dima takes a liking to Perry and invites him to a late night party followed by an early morning tennis match. Their friendship grows and Dima asks Perry to deliver a thumb drive to MI6 in London when he returns home.

As head money launderer for the Russians, Dima suspects he and his family will be killed soon after a bank deal transpires in London. Gail thinks Perry is not doing a smart thing by going through with the delivery but despite her opinion, he follows through.

The tale heats up after they deliver the thumb drive to MI6 Agent Hector (Damian Lewis) but starts to fall off in intensity as the cat and mouse game begins to drag on. However, in the end, Dima wants to save his family, Perry and Gail may get closer, and Hector wants to put a nail in the coffin of his former boss whom he suspects as selling his soul and being a traitor.

McGregor was perfect because he portrayed the intelligence, compassion and integrity this role required. Watts was wonderful as the smart, quick witted wife while in the end wholly supporting her husband’s actions. Skarsgard was sublime. His intensity, deep boisterous growls, and single-minded objective made him the right man for this role. Lewis was adroitly a great choice as the MI6 agent, who was willing to move outside the box to follow his revenge. Hossein Amini wrote a good screenplay from the John le Carre novel. And despite the strong start and mediocre back half, Susanna White’s direction, in the end, brought the whole thing together rather well.

Overall:  One of the better film versions of a John le Carre story.

The Legend of Tarzan

First Hit:  Although entertaining, action packed, and occasionally thoughtful, the mostly poor CGI, scattered continuity, and unrealistic abilities, made watching this version of the mythical hero mediocre.

As John Clayton/Tarzan, Alexander Skarsgard has the perfectly chiseled body. The lack of spoken dialogue added to his being convincing that he was raised by apes, but when he spoke, I questioned this belief.

The CGI apes were well created, but many of the CGI background scenes were obviously manufactured, poorly done. I was impressed at how well Margot Robbie portrayed a very strong Jane Clayton (Tarzan’s wife). Her story was interesting and engaging.

Overall: King Leopold II of Belgium controlled the heart of the Congo, unless he can harvest the resources, he cannot continue to rule the area because it is costing his government money. He wants to harvest a particular area that has diamonds but it is controlled by a native group who will only give up the diamonds by getting a chance to kill Tarzan.

Tarzan is convinced to go back to Africa because whites are enslaving the natives. Convincing him to go to Africa is a US Government agent George Washington Williams (Samuel L. Jackson). The slave issue is real, but being used by Leopold’s agent in Africa Leon Rom (Christoph Waltz) to get Tarzan to Africa to be set up to be killed. The scenes in the African village where Jane grew up were emblematic of the best parts of this film.

Skarsgard did a good job of being Tarzan. His perfect body and athleticism was engaging. Robbie was one of the best parts of the film. Her clear firmness of belief, especially in scenes with Waltz was strongly appealing. Jackson’s character provided humor and reason for the story line. Waltz is a great villain and shows why in this role as well.  His intensity through his face and eyes transcend most peoples'. Adam Cozad and Craig Brewer wrote this overly complex screenplay that dragged at times. David Yates directed this and although entertaining will soon be forgotten.

Overall:  Not a film that will go down as very good.

The BFG 3D

First Hit:  Spielberg knows how to craft a fantastic visual film experience through a wonderful story.

There is no doubt that Steven Spielberg is an ultimate craftsman. The detail in each scene is both amazingly complete and helps the audience’s mind embrace the story without question.

That the BFG (Mark Rylance) was slightly pigeon-toed as was Sophie (Ruby Barnhill) is an example. Then, watch Sophie’s cat move, the detail and realism is perfect. Look at items in the BFG's home - so precise while adding to the sense and feel of it being his real home.

However, the crowning achievement of Spielberg's ability is the performance he gets out of Barnhill. Just as he did with Drew Barrymore in ET, he coaxes thoughtful, honest childlike thinking, age appropriate dialog and incredible realism.

I was hard pressed to believe that many of her lines were scripted, they were so perfectly spoken and her facial expressions so mesmerizing, I bought her belief hook, line, and sinker.

Although I thought the film dragged a bit in the middle and was taking longer than needed to unfold this story; it kept me engaged, laughing, and wondering where it was going in a great and wonderful way.

Barnhill was fantastic and sublime as Sophie, a girl who believed in the BFG and his goodness. Rylance was wonderful as the BFG. His version of clumsy witty movement and behavior was extraordinary. Penelope Wilton was wonderful as The Queen of England. Rebecca Hall as Mary, The Queens right hand person, was very strong as well. Melissa Mathison wrote a wonderful screenplay filled with insight, struggle, and joy. Spielberg is a master and proves it once again.

Overall:  This was a wonderfully entertaining film that glowed for hours afterwards

Independence Day: Resurgence 3D

First Hit:  Could not buy into the story let alone the characters.

Leaving well enough alone is appropriate more often than not. The first film was far more interesting and entertaining.

Here we have a rehash of the same old story embellished with stale lines of bravery being spit out left and right. Jeff Goldblum (as David Levinson) is a key character and has become the headmaster of tongue in cheek dialogue. then there is the rebellious hero, Liam Hemsworth (as a risk taking reckless pilot named Jake Morrison), who makes good on his bad-boy image.

We also have the previous film's hero, Dylan Hiller (Jessie T. Usher) who has to figure out how to forgive Jake so they can work together again. The basic story is that the alien invaders, who were defeated by earthlings years ago, didn’t like it so they came back to suck earth’s molten core thereby destroying it.

Because their weapons are far superior to ours we stand no chance. However, our willingness to fight and will to survive, gives us a way to figure out how to defend our planet. This is an old boring story and, as I said earlier, the producers needed to leave well enough alone and not destroy and create distaste about the brand.

I will not comment on individual performances – it isn’t worth the time. Nicolas Wright and James A. Woods wrote a very tired, uninteresting, and a retread of a story. Roland Emmerich directed this the best he could – it just was more about creating big scenes of bravery and little about people.

Overall:  This film was clearly done to capitalize on the first film and the Fourth of July date the USA celebrates their independence.

The Lobster

First Hit:  A strange, different and odd film about forced coupledom.

This film is set in the near future and everyone in society must be coupled or face going to an oddly sterile hotel where they have 45 days to find a mate. If they don’t find a mate they will be turned into the animal of their choice. They can extend their time by hunting down and shooting and tranquilizing others who are escaping. If they are lucky enough to find a mate they can live in a couple’s room, then a yacht for a couple weeks, and if successful they can return to the city as a couple.

Upon entering the hotel, they are given a strict protocol to live by, including no masturbation, along with deciding the animal they want to be turned into if they don’t find a mate; hence the film’s title “The Lobster”. This is the type of animal David (Colin Farrell) selects.

There are some macabre scenes (like the punishment for masturbating), amazingly darkly funny scenes (shooting range practice scene), and simply weird scenes (how do the loners survive in the forest day after day). One of the traits in choosing their possible partner is the sharing physical or mental aspects like; shortsightedness, or limps, or lisps, or cold-heartedness, or the love of biscuits.

Another odd part about this film is that it portrays everyone being so subservient to people who’ve placed themselves in authority. How everyone minds the hotel managers (Olivia Colman and Garry Mountaine) is really bizarre because I would have probably rebelled.

Even more perplexing was how the escapees (“Loners”) minded the direction and instructions of Loner Leader (Lea Seydoux). I kept wondering who empowered these people in this way? Why did others follow their instructions?

The cast of characters in this story were really oddly interesting as well:  Nosebleed Woman (Jessica Barden), Biscuit Woman (Ashely Jensen), Lisping Man (John C. Reilly), Short Sighted Woman (Rachel Weisz), Limping Man (Ben Whishaw), and Heartless Woman (Angeliki Papoulia) among others.

Farrell did a terrific job with his character. He gained so much weight for this role which seemed to also affect his natural intensity. Seydoux was clearly strong as the leader of the Loners. She was very commanding. Reilly was funny as the lisping man who got caught masturbating. Weisz was wonderful as the Short Sighted Loner who loved to eat rabbits and was the narrator of this film. Papoulia was very good as the Heartless person. Barden was amazingly sweet as the Nosebleed person. Yorgos Lanthimos and Efthymis Filippu wrote this strangely effective script even though it was filled with obvious logical holes. Lanthimos did a great job of getting the actors and scenes to coalesce and wonderfully execute this story and idea.

Overall:  The film was very entertaining most of the time, yet the holes in the story kept my mind wandering and asking questions while the celluloid rolled.