Hands of Stone

First Hit:  Having watched a few of Roberto Duran’s bouts, it was interesting to know more about the man who had “Hands of Stone”.

If you don’t like boxing, you probably won’t like this film as there are a fair number of boxing sequences in this film and it is not easy to watch people getting punched.

Duran (Edgar Ramirez) is first shown as a boy attempting to keep himself and his family fed. He runs the streets and steals from the Americans by taking guava's from the trees in the canal zone. Like most other Panamanians, he is resentful of U.S. presence in the canal zone.

Although the Panamanian and U.S. governments’ agreed to U.S. ownership of the canal zone, there is widespread resentment. This is important because when he fights in the U.S. he’s battling both the U.S. government's oppressive nature to Panamanians and his opponent.

In the case of the flamboyant USA Gold Medalist Sugar Ray Leonard (Usher Raymond) he created a massive dislike and even insulted his wife Juanita (Jurnee Smollett-Bell) as a part of his strategy to get under Leonard’s skin. Teaching him how to be a great boxer and to fully use his given talents is Ray Arcel (Robert De Niro). Because of previous entanglements with the mob who had a lot of control over boxing, he trained Duran for free.

This film explores Duran’s relationship with Felicidad Iglesias (Ana de Armas) who ended up marrying him. The film also explores his hunger to fight and what happens when he wins more than he ever thought he would. This film tells a story.

Ramirez was very good as Duran and made his journey believable. De Niro was fantastic as Roberto’s father figure as well as trainer. Raymond was strong as Ray Leonard. His movement around the ring and engaging personality were mirrors of the very public character he was playing.   Armas was wonderful as Duran’s tested wife. How she continued to show up to him was great. Smollett-Bell was good as Leonard's wife. John Turturro was good in a small role as the mob heavy putting pressure on Arcel. Ellen Barkin was very good as Stephanie Arcel, Ray’s wife. Pedro Perez did a wonderful job as Duran’s lifelong trainer. Ruben Blades is perfectly pushy as the money man behind Duran. Jonathan Jakubowicz wrote and directed this film. I thought that the script was very good and brought out an interesting story. The direction of the scenes was especially strong in the ring.

Overall:  If you like or interested in boxing in the late 1970s and early 1980s this is definitely worth seeing.

Complete Unknown

First Hit:  Although I liked the film, story and the acting, this film is not for everyone.

The opening sequence is a little confusing because it slips focus on the character’s face as it shows a montage of Alice Manning/Jennifer/? (Rachel Weisz) as a hippie botanist, a focused and in charge nurse in a trauma situation, and then as magician’s assistant in China where she drops through a trapdoor.

We get reintroduced to her as Alice Manning a woman who has just come back to the US from doing research deep in the jungles of Tasmania. She makes friends with Clyde (Michael Chernus) at a cafeteria as a way to connect with Clyde’s workmate, Tom (Michael Shannon). As it turns out, Clyde invites her to Tom’s birthday party at Tom’s house.

Alice enthralls the party’s guests with her travels and stories of her past jobs and life. When Tom walks in, there is this sense that he is questioning Alice’s stories and motive. When he goes outside, she follows, and we learn of their previous connection.

The rest of the film, for the most part, is dialogue between these two about her disappearing act. One of the most interesting statements is by Tom, when he says, he’s been working for 10 years to make a difference by writing emails in his job. He’s forever hoping that he’ll make a difference; and that is what his life is all about, hoping. He's afraid of what he'll feel and what he'll do if he actually makes a difference. During their walk they help an elderly woman who’s fallen. Helping Nina (Kathy Bates) home they meet her husband Roger (Danny Glover) and Tom discovers how easy it is to impersonate someone else.

Will Tom join Alice in making up new jobs and lives, or will he stay with the live he has, or is there another path? Regardless of the choices they make, the film suffers from scenes like them walking out to visit the frogs. It seemed extraneous. That, and other scenes, seemed to take away from the intent of the film.

I did like the thought and premise of this film where someone, in this case Alice/Jennifer, could find a way to successfully be a different person over and over again. I was reminded by the Bob Dylan song lines: "like a complete unknown, like a rollin' stone".

Weisz was strong as Alice/Jennifer and I bought her ability to change characters. Shannon was good as the intense man whose life is built on hopes. Bates and Glover were fun in their minor roles. Joshua Marston and Julian Sheppard wrote an interesting script, however it would and will only have a limited audience. Marston directed this and outside a few scenes that seemed unneeded, I liked the premise of the story.

Overall:  This film will have a limited audience but, for some, it will be worth seeing.

The Light Between Oceans

First Hit:  Strong acting by Alicia Vikander and Michael Fassbender had me feeling the intended pain and joy of their characters.

Doing the right thing to find inner peace in his life, Tom Sherbourne (Fassbender) has come to this small Australian town to serve as a solitary lighthouse keeper. The lighthouse is on Janus Rock, a remote island several miles from shore. He’s traumatized from his experience in WWI having seen and caused many deaths. He’s looking to repair his soul.

One of the men who helps to hire the lighthouse keeper has a daughter named Isabel Graysmark (Vikander). She is full of energy, life and is intrigued by the quiet somewhat brooding polite Sherbourne. On one of his trips onto shore, he has a picnic with her and their connection is sealed.

The chemistry on the screen is palpable and watching them together is curiously engaging. They marry and live in solitude on the island. They attempt to have children but Isabel miscarries and the pain of these scenes are a strong set up to what happens when they find a dingy washing up on the island with a small baby girl and a dead man inside. Tom wants to find the mother, but Isabel wants to keep the baby and bonds with it immediately.

Filling the hole inside her from her miscarriages drives her to convince Sherbourne to not take steps to find the birth mother. Some years later the birth mother is discovered and she lives in the same town.

Hannah Roenfeldt (Rachel Weisz) is mourning the loss of her husband and baby and Tom fights himself and Isabel to set the record straight.

There are some wonderfully staged scenes in this film including; when Isabel shaves off Tom’s moustache. The happiness of their first dance after the wedding. Tom’s speech about the Lighthouse where Hannah is present and he is lost at what to say and how to say it. The scene when Hannah and Isabel meet up in the fabric store and Lucy-Grace (Florence Clery) runs to Isabel’s arms. And finally when the adult Lucy-Grace (Caren Pistorius) visits Tom. This film was meant to pull on the audience’s heart strings and it does this really well.

Fassbender was amazing as the restrained and constrained man filled with a tough emotional past and learning how love could release him. His controlled words and actions, as provided for in the script, were powerfully shown and shared with the audience. Vikander shows why she won an Academy Award last year. She made Isabel frightfully real in so many ways, displaying the ability to move from one emotion to another in a way that was integrated. She was outstanding. Weisz was powerfully controlled in her role as the mother who lost her child, found her child and having to re-establish her role as mother when the child, rightfully, believed someone else was her mother. Wonderful performance. Derek Cianfrance wrote and directed this film. His ability to create the agonizingly beautiful and powerful scenes in this film, show his ability to get what he wanted.

Overall:  This film is heart touchingly aimed to bring a tear or two, and it does.

Mechanic: Resurrection

First Hit:  Entertaining enough to make it fun to watch.

I recall the first “The Mechanic” film I saw in 1972, which starred Charles Bronson as Arthur Bishop. I liked the concept of an, almost heatless, assassin for hire. Bronson didn’t talk much and let his body, action and eyes do his speaking for him. He was rough but very thoughtful in his preparation to carry out his mission.

In 2011 “The Mechanic” was remade with Jason Statham playing the role of Arthur Bishop. The plot of these two films were closely aligned and Statham did a really good job of recreating this role that Bronson played so effectively. He also brought a glint of heart to the role.

In this reprise of the same character, Bishop has attempted to hide away and live a quiet life in Rio de Janeiro. However, he gets a visit from an agent of Crain (Sam Hazeldine) who wants Bishop to do 3 more assassinations. Bishop refuses and heads to another small shack in Thailand.

Here Mei (Michelle Yeoh) helps him get settled. When a tourist name Gina (Jessica Alba) gets in trouble Bishop saves her but it is all a plot by Crain to get Bishop do to the assassinations. Leveraged, Bishop ingeniously does his work but also goes after Crain.

The setups of the assassinations are interesting and engaging. The overall plot is a bit weak, but the way the actors play their roles keeps the whole film entertaining and the audience engaged.

Statham is a great choice for this character as he leads with intelligence before brawn. You also get to see that Bishop cares. Alba is OK and helped the plot along. Yeoh was good as the person Bishop once helped and will do anything to help him. Hazeldine was sinister enough. Tommy Lee Jones has a minor, yet key role as one of Bishop’s targets but becomes an ally. Philip Shelby and Tony Mosher wrote an engaging script and didn’t push plot devices too far. Dennis Gansel did a good job of keeping the film moving and made this film an extension of the Statham’s Mechanic film.

Overall:  This movie was action packed and engaging.

Southside with You

First Hit:  This was a very sweet story about how Barack Obama and Michelle Robinson’s first date might have gone.

Based on publicly available facts, Richard Tanne developed a wonderful script and directed this film creating a space for two amazing actors Tika Sumpter (Michelle) and Parker Sawyers (Barack) to reflect our current first family’s initial date.

I liked the feel of this very uplifting story and how it transferred to film. It showed the intelligence of both our President and First Lady. Their personal charm, goals, aspirations, and willingness to cautiously open up to each other about their upbringing and future ambitions were nicely presented.

The film follows the couple from when he first picks Michelle up in a car that has part of the floorboard missing; then they trek to a museum, take a walk in a park, go to a community meeting where Barack speaks, see a Spike Lee film, and have ice cream together.

Throughout these events, their dialogue is wonderfully scripted and brings out information that gives the audience a peek at the how and why they are together.

Sumpter is very strong at showing an intelligent strong Michelle while being cautious about starting a relationship with someone who works in her firm. Sawyers was very good as showing us the articulate well-spoken President we’ve come to know. Tanne did a wonderful job of creating a script and directing his two actors.

Overall:  I found this story and film to very sweet and enjoyable.