I Am Not Your Negro

First Hit:  The most powerful film I’ve ever seen about racism in America.

I always pull four brown paper napkins from the dispenser in the lobby prior to taking my seat in the theater. Generally, I use one or two for something like wiping my mouth after eating a powerbar. However, for this film I needed to have taken many more because my heart cracked open so many times during this film that I had to reuse my usual lot over and over again to blow my nose and wipe away the tears that kept falling from my eyes.

All the dialogue in this film comes from James Baldwin. Some of it from his unfinished book “Remember This House” while other sections came from his other essays and published writings. Using clips from films referenced in his writings, television clips, interviews, quotes from letters he wrote and other Baldwin writings, we get an amazingly clear picture of his experience, reflections and thoughts about living in Harlem, Paris, and finally back in the United States.

Baldwin’s amazing articulation of his experience, the black experience, in America through his writings by questioning his inner self is sublime. His self-awareness and the ability to see, understand, and enunciate the differing paths of his close friends Medgar Evers, Malcolm X and Martin Luther King, Jr. was ethereal.

There are moments in this film where Baldwin’s statements of awareness speak to and through the existence of all of mankind. Of course, the most powerful scenes are the actual clips of James Baldwin speaking, but Samuel L. Jackson's voice for the remaining Baldwin dialogue was well chosen. Baldwin's intense intelligent eyes belie the pain of what he experienced and saw in our society.

Using photos, film, and television clips from the early 1920’s through 2014, Director Raoul Peck was able to create a mirror of America’s racism that is not only bold, but at the very heart and soul of our still troubled racist nation.

I think that everyone needs to see this film and check within themselves about their own tendencies and be willing to change our hearts and maybe our future actions. I know I am more acutely aware of this issue having seen this film.

Jackson lent his distinct voice to aid in this film’s impact. I cannot find words to express the amazingly persuasive fluent film that Peck created. How he was able to pull all these pieces together in such a powerful way was outstanding in every sense of the word.

Overall:  This film had more impact on me than any film in the last 20 years maybe longer.

The Comedian

First Hit:  A good story and look into the life of an older comedian whose had his day.

Being about the same age as the character Jackie Burke (Robert De Niro) it was an interesting story, look, and life of an older comedian. Jackie was once a television star and part of the issue is that people see him as this television character and not as himself, an insult comic that is just getting by.

Burke is a sarcastic man in both his communication with everyone he interacts with. Although he's not asked to perform when he goes into a comedy clubs, he is known, gets an occasional shout-out, and carefully watches the younger comedians to see what works, what's  funny.

One night, while performing in a small club owned by Jimmie “J.J.” Walker (yes Mr. Goodtimes), he’s harassed by a couple in the audience. She’s filming him as her husband shoots barbs at Burke. The husband gets under Burke’s skin so much that Jackie ends up hitting the husband with the microphone. The couple sues and also posts the fight they filmed on YouTube. While in court, Jackie refuses to apologize in an appropriate way and the judge gives him jail time. After getting out he starts community work at a homeless shelter which is where he meets Harmony Schitz (Leslie Mann).

She’s also doing community work at the same homeless shelter. They hit it off and spend time together by going to a comedy club, she joins him at a family wedding at the invitation of his brother Jimmy (Danny DeVito) and his wife Florence (Patti LuPone), and then he joins her at a dinner with her father Mac (Harvey Keitel).

In each of the interactions he does a routine, and each one is insult based which goes over in some audiences and not so much in others. He gets an opportunity to be part of the dais of a roast for a 90+ year old May Conner (Cloris Leachman) who ends up dying during his part of the roast.

His agent Miller (Edie Falco) tries to get him gigs, but it is hard because of his age, type of comedy he does and his past history. To juxtapose his past with his more successful peers, the storyline has him visiting the Friars Club in NYC where he talks with Charles Grodin, Billy Crystal, Brett Butler, and Gilbert Gottfried to name a few.

However, despite the star power and interactions with these comedians, the jabs aren't very funny. As it turns out, the funniest and most popular parts of his life are the mistakes he makes which are video taped and posted online.

I thought the jokes that Jackie had were good and De Niro’s delivery was very strong, it just isn’t the type of humor I'm attracted to. However there were moments of out loud laughter. I did like the film's more serious turn when Jackie finds himself wanting to spend more time with Harmony.

De Niro was solid as the old-time comedian and his comedic act was really good. I just didn’t connect with the jokes. Mann was superb. I loved her intensity and skittishness. She was one of the very best parts of the film. Keitel was strong as Mann’s controlling father. LuPone was really perfect as the sister-in-law who doesn’t like Burke. DeVito was wonderful as Jackie’s brother. Leachman was interesting as the 90+ year old honored comedienne. Falco as Jackie’s manager was very good. I liked her realistic engagement and devotion to Burke. The team of Art Linson, Jeffery Ross, Richard LaGravenese and Lewis Friedman wrote a good script that reflected the time of Jackie’s fame very well. I especially liked Harmony’s role and lines. Taylor Hackford did a great job of directing the main characters, but the script didn't use the other great comedians very effectively.

Overall:  Although I didn’t really like the humor in this film, I did think it was well done.

20th Century Women

First Hit:  I liked it overall and some scenes are wonderfully funny, but it didn’t impress or stay with me afterwards.

There was something missing in this film and I’m not sure what it was. As I previously said, I liked many of the scenes individually but together as a story it just missed the target.

The basic story is that a single mother Dorothea (Annette Bening), in her late 40’s early 50’s, is raising her fifteen-year-old son, Jamie (Lucas Jade Zumann), in Santa Barbara in the late 1970’s. She lives in a large home with people who rent rooms; Abbie (Greta Gerwig) and William (Billy Crudup). Abbie, who’s in her early 20s, has come to Santa Barbara from New York after learning she had cervical cancer to be an artist. William is slightly younger than Dorothea is a handy man with cars and is fixing up Dorothea’s huge rundown house. Dorothea is stressing about her son and wants him to be a smart caring whole man who navigates the restlessness of the ever-changing world. There are peace protests, punk music is flourishing, and there is also the feminist movement.

Julie (Elle Fanning), is a neighbor girl whose mother is a child psychologist and requires Julie to sit in her youth therapy groups. She often spends the night with Jamie but only to talk and rest. She sneaks in by climbing the scaffolding surrounding the house. She comes back into the house, through the front door, in the morning and has breakfast with the rest of the household.

Always worrying, somewhat defensiveness, and not being forthcoming about her past is the byword of Dorothea’s character. Abbie is about finding peace with her life. She wants to express and settle down. William lives easily and as the dialogue stated, women come to him and he gets bored with them easily. Julie is exploring her freedom from her mother through sexual behavior and depressive based rebellion. Jamie is simply growing up and although he’s going out and experiencing new things, his mother seems to think that he needs more help.

Bening is very good, however I didn’t necessarily like her character much. There was a distant neediness to her that didn’t really work for me. Fanning was fantastic. She does the part woman/part girl nervousness with amazement. Watch her hands and feet move as when she’s nervous – wonderful subtle acting. Zumann was very good as the boy learning to become a man. Scenes where he becomes sullen and frustrated are excellent. Gerwig is wonderful. Her energy and engagement with the role and the other characters was perfect. Crudup was strong as handyman William. His soft kindness towards the women in the house and others was delightful. Mike Mills wrote an excellent script, however overall the film felt too scene based which may have been through his direction.

Overall:  Although I enjoyed many of the scenes, the overall film felt a little disjointed and scene based.

Academy Awards - The Oscars

Once again it is time to celebrate a year of film watching. Here are my choices for the following awards along with thoughts about the selections and non-selections the Academy made.

• Best Actor - Nominees are:  Casey Affleck (Manchester by the Sea), Andrew Garfield (Hacksaw Ridge), Ryan Gosling (La La Land), Viggo Mortensen (Captain Fantastic), and Denzel Washington (Fences). There are strong performances in this group of actors. For me the obvious missing actor is Tom Hanks in Sully because it was so well made and gave me a real sense of a man who saved 155 lives. Given the Academy's choices, Affleck was sublime. You felt him and what he was going through from beginning to end. I loved this performance. I thought Garfield was very strong in this career defining role for him. He brought heart to this role. Gosling was amazing. His charm, piano playing, and dancing brought life to this dream like film. I loved the film Captain Fantastic and Mortensen was the key. His wide eyed brilliance made this film work. Lastly, Washington was simply a nuclear charged bit of energy bottled up and ready to pounce. Great performance, however it felt too much like a play like for me to like it in film. My choice is Affleck.

• Best Actress  - Nominees are:  Isabelle Hubert (Elle), Ruth Negga (Loving), Natalie Portman (Jackie), Emma Stone (La La Land), and Meryl Streep (Florence Foster Jenkins). Granted I did not see Florence Foster Jenkins because I saw a film about the same story a year earlier and didn't want to see the same story again. Missing from this nominee list is Amy Adams. She gave two powerful performances this past year; Arrival which is a film I adored (see below) and Nocturnal Animals where her cool intelligent nature amazingly unfolded on the screen. Given the choices, Hubert was absolutely fantastic in this role. Her ability to be both vulnerable and strong in the same breath expressed her greatness. Negga was very strong and I loved her role as she grows from a timid somewhat subservient person to a woman of strength and grit. I loved this story. Portman is an interesting choice. I found the character to be so different than my perception of Jackie that I was taken aback. This performance made me wonder about the real person and that's important in filmmaking. Stone was so fun and divine in this role. Her chemistry with Gosling is noticeable and helps her to elevate this role to amazing and grace like. Loved her in this film. My selection is Hubert as because she really brought a fully bodied and interesting character to life.

• Best Supporting Actress  - Nominees are:  Viola Davis (Fences), Naomie Harris (Moonlight), Nicole Kidman (Lion), Octavia Spencer (Hidden Figures), and Michelle Williams (Manchester by the Sea).  One of the amazing things about these choices is that a couple of these actors had very limited screen time to make an impact. The most striking was Williams. Davis gave an amazing performance as Washington's wife in Fences. It takes a lot to hold your own against Washington and here Davis shows everyone how. Watching Harris in Moonlight is like taking a very long road to forgiveness. I was amazed at this performance. Kidman in Lion was very strong. There is one scene when she's talking about how she came to adopt her Indian son, that was so deep and heartfelt I cried. Spencer was great in Hidden Figures. As a strong black woman wanting her due, she was fantastic. Williams, as I have said, had a small role but the scene where she is asking for forgiveness from Affleck was the most powerful 2 minute scene on film this year. I've got a close tie, with Williams and Davis, but in the end, I'll go with Davis.

• Best Supporting Actor  - Nominees are:  Mahershala Ali (Moonlight), Jeff Bridges (Hell or High Water), Lucas Hedges (Manchester by the Sea), Dev Patel (Lion), and Michael Shannon (Nocturnal Animals). I was a little taken back by the inclusion of Patel as a supporting actor. It felt more like a lead actor role to me. Ali in Moonlight is such a powerful integral character and he made it work so well. Loved his compassion. Bridges was wonderful in Hell or High Water. He made this character heart filled as well as having an distinct edge of sarcasm. Hedges in Manchester by the Sea was good. However, it wasn't enough for me to give him a good chance. Patel, as I previously stated, seemed nominated in the wrong category. Although he was really good, it just doesn't fit here. Shannon in Nocturnal Animals is beyond great. I loved his intensity and persistence of character. I was entranced when he was on the screen. I've got two front runners, Shannon and Ali. Upon reflection as to how they impacted the story, I'll go with Ali.

• Best Cinematography  - Nominees are:   Arrival, La La Land, Lion, Moonlight, and Silence. I will admit I did not see Silence as I just couldn't get motivated to see this film. Given this, Arrival was amazing with the visualizations of the ships, the anti-gravity sections of inside the ship and how they displayed and handled the aliens.  La La Land was gorgeous. Whether is was in or outside the Observatory, on the streets of LA, or in an apartment. There was care in how the colors and sets looked on the screen. Lion had wonderful accurate feeling scenes of India, especially the railway stations. I didn't quite buy the butterfly scenes as they seemed slightly over the top. However, the rest of the sets were amazingly done. Moonlight reflected just this, moonlight on the ocean. The shifts from scenes in school, on the beach, and cities in South Florida were luxurious. As I previously said I've no information about Silence because I didn't see it. From what I saw, I would have to select Arrival as my favorite with La La Land and Moonlight a very close second.

• Best Adapted Screenplay  - Nominees are:   Eric Heisserer (Arrival), August Wilson (Fences), Allison Schroder and Theodore Melfi (Hidden Figures), Luke Davies (Lion), and Barry Jenkins (Moonlight). All of them are wonderful stories. I loved the story and meaning behind Moonlight, Arrival, and Hidden Figures. Each of these stories were very impactful. Moonlight because it shared the somewhat hidden story of a black gay community. Arrival because it was one of the most amazing ways to share the concept of non-linear time. Hidden Figures was so powerful as to how the segregation of blacks almost hurt our chances to be successful in the space race with Russia. It is difficult to choose from such diverse stories, however in the end I'll select Moonlight.

• Best Original Screenplay  - Nominees are:  Taylor Sheridan (Hell or High Water), Damien Chazelle (La La Land), Yorgos Lanthimos and Efthymis Filippou (The Lobster), Kenneth Lonergan (Manchester by the Sea), Mike Mills (20th Century Women). Great list. The depth of friendship as expressed in Hell or High Water, the stories of love and growth as expressed in La La Land, The Lobster, and 20th Century Women, and humbling forgiveness as expressed in Manchester by the Sea - all were amazing. As an original story I am tossed between Manchester by the Sea and La La Land. Either winning would be accepted.

• Best Director  - Nominees are:  Denis Villeneuve (Arrival), Mel Gibson (Hacksaw Ridge), Damien Chazelle (La La Land), Kenneth Lonergan (Manchester by the Sea), and Barry Jenkins (Moonlight). Interesting that Lonergan, Jenkins, and Chazelle wrote the films they directed and it shows the importance of knowing what it is you want to portray/express. What is missing? For me the missing directors are Tom Ford (Nocturnal Animals) and Theodore Melfi (Hidden Figures), both of these films had great vision and execution. Choosing from this strong list is difficult. However, for the impact it had on me I'm down to two: Villeneuve and Chazelle because of how they eloquently told their stories. However, if Gibson, Lonergan, or Jenkins were to win, I wouldn't be upset.

• Best Picture  - Nominees are:   Arrival, Fences, Hacksaw Ridge, Hell or High Water, Hidden Figures, La La Land, Lion, Manchester by the Sea, and Moonlight. This is a full and dynamic list. I liked all these films. However, if I had to start separating these nominees, I'd pull out these three as my top contenders: Arrival, La La Land, and Manchester by the Sea. Each tells a story and tells their story very well. Each film was fully engaging and opens the heart in a new and different way. I cannot pick a winner because I loved watching these three films.

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The Founder

First Hit:  Michael Keaton makes a very interesting story fantastic.

The Founder is about Ray Kroc (Michael Keaton) and how he built the fast-food empire McDonalds.

There are numerous reasons for me to be engaged with this film. One of them being my own franchising experience. In the mid-late 1970’s I worked for Century 21 International Inc. which was then in its franchising heyday. At that time they also became a public company. More recently I was Chief Operations Officer for Bar Method International, Inc. which among its businesses franchised Bar Method exercise studios throughout the United States and Canada.

With this background, it is safe to say I know something about the trials and tribulations of franchising. This film is amazing at highlighting many of the difficulties of franchising and how quality control of the product is key. One of the questions this film points out is: Do "investor owned" franchises work? This film tells that story and more.

The film begins with Kroc out on the road trying to sell mixers. We learn during the film, he has a history of trying to sell all sorts of products and ideas. He's a somewhat haunted man chasing success. To help him, he listens to records on persistence and positive thinking while on the road selling these state of the art five spindle milk shake mixers. He drives from carhop restaurant to carhop restaurant hoping to make a sale. His wife Ethel (Laura Dern) appears to be quasi-supportive and would like a more stable life, be seen as higher up in their social standing, and go to the country club for dinner more often. She appears lonely and does her best to keep their household together.

One day a he calls his office and learns that some hamburger stand in California bought five of his mixers. He’s astounded and doesn’t believe it. He calls and gets Dick McDonald (Nick Offerman) on the phone who says, “yes”, the order is incorrect, he didn’t order enough, he’ll take eight mixers. So instead of going home he drives from Illinois to California to meet the guy who wants eight of his mixers.

Upon arriving he’s shocked to find long lines in front of the order window, thinking it will take forever to get his food, he finds out that the line goes fast, he orders and gets his food within 30 seconds. Sitting down on a bench, he takes a bite, loves what he tastes and notices that everyone is loving the burger, fries and soft drink they bought.

After Dick and Mac (John Carroll Lynch) McDonald give him a tour of their restaurant operation, he is struck by lightning. He wants in. He wants to be a part of this amazing food delivery service. Serving a limited controlled menu that is prepared the same way every time served within 30 seconds from when the customer orders and pays.

He works out a deal to open franchises under very strict guidelines as indicated in the contract they all sign. Trying to open McDonalds franchises proves to be a test in courage to make sure they meet the strict guidelines. It is through this process that he discovers the right type of person needed to be a successful franchisee, meets his future wife Joan (Linda Cardellini), and what it takes to make money in the franchising business. The rest of the film is about how this journey begins and how he, Ray Kroc, becomes “The Founder” of McDonalds.

Keaton is absolutely amazing as Ray Kroc. He’s wired, fired and inspired. Above all he's persistent in his actions which leads to his achieving his wants and dreams. Offerman is sublime as Dick McDonald. His intellect, ability to create processes that work, and stubbornness are perfect for someone who wanted to protect and perfect his creation. Lynch is very good as the more emotional and feeling based brother. He’s there to support his brothers ideas. Dern has a minimal role which has little range and is very subdued. Cardellini is wonderful as Kroc’s second wife Joan and her character is a perfect match for Ray. Robert D. Siegel wrote an amazing script that did enough research to know what it takes to create products and processes capable of being franchised. John Lee Handcock did an outstanding job of taking the story and letting Keaton act out the story.

Overall:  This was great acting in a wonderful script about something most everyone in the world has experienced, McDonalds restaurant.