Their Finest

First Hit:  A very sweet and thoughtful film about making a propaganda film in World War II England.

The story takes place in London during war time and between the German buzz bombing. Catrin Cole (Gemma Arterton) interviews for, what she thinks is, a secretarial position at the Ministry of Information only to discover she gets the job as scriptwriter for propaganda films. She needs to money as she is supporting herself and her, almost, husband Ellis Cole (Jack Huston) who is an artist and was injured in Spanish Civil War. She's not officially married to Ellis but wears a wedding ring and takes his name.

The British propaganda films, designed to motivate the population to work hard for the war effort, are not being well received. Fellow writer Tom Buckley (Sam Claflin) is hard on Catrin because she’s a woman and screenwriting is a man’s world.

However, he sends her on an assignment based on a newspaper article where twin women stole their father’s boat to go to Dunkirk to help save the lives of men. When Catrin interviews the women, she discovers that the boat stopped off shore. Never getting to Dunkirk, they did get wounded home because some of the boats that came from Dunkirk were overloaded and those boats gave them wounded personnel to take home.

The written article makes it more than what they did, but Catrin, Tom and the film making team make a variation of the adventure. The film uses an older famous actor Ambrose Hilliard (Bill Nighy) as part of the characters and as the only strong actor, he has ideas of how the plot and his part needs to go.

However, he begins to trust Catrin’s writing as she knows what she’s doing and when writing in concert with Tom, they excel.

What was interesting was this film also showed how important women were and their strength in helping the country defeat Germany. It also showed how people had to scale back their lives to support the war effort. I genuinely enjoyed watching Catrin watch the film she wrote and how the audience around her were engaged with the story. This was touching.

Arterton was fantastic in this role. Her reserved, yet expressive ways through the film created a wonderful character. Huston was good as the injured artist. Buckley was strong as Catrin’s fellow writer. His disbelief in women being able to write subtlety changing as the film enfolds was wonderful. Nighy was superb as the aristocratic and self-obsessed actor who comes to appreciate what he has. Gaby Chiappe wrote a wonderful screenplay, which unfolded with greater strength as the film went on. Lone Scherfig did a great job of directing this story and keeping the feel of the time and how films were constructed in the 1940’s just right.

Overall:  I was surprised by how much I liked and felt this film as it moved along.

Snatched

First Hit:  The film never seemed to find its purpose and the pre-release hype of comedic fun was far more than the reality.

Emily (Amy Schumer) is an unhappy desperate woman. When she gets dumped by her up and coming rock and roller boyfriend Michael (Randall Park), she must find someone to go with her to Ecuador on a non-refundable vacation. None of her friends like her enough to go with her, so she asks her mom Linda (Goldie Hawn). Linda is very security oriented and is afraid of going but gets convinced to go.

One would think that two gifted comediennes together in a film could make the circumstances of being kidnapped funny, but they don’t. Yes, there are a few lighthearted and funny moments  and scenes, but mostly it is a poorly constructed action film with attempts to make it funny.

It just didn’t work and wasn’t believable in any way, shape or form. When they meet Ruth and Barb (Wanda Sykes and Joan Cusack respectively) this film might have taken a more comedic turn, however the film only used them in the end.

The bits with Jeffery (Ike Barinholtz), who was Linda’s son, were supposed to be funny. But his house bound character was poorly constructed, not believable and insipid.

Schumer was not funny and certainly not very good as an action figure. Not sure if it was the script or direction but this film failed her, or she failed the film. Hawn was worse. I have watched Hawn from the mid 1960’s and I’ve never seen her more constrained and out of place. This was not the right role for her. Sykes was OK and did her best to bring some excitement and comedy to this film. Cusack was the best thing in the film. Barinholtz was very poor and did not make his role believable. Katie Dippold didn’t write a comedic film. It was a lost action film with comediennes in the lead roles. Jonathan Levine directed this mess and did it no favors by not driving this film to either action or comedy because this didn’t work this way.

Overall: This film is mostly a waste of time.

Guardians of the Galaxy Vol. 2

First Hit:  At times funny, tongue in cheek and farfetched, but isn’t strong enough to make it memorable the next day.

The best parts of Volume 1, was the irreverent humor used to make the unbelievable story and places they visit, fun. Volume 2 does all this a little better.

Star-Lord AKA Peter Quill (Chris Pratt) is with his compatriots; Gamora (Zoe Saldana), Drax (Dave Bautista), Baby Groot (Vin Diesel), and Rocket (Bradley Cooper), and they are off on another adventure. They saved the galaxy before now they're here to do it again.

Whom do they save it from? Peter's father Ego (Kurt Russell) and a reluctant Mantis (Pom Klementieff) who is the one person that can make Ego sleep and relax. Also, for different reasons, Yondu (Michael Rooker) and Nebula (Karen Gillan) want to hurt Peter and his crew as well.

After years of not knowing who his father was, all of sudden Peter is confronted with his father, Ego. Ego lives on planet Ego and is a God of sorts. He traveled to many planets to plant his lights, which he controls through his powers. He's looking for a progeny that can assist him in making the light devices to bloom and take over the worlds he’s planted these things on. Additionally, while on the planets planting his light plants, the story has Ego planting his seed in many women on these planets as well. One of them was Peter’s mom, Meredith (Laura Haddock). However out of all the progeny Ego tests to see who can help him activate the lights, Peter is the only one who shares, and has, Ego's super powers.

The problem is Peter’s eclectic family doesn’t buy the Ego’s premise about wanting to be a loving father and when Peter figures out that Ego is planning control and destruction, he knows he has to kill his father.

All through this, Nubula is trying to kill Yondu now that he’s teamed up with Peter and his team. Then there is Stakar Ogord (Sylvester Stallone) who wants to kill Yondu as well.

In the end there is a life and death struggle for the galaxy and the team wins again and I know I’m letting the cat out of the bag, but we all knew the ending anyway.

Pratt is fun, on the edge of silly, but carries the ability to be both serious and irreverent all at the same time. Saldana is wonderful as the illusive Gamora. Bautista has some of the funniest lines and it’s fun to watch him. Diesel is funny and appropriately constrained as small Groot. Cooper as Rocket was fantastic. Klementieff was great as Mantis. I loved the way she danced between surety and lack of confidence. Russell was really engaged and full of life in this part. Gillan was strong as the golden leader of another planet’s race. Rooker was perfect as the guy who wanted to be good and support the team, but also live within the rules of his own clan. Stallone was OK as Ogord. James Gunn and Dan Abnett wrote a perfect irreverent script that held together through a highly improbable story. Gunn did a great job of providing the right level of effects and joyful fun scenes. Everyone got a chance to shine.

Overall:  This was as good and probably better than Volume 1.

The Dinner

First Hit:  Could have been more interesting and watchable without the distractions.

The previews had led me to believe that this might be a strong film about two estranged couples having dinner resolving an issue involving their sons. However, it seemed to be mostly a deep dive into Paul Lohman’s (Steve Coogan) mental illness and how his family works around it.

Paul and his wife Claire (Laura Linney) are meeting his brother Congressman Stan Lohman (Richard Gere) and his wife Katelyn (Rebecca Hall), for dinner at a very exclusive restaurant. Paul does not want to go, and we see him fade in and out of being present with what is going on. He is fascinated with the battle of Gettysburg.

Throughout the film, the director lobs us into Paul's fantasies, his issues with teaching students, and difficulty staying with and on one rational thought and discussion. Not that this wasn’t warranted to understand Paul’s state of mind, but that it did this so much and that the loud distorted sounds used during some of these scenes was difficult on my ears, and very distracting to the story.

All of this gets thrown into this dinner, where Stan gets interrupted by his aid to help get votes on a mental health bill he’s created. Each of the dinner guests, occasionally gets up and leaves the table for 10 or more minutes. The service, although exquisite, gets broken up by the transient way the dinner guests sit and leave. When a conversation starts at the table, it gets railroaded by Stan leaving to deal with a legislative issue, or Paul’s rants, or Claire and Katelyn’s attempts to settle the feuding brothers.

We are given additional hints at Paul's inabilities to deal with life when we learn that Claire had cancer and Paul struggled to visit his wife and take care of their son Michael (Charlie Plummer). Stan and his first wife Barbara (Chloe Sevigny) tried to intervene in Paul’s difficulty but was rebuffed. Stan and Barbara had two kids of their own Rick (Seamus Davey-Fitzpatrick) and Beau (Miles J. Harvey) who Barbara and Stan adopted. Despite the broken relationship between Stan and Paul, the boys hung out together.

The subject that finally gets fully aired is that Michael lit a homeless person on fire while Rick watched. Beau threatened to make their murder public which will ruin the boy’s lives and Stan’s run for governor. We learn that Paul was not informed when it happened and he’s upset, Stan wants to turn the boys in and the mothers’ want to keep it quiet because the police have not figured out who was responsible for the death. They hope the event will be forgotten by the public.

As I previously stated, I really disliked the myriad of segues into Paul’s psychosis. I disliked that there was so little direct conversation around the dinner and only when the group goes into a small private room at the restaurant that there was any real discussion. I disliked the sound track of noises during Paul’s altered states.

However, I did like the dialogue that came up around being truthful and paying attention to one's conscious. Additionally, questions about right action and how best to keep family together were also very interesting. Overall, I thought the acting was very strong.

Coogan was amazing in his portrayal of a mentally ill man who could, at times, be very clear and wonderful. Linney was clearly strong as well. Her support and ability to calm Paul down and keep him somewhat present was very good. Gere was excellent as a congressman who also discovered he had to start showing up to his family. Hall was outstanding. Her big scene was telling Stan how she’s the one who has held his family together, raised boys, and showed up for and to him every day, was perfect. Plummer was strong as the boy who’s got struggles and issues needing assistance. Adepero Oduye (as Congressman Lohman’s assistant Nina) was very good in how she kept her cool during the dinner and when pushed by Katelyn. Oren Moverman wrote and directed a convoluted and confusing script and screenplay that overdid the segues into Paul’s neuroses.

Overall:  Although the subjects of family, family history, doing what is right and dealing with mental illness are good subjects, this film meandered and wasn’t clearly focused.

Jeremiah Tower: The Last Magnificent

First Hit:  I thoroughly loved this film.

Having eaten in “Stars” restaurant at least 5 times during its heyday, I can attest to what the film expresses: Tower made eating a fully engaging, yummy, joyous, theater experience. It was the “it” and “in” place to eat in San Francisco as identified by the people who came there to eat. At one point James Beard indicated it was maybe the best restaurant in the United States and maybe the world.

I recall sitting there, having a late night dinner, after seeing the American Ballet Theater perform and in the room not even 30 feet away was Mikail Baryshnikov and Rudolf Nureyev eating with Jeremiah, champagne glass in hand, ensuring their food, everyone’s food, was perfect.

The film is how this amazing place came to be, what happened to it, and more importantly what happened to Jeremiah, who basically disappeared off the map. However, one of the very first lines in the film says it all: “I have to stay away from human beings because somehow I’m not one.”

Although Tower’s parents were extremely wealthy, Jeremiah’s upbringing was extremely difficult and filled with aloneness, sadness and pain. The opening scene has Rocston Issock playing a young 6-year-old Jeremiah wandering a beach, meeting a stranger who cooks them fish to eat, then takes him up the sand into the bushes and sexually abuses him. When the man takes Jeremiah back to the hotel, well after dark, his parents simply ask him where he’s been. They never worried or cared that he’d been out of their site, in a strange land, for more than 6 hours. Their approach was hands off.

Jeremiah lived in hotel rooms and boarding houses. As he said in the film, his domain was his hotel room, hotel hallways, and hotel dining rooms. His parents rarely, if ever, looked in on him to see how he was doing. He raised himself in luxury hotels and on large cruise ships like the Queen Mary.

He finally gets shipped off to school and ends up cooking things for his classmates. He even states at one point, “from early on, I think food was my best pal.” Finally, he gets to Harvard and is studying something useful, architecture, but at age thirty his parents tell him his allowance is over and he’s on his own.

Never getting his architectural degree, he heads to California broke and in 1973 while he’s looking for work and a friend hooks him up with Alice Waters of Chez Pannisse fame.

Drawing on what he’s learned and tasted through his whole life eating the best food in the world all by himself, he takes and makes over Chez Pannisse’s menu and kitchen. He grows in his skills exponentially and the people love his food.

Boldly one day he tells Alice, they are going to radically change the menu from French based to all California based food and we'll cook it a new way. Everything will come from California. When his friend James Beard comes to review the restaurant, the result is that it becomes world famous overnight. Tower is on the map as the best chef in the world and the person who puts food, presentation and flair together as one thing. He becomes the first celebrity chef.

Prior to this, chefs were behind the door cooking. He brought the kitchen into the dining room with flair. When he accidentally reads Alice’s draft for a new cookbook where she claims authorship for all the recipes, Tower goes ballistic and leaves.

With an investor, he opens “Stars” in a seedy section of San Francisco and it instantly becomes a success. And again, I will say I ate there and was as good as legend says it was.

But after a few years it closed. Why? There was a lawsuit, he opened too many other restaurants and was stretched thin, and the earthquake of 1989. Regardless, after “Stars” closed, he disappeared and was not heard from again until 2014 when he was hired as Executive Chef for "Tavern on the Green" in New York City, which had been failing at the hands of a “celebrity chef”. He begins to instill discipline and perfection into the restaurant's food and service. But we all know this is hard to do in a short time, and before he knows it he’s ousted in April of 2015.

This film is shot in Mexico and the USA although Jeremiah also spent time in Italy and Philippines during his hiatus between Stars and The Tavern. What was remarkable about the film is that despite scenes of him walking on ancient Mexican pyramids and through buildings, and how they might be boring, these scenes enhance his separateness from the world and everyone else.

Lydia Tenaglia did an outstanding job of creating scenes that captured Tower’s illusive nature and spirit. The pictures of Stars captured my heart. Seeing pictures of Willie Brown and Herb Caen along with other San Francisco socialites was joyful.

Overall:  I wished Stars was back so I could relive the magnificence of eating beautiful food in a place where everyone was treated royally and like they belonged.