Only the Brave

First Hit: Inspiring true story about the Granite Mountain Hot Shots.

With the recent fires in northern California, this true story about the brave men who fight these fires on the ground with hoes and back fires was poignant.

Eric Marsh (James Brolin) is the committed “Supe” of a team of municipal level 2 firefighters. They’ve been training for years to become certified “Hot Shots.” Hot Shots are federally funded and government developed, trained and paid for firefighters. However, with the number of fires, expertise of the team, and history of success, this municipally trained and developed group of firefighters want a chance to be evaluated and hopefully certified as Hot Shots.

Brendan McDonough (Miles Teller) is a screw up. He spends most of his time getting high, but when confronted with his old casual girlfriend Natalie Johnson (Natalie Hall) saying she’s pregnant with his child, a switch flips and he wants to be a responsible parent. He hears of a job opening at the firefighting center and he goes into an interview.

In a wonderful scene, Marsh comes right out and asks Brendan when was the last time he used. Then when Brendan also explains that he’s going to be a father and wants to be there for his child. Marsh takes a chance on him despite other members of the crew disliking Brendan having had some history with him.

The film’s story is about redemption; the hard work of Marsh and his firefighting team along with Brendan learning to become a father.

The fire scenes were intensely striking. It was interesting and engaging to learn more about how Hot Shots work. I really enjoyed the camaraderie shown by the men as they worked together for a common goal. One of the best scenes in the film had nothing to do with a fire. It was Eric arguing with his wife Amanda (Jennifer Connelly) in their truck while driving home one night. It felt real, deep and powerful.

There were two downsides to this film for me. One was the role and or performance of Fire Chief Duane Steinbrink (Jeff Bridges). He seemed to not take this role seriously or created more of a characterization than being a helpful friend and strong fire chief. The second downside was the role of the chief’s wife Marvel (Andie McDowell). Her role was very limited and was clearly a scripting and direction issue. It was almost if it would have been a better if Duane was single because there was only one scene that I recall she had where she states something like the men are more married to the fire than their wives. On a more minor note, the whole symbolism of the burning bear didn’t quite work for me.

Teller was fantastic. His portrayal of a druggie and then his transformation to being a sober father was sublime. He continues to be an actor that deserves recognition for doing solid strong work. Brolin was very strong as the intense man who made fighting fires his drug of choice. Connelly was brilliant as Brolin’s wife. Her clear strength as a woman wanting to chart her course was wonderful. Bridges was wasted in this role and I felt bad that his performance brought this film down. McDowell was wasted in another way, she wasn’t given enough of a role to improve the film. Hall was very good in this minor but very important role. Ken Nolan and Eric Warren Singer wrote a strong screenplay except for the role of the fire chief’s wife. Joseph Kosinski did an excellent job of portraying the fire and how firefighting teams fight them; I was entranced during those scenes.

Overall: A powerful reminder of the power of fire and the amazing abilities of firefighters.

Victoria and Abdul

First Hit: The story was funny, interesting and predictable.

Queen Victoria (Judi Dench) is portrayed as not very interested in her duties or her life. She sleeps through state dinners and when she eats, she scarfs her food down with gusto. During this time, England is a world power and as such, England rules India and therefore she is Empress of India.

During the Queen’s Golden Jubilee (50 years on the throne) leaders of countries came to celebrate and bring the Queen gifts. India sent two Muslim servants to England to present the Queen a special coin. They are told to not look at the Queen when they present the coin. However, Abdul Karim (Ali Fazal) does look at the Queen and she responds in kind.

Inviting him to be her man servant, he gains her trust and friendship and soon she makes him Mushi, which means teacher. With Abdul, she begins to learn Hindustani and of Indian culture which she thinks is appropriate because she’s Empress of India.

The film is focused on her loyalty to Abdul, his loyalty to serve the Queen, and the Queen’s staff worrying that their relationship is inappropriate because he is different and beneath them. There are comical scenes, sad scenes and scenes that share information about the rules of the time.

Dench was perfect as someone who was lost in the boredom of her role as a Queen only to come alive with new interest and energy by way of Abdul. Fazal was excellent as Abdul. His expressions of both wonder at the spectacle of it all and the seriousness of his role as Mushi were very engaging. Eddie Izzard (as Bertie, Prince of Wales) was very good as the resistant son who wanted Abdul gone because without him the Queen’s general health was becoming worse which put him closer to the throne. His cruelty as he takes the throne is horrible. Lee Hall wrote a very good script that brought this story to life. Stephen Frears did a nice job of sharing the story. He provided a plausibility while shedding light on their relationship and deep caring for each other.

Overall: It was entertaining and informative.

The Foreigner

First Hit: Entertaining and nice to see Jackie Chan back in action.

This film is in the same bucket as Liam Neeson’s Taken series of films. Here, Quan Ngoc Minh (Chan), runs a restaurant which supports him, his daughter Fan (Katie Leung), and Lam (Tao Liu) who runs the day-to-day of the restaurant.

Quan takes his daughter to select and buy her homecoming dress and while she’s in the store the “Authentic IRA” bombs a department store that kills Fan. Quan, a former special forces operator from Vietnam, is heartbroken and distraught because Fan was his last living relative. After grieving for a short period of time, we know he’s going to make someone pay.

We get a back story of his losing his wife and other daughter when they fled Vietnam and now all he has are a couple pictures and a lot of sadness.

The good part is that at 60+ years old Chan can still fight and he makes it all look good and appropriate for his age and skill set.

His protagonist is the Irish Deputy Minister Liam Hennessy (Pierce Bronson) who led the IRA for years and now curries favor from the British Government for keeping the peace between the IRA operatives and Britain. Holding this peaceful co-existence together means he has compromised his Irish independence values and, per some of his peers, he’s gone soft towards the British Government.

Quan presses Hennessy for the names of the bombers and adds that he will not stop his quest until he has their names. He plans to revenge his daughter’s loss and exercise his demons for the all the losses he’s had.

Hennessy is also trying to find out who bombed the store and then it gets worse when they bomb a bus loaded with people. The peace in Ireland and his cushy job are in jeopardy.

The film becomes a cat and mouse game and Quan holds his own while following through on his objective. Hennessy also follows through on his goal to clean everything up and his ruthlessness comes through. In one of the last scenes in the film he directs his nephew to tie up one last loose end.

Chan is strong in this role and uses his impressive skills appropriately. What didn’t quite work was the use of the same sad face as his primary go-to for dramatic effect. It was a look that was suppose to express his deep sadness for his losses in life and that he was about to explode like a volcano. Bronson was very good in this role. He created a right level of being settled into a bureaucratic job, but still having the fire of being an IRA patriot. Niall McNamee as Hennessy’s nephew Patrick O’Reilly, was excellent. Appropriately responsive to his powerful uncle’s requests. Liu was wonderful as Chan’s restaurant assistant and friend. Her honorable sweetness stood out. Dermot Crowley as former IRA leader Hugh McGrath was very good. I loved how his anger towards the state of the IRA peace pact with Britain was expressed. David Marconi did a great job of writing a script that worked for all the characters. Martin Campbell directed this film with a good eye towards using the skills and strengths of his actors in this story.

Overall: It was an entertaining film.

The Mountain Between Us

First Hit: Although a predictable story, it was touchingly well acted.

The story is relatively simple. Two strangers with very specific needs hire a private plane to fly them from Boise, ID to Denver, CO because their Denver flight has been cancelled, and there are no other flights that will get them to their destinations on time. Ben Bass (Idris Elba) is a surgeon and is expected in Baltimore the next day to perform surgery on a 10-year old boy. Alex Martin (Kate Winslet) is a news photographer who needs to head east because she’s getting married the next day. They are both motivated.

Hiring Walter (Beau Bridges) a veteran pilot, they get in his small plane, and without a flight plan, head out over Rocky Mountains towards Denver. Walter has a heart attack and during his struggle the plane crashes. Walter dies, Alex breaks a leg but is alive and Ben has some cracked ribs and bumps and bruises. Walter’s dog, who came along for the ride, also survives the crash.

They hang out in the partial fuselage that remains hoping to be seen in the mountain snow, but as commercial planes fly thousands of feet above them, they have an argument about what to do. Alex is a chance taker and wants to climb out of the mountains, while Ben is conservative in thought and action and he wants to stay at the plane. Neither of them believe they are going to make it out alive.

One morning, she heads out hobbling along through the deep snow with a temporary splint on her left leg. The dog goes with her. Ben stays back at the plane but decides to catch up with Alex and, reconciling their different views, decide to make an attempt to get out together.

Because they are so different, this story is excellent to have the characters learn about each other in their own ways. Ben is quiet and doesn’t want to talk about his personal life while Alex shares about herself and spends energy coxing more feelings out of Ben.

The excellent script, photography and acting allowed the audience to feel how cold they were, the pain of their injuries, the sadness of almost dying, and their developing relationship. We feel their focus on staying alive and getting down the mountain. We participate in what they go through together and their hopelessness.

Winslet is very good as the adventuring photographer who takes risks. We could sense her adventurous spirit. Elba was excellent as the conservative acting surgeon. His slow unfolding and sharing of his life in the film was wonderful. Bridges was wonderful in his short lived role. J. Mills Goodloe and Chris Weitz co-wrote an excellent screenplay which captured a slow developing caring of the characters. Hany Abu-Assad directed these two gifted actors with clear intention. They were strangers when they started and were both from very different worlds, and Hany elicited a slow revealing of these actors to the audience and to each other.

Overall: Although it had a predictable ending, the meat of story of how they worked together to get themselves down the mountain was worth watching.

Marshall

First Hit:  One of many inspirational stories about this amazing man and his power to change racism in our country.

One of the best things about this film was that Thurgood Marshall (Chadwick Boseman) was not allowed to speak in court for the accused he was defending. Marshall was sent by the NAACP around the country to defend blacks (colored people) in courts of law. In some cases, because he didn’t have a license to be a defending attorney in some states, he needed a sponsoring attorney.

It’s December 1940 and Sam Friedman (Josh Gad), a soft-spoken insurance lawyer, just finished a case. His office manager, his brother Irwin (John Magaro), surprises Sam that they need publicity and extra money, so he sponsors Thurgood who is going to defend a black man against a white woman’s rape charge. Their first meeting doesn’t go very well as Sam doesn’t like the idea of being involved in a criminal case, let alone one that is defending a black man. Sam’s worried about public opinion and what it will do to his business.

After meeting with the defendant Joseph Spell (Sterling K. Brown), Thurgood and Sam believe him to be telling the truth that he did not rape Eleanor Strubing (Kate Hudson). Entering court, Sam tries to tell the judge that Marshall will be trying the case and presents the sponsoring paperwork. Judge Foster (James Cromwell) obviously has a thing against the NAACP and refuses to honor Marshall being allowed to try the case. In fact, he states that Marshall can sit at the defendant’s table but cannot utter a word and if he does, Marshall and Sam will be charged with contempt.

The film does a wonderful job of showing how Marshall was able to influence, engage, and mentor Sam into being a great criminal lawyer.

This film is about the power and influence of Thurgood on people to do the right thing and how he was able bring out the power of belief in others.

I thought the film did an excellent job of showing the 1940's and how the fight against racism was slowly evolving and that Marshall was one of leaders and influencers.

Boseman was excellent as Marshall. How he demonstrated and showed the swagger and the inner belief needed to lead racial change in our country was wonderfully convincing. Gad was amazing. I loved his evolving understanding of how to be a good lawyer on the side of right, which was congruent with his inner belief structure. Brown was very strong as the defendant, he showed a perfect level of fear. Hudson was wonderful as the husband abused woman looking for a little love in her world. Cromwell was the perfect judge. His gruff nature was excellent. Jacob and Michael Koskoff wrote a powerful script. Reginald Hudlin did a great job of creating a feel and mood of the times while making the audience see the ways change in America came to us, one case at a time.

Overall:  It was a pleasure to watch this film as it provided a small glimpse of history.

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