Academy Awards - The Oscars

Once again it is time to celebrate a year of film watching. Here are my choices for the following awards along with a few thoughts about some of the selections and non-selections The Academy made.

• Actor in a Leading Role – The nominees are: Daniel Kaluuya (Get Out), Timothee Chalamet (Call me by Your Name), Gary Oldman (Darkest Hour), Daniel Day-Lewis (Phantom Thread), and Denzel Washington (Roman J. Isreal, Esq.). Who else could be on this list? Tom Hanks (The Post), James Franco (The Disaster Artist), and Richard Gere (Norman). However, regardless of who wasn’t on the list, the runaway best performance is Gary Oldman for Darkest Hour. His Winston Churchill was simply sublime.
• Actress in a Leading Role – The nominees are: Meryl Streep (The Post), Sally Hawkins (The Shape of Water), Margot Robbie (I, Tonya), Francis McDormand (Three Billboards Outside Ebbing Missouri, and Saoirse Ronan (Lady Bird). Who didn’t get nominated? Rachel Weisz (My Cousin Rachel), Emma Stone (Battle of the Sexes) and Jessica Chastain (The Zookeepers Wife). If it were up to me, I’d select Saoirse Ronan in Lady Bird because of the variety and excellent delivery of teenage emotions she effectively brings to the screen. Margot Robbie was utterly fantastic as Tonya Harding. Francis McDormand was filled with angst and fire as the woman who lost her daughter to rape and murder. Sally Hawkins was ethereal as Elisa Esposito a deaf woman who communicates with the captured creature. Meryl Streep showed the subtle development of strength as her character Katharine Graham.
• Supporting Actress – The nominees are: Lesley Manville (Phantom Thread), Laurie Metcalf (Lady Bird), Allison Janney (I, Tonya), Mary J. Blige (Mudbound). Octavia Spencer (The Shape of Water). Who is missing from this list? Melissa Leo (Novitiate), who gave one of most outstanding performances of the year. The film wasn’t seen and that is a shame. This is a strong field but choosing from the nominees, I’d select Allison Janney. Her depiction of Tonya Harding’s mother was vividly cold.
• Supporting Actor – The nominees are: Christopher Plummer (All the Money in the World), Woody Harrelson (Three Billboards Outside Ebbing, Missouri), Sam Rockwell (Three Billboards Outside Ebbing, Missouri), Willem Defoe (The Florida Project), and Richard Jenkins (The Shape of Water). A great set of actors. Missing? Steve Carell (Battle of the Sexes) gave us an incredibly life like Bobby Riggs. I’d have to say that Sam Rockwell would get my vote although each of the above deserve the recognition.
• Best Cinematography – The nominees are: Bruno Delbonnel (Darkest Hour), Hoyte van Hoytema (Dunkirk), Rachel Morrison (Mudbound), Dan Laustsen (The Shape of Water), and Roger Deakins (Blade Runner 2049). Great list of people creating and delivering great pictures. My vote would go for Hoyte van Hoytema in Dunkirk. I admired the multitude and type of scenes that were shot and how they were made into a cohesive feeling of awe.
• Writing (Adapted Screenplay) – The nominees are: Dee Rees and Virgil Williams (Mudbound), Michael H. Weber and Scott Neustadter (The Disaster Artist), James Ivory (Call Me by Your Name), James Mangold, Michael Green and Scott Frank (Logan), and Aaron Sorkin (Molly’s Game). My vote would go to  Michael H. Weber and Scott Neustadter for The Disaster Artist.
• Writing (Original Screenplay) – The nominees are: Guillermo del Toro and Vanessa Taylor (The Shape of Water), Martin McDonagh (Three Billboards Outside Ebbing, Missouri), Emily V. Gordon and Kumail Nanjiani (The Big Sick), Jordan Peele (Get Out) and Greta Gerwig (Lady Bird). This is probably the tightest category to be contested. Each of these stories is amazingly original. Therefore, I don’t have a single selection, they all are deserving.
• Film Editing – The nominees are: Lee Smith (Dunkirk), Tatiana S. Riegel (I, Tonya), Jonathan Amos and Paul MacHliss (Baby Driver), Sidney Wolinsky (The Shape of Water), and Jon Gregory (Three Billboards Outside Ebbing, Missouri). All very good, however the standout in editing goes to Lee Smith for Dunkirk. This is a story based film and not a character based film and because of this the editing makes this film engaging.
• Directing – The nominees are: Paul Thomas Anderson (Phantom Thread), Guillermo del Toro (The Shape of Water), Christopher Nolan (Dunkirk), Greta Gerwig (Lady Bird), and Jordan Peele (Get Out). What is missing. To me there are huge gaps here. Margaret Betts (Novitiate), Kathryn Bigelow (Detroit), Craig Gillespie (I, Tonya), and Joe Wright (Darkest Hour) all had a great firm hand on their story's and told them with excellence. Out of the nominees, I’d vote for Christopher Nolan and Dunkirk because he made this event come alive. However, Greta Gerwig (Lady Bird) got amazing performances from her cast.
• Picture – The nominees are: Darkest Hour, Dunkirk, Phantom Thread, Get Out, The Post, Three Billboards Outside Ebbing, Missouri, The Shape of Water, and Lady Bird. All these pictures, except Phantom Thread (review in process) are films I loved to watch for different reasons. What is missing? I think Novitiate, Detroit, and Battle of the Sexes were deserving as well. However, Novitiate would be my candidate for replacing Phantom Thread which I didn’t really find likable or engaging. Who will win? My wish would be Dunkirk, Lady Bird, and Three Billboards Outside Ebbing, Missouri in that order. If Novitiate was in the mix, it would be a tie between it and Dunkirk.

Thank you for visiting my site. May you all Be Well...

My Favorite Films of 2017

Last year I listed my favorite films of 2016 and I thought I'd do this again for 2017. I revisited by 150+ films I saw and reviewed in 2017 and here are the films I enjoyed the most. The listing is in order of when I saw them in 2017. Julieta: Pedro Almodovar created a thoughtful and wonderful film about a woman’s life. Using flashbacks and her daughter's absence, Almodovar shows us how life becomes complicated and filled with new questions the older she gets.

Paterson:  A very sweet story about a bus driver, his wife and the small town they live in. Jim Jarmusch wrote and directed this effort.

The Founder:  This is the story about Ray Kroc (Michael Keaton), the founder of McDonalds. Keaton brought an energetic style that was very engaging.

Hidden Figures:  A powerful film about how women, black women, helped solve the complex problems of our space program while pushing for racial equity.

Get Out:  This film starts out one way, and lo and behold, it turns out to be a great horror mystery. Jordan Peele made this very interesting film with crystal clarity. Daniel Kaluuya as the main character Chris was phenomenal.

I Am Not Your Negro:  The most powerful documentary this year. James Baldwin was a man with an amazing ability to articulate race.

Land of Mine (Under Sandet):  Extremely tense and strong story about how after WWII, the Germans were made to de-mine 2,000,000 on Denmark’s beaches.

Gifted:  I liked the thoughtful engagement of the roles in this wonderfully acted film.

The Zookeeper’s Wife:  Jessica Chastain shines in this great story about how she and her husband saved Jews from being killed by the Germans.

Their Finest:  Another WWII film that shows yet another aspect of how the British fought for their island against Hitler.

Jeremiah Tower: The Last Magnificent:  I loved this one especially because I ate at his "Stars" restaurant numerous times and watched the Jeremiah show while eating some of the best food that passed my palet.

Norman:  I loved Richard Gere as a New York fixer, who tries to put people together hopefully to make a profit in the end.

Megan Levy:  Being a dog owner, how could I not love this story.

My Cousin Rachel:  Rachel Weisz is powerfully convincing in this role of deceit.

I, Daniel Blake:  This heart filled story is about how a working bloke can get screwed by a system that is supposed to help him.

Dunkirk:  My best film of the year. This tells the story of escape in a way that fully engages the audience. The power of the story over the character, makes the audience feel the danger.

City of Ghosts:  If you want to know how some Syrians fought ISIS (Desh), watch this film and learn.

The Last Dalai Lama:  Having met his holiness in Dharamsala, I was captured by this story from the opening title till the end credit.

The Big Sick:  Great acting telling a funny and deeply touching story.

Baby Driver:  I love films that have good driving and this one was great to watch.

Wind River:  Superb acting brings this crime and mystery film alive.

Brigsby Bear:  Very odd story brought to life with poignant acting.

Detroit:  One of the best films this year. Kathryn Bigelow brings this true story to life. I'm saddened that Bigelow didn't get a director nomination for this superb effort.

Battle of the Sexes:  Loved the story and how pulled back the curtains of they very public true event. Emma Stone and Steve Carell made this film live.

Polina:  I love the ballet and dance, and here we get to see a young women find her way the world of dance all the way from Moscow to the the west..

The Florida Project:  This film is shot so realistically, it felt more like a documentary. Powerful story.

Goodbye Christopher Robin:  Although I’ve never been a Winnie the Pooh fan, this film made the story powerful. Touching dialogue all the way through.

Horn from the Heart: The Paul Butterfield Story:  Having listened to and seen Paul play, I fell in love, again, with this enigmatic man’s ability to make music.

Lady Bird:  I love watching Saoirse Ronan act in anything, and here she is nothing short of amazing. This performance shows, yet again, why Ronan is the best young actress we have today.

Novitiate:  This film was barely seen. This is sad because it was fantastic. The look into how a young woman chooses to become a nun is insightful. There are so many powerful scenes played out by amazing performances, it is a must see.

I, Tonya:  This was one of the joys of 2017 was watching this film. Great acting by Margo Robbie and Allison Janney.

The Shape of Water:  Excellent performances bring this darkly sadistic green tinted film to life in full color.

The Disaster Artist:  Who knew that a film about the worst film ever made, would be so good.

Darkest Hour:  This film includes the finest performance by a male actor in a leading role, Gary Oldman as Winston Churchill. I would rank his performance as one of the best I've ever seen.

Wonder:  This was one of the most emotionally touching films this year. I saw this film twice and cried more the second time than the first.

Three Billboards Outside Ebbing, Missouri:  Dynamic performances by Francis McDormand and Sam Rockwell are only part of the reason why this film is so talked about.

12 Strong

First Hit:  Interesting story, good action, but I was left wondering how close to true it was.

Army action films can be full of rah rah and full of pro-American sentiment, or they can be about people who are engaged in the war. I don’t particularly like the pro-American films as I find that they are conceived with a miss-informed view of, what is. This film walks a fair line because it, ultimately brings it back to the people.

In this case the people are, Captain Mitch Nelson (Chris Hemsworth), Hal Spencer (Michael Shannon) Sam Diller (Michael Pena) and General Abdul Rashid Dostum (David Negahban). Although these aren’t the only human stories in the film, they are the main ones.

The story is about Captain Nelson, sitting in his new home with his wife and daughter watching TV and seeing the planes fly into the World Trade Center buildings. He goes to his command station where he’s been assigned a desk job. However, he’s a warrior and wants his his commanding officer Lt. Colonel Bowers (Bob Riggle) to let him lead his men for a mission in Afghanistan. His right hand man, Spencer, rescinds his re-assignment papers and convinces Bowers to let Nelson lead him and his team of 12.

The team is a total of twelve men who are willing to follow Nelson anywhere despite his lack of combat duty. Once in Afghanistan, out of five other teams flown in, they get selected by Colonel Mulholland (William Fichtner) to be the first U.S. ground troops to fight Al Qaeda directly. The twelve are to fly deep into the Afghan mountains, meet up with General Dostum and provide air support for his troops who want to defeat Al Qaeda deep in the mountains.

The film denotes the cultural differences between the U.S. troops and the Afghans. It spends way too much time (at 2:10 running time) on waiting scenes and scenes that repeat already made points. I wouldn’t be surprised if a judicious editor could cut 20 – 30 minutes and make the film work better.

The scenes of the bombing and cheering of direct hits seemed very realistic. The interaction with Nelson and Dostum were surprisingly good and developed quite nicely. The terrain was represented well and made the difficulty of the mission realistic. I also liked how the horses were made to be an integral part of this story.

The downsides for me were a lack of backstory about Afghanistan's history of tribes and their in-fighting for territory between their factions. The running time also held back the crispness and clarity of the story.

Hemsworth was OK. The role seemed typical and there was little that made his role, or his performance, uniquely engaging. Pena was great. I enjoyed his counter balance and pointed sarcasm. Shannon’s performance seemed a step down from what he’s done recently but I’m fairly certain that it was the role and script versus him. Negahban was excellent and one of the best parts of the film for me. He carried strength and a slow opening to Nelson during the film. Riggle was good, nothing extraordinary and nothing that stood out. Ben Milo was very good as one of Nelson’s team and I loved how he bonded with his young Afghan protector. Fichtner was strong as the Colonel in charge of the American mission. Ted Tally and Peter Craig wrote a mediocre script. Nicolai Fuglsig didn’t seem to have a great command of what type of story he was telling and it ended up lacking real purpose.

Overall:  Although engaging at times, the length and lack of storyline focus made it seem all and more of its 2:10 running time.

The Commuter

First Hit:  There are excellent and overdone parts in this engaging film.

I will start with that this film was very creative in providing the audience with the setup about who Michael MacCauley (Liam Neeson) is. He’s married, he has a very predictable routine, and he works hard to help his son get a good education. All this is delivered before the opening credits are complete. In other words, if you don’t get to the film on time, don’t bother because then the point of the film is lost.

At work one day, after closing another client on buying an insurance policy, he gets called into his boss’s office and gets terminated. Because the audience was part of his selling the insurance policy just a few moments earlier, we know how this puts him in deep financial straits.

Heading home on the train to tell his wife and son, he’s approached by Joanna (Vera Farmiga) who gives him a proposition, find someone on the train, put a tracking device in their bag, and be paid $100K. Given the financial situation he’s in, being a former cop, and his inquisitive nature he tries to solve the riddle.

However, soon after he begins, everything falls apart and the story gets intense real quick.

This is also where the film begins to get unreal, overly complicated, and overdone. How does Joanna know exactly what is happening on the train, moment by moment, is difficult to buy. The number of fights, the length of the fights, and how undamaged Michael is after all the fights wasn't realistic. The train crash, although spectacular, was not realistic. The crash lasted too long and wouldn’t have happened in the way that it did. Additionally there are a number of other scenes that were not realistic. However, it’s engaging because Neeson is always fun to watch and he’s a great “every” man.

Neeson is excellent as Michael. He can make an unrealistic film good enough to watch and stay engaged with. Farmiga was very good as the elusive Joanna. Her calm demeanor and controlled engaging voice really worked. Patrick Wilson as Police Lt. Alex Murphy was very good and convincing as walking two different sides of the street. Jonathan Banks as another commuter named Walt was very good. His gruff, yet inviting self, worked perfectly. Byron Willinger, Philip de Blasi, and Ryan Engle wrote a convoluted script, which delivered action. Jaume Collet-Serra directed the film with the assurance of having Neeson as his protagonist.

Overall:  Despite its flaws, it is a fun film to watch and it’s the actors that make it work.

The Post

First Hit:  A powerful film about the power of the press to share the truth to the American public and how a woman finds own her power and strength.

People who weren’t born early enough to experience the power of the press in 1971, as depicted in this film, may get a chance to witness this power with today’s political climate.

However, one of the most powerful parts of this film has nothing to do with the press, government secrets, or how the government lied to the public; it has to do with how a woman, Kay (Katharine) Graham (Meryl Streep), found her inner strength and resolve to make a decision that changed history.

Graham grew up privileged, pampered, and cared for. Her life was a world where men, for the most part, ruled the world and roost.

The film opens with her in the throes of finalizing a public offering of The Washington Post's stock. She’s doing this because she's in-charge and the company needs money to survive. When her father died, he'd given control of the paper to her husband who committed suicide which left her in control of the paper.

With a cadre of all male advisors, she is being coached through the steps to make The Post financially stable. However, she struggles to find her words while balancing her social duties as a well-to-do hostess of the Washington elite.

The scene where all the secretaries (that’s what assistants were called then) are gathered in front of the meeting room where she alone would enter a room full of male bankers and other investors, said it all.

As the film unfolds, we get a glimpse of the men she relied on to help her navigate the rough and tumble world of newspapers, the company, and finance. Among the men she works with were her Executive Editor, Ben Bradlee (Tom Hanks), who seems to hold Graham in high regard and encourages her to stand up and take charge. Additionally there was Robert McNamara (Bruce Greenwood) who was Secretary of Defense in the lying Nixon administration and a very close family friend of Graham’s. Then there was Fritz Beebe (Tracy Letts) the Post’s Chairman of the Board, in addition to a few others.

The issue that takes her to task and brings her to the forefront is that The New York Times has a headline written from the stolen Pentagon Papers. These secrets were taken from The Rand Corporation by Daniel Ellsberg (Matthew Rhys). On the same day The Times headlines this information, her paper has Trisha Nixon's wedding as their headline.

Ellsberg had discovered that the government, through a recent study sponsored by McNamara, had been lying to the country about our involvement in Vietnam.

With this exposed, Nixon's Department of Justice sent The New York Times a cease and desist. In the background, Bradlee, hating to be scooped by the Times sent Ben Bagdikian (Bob Odenkirk) to find out how to get a copy of the leaked papers. They contact Ellsberg and get boxes of the original papers and begin to write stories to publish.

The awakening and climax is: Will Katharine publish the papers and risk being shut down by the government? Will it negate the public offering? And, will everyone at The Post lose their jobs? This is where the film really is dynamically excellent. The conversations Katharine has with her daughter Lally (Alison Brie), Bradlee, McNamara, and Letts are beautifully constructed and powerfully executed.

Streep was sublime as a woman discovering and then using her power. The evolution of Graham during this film is exquisite. Hanks is extremely strong in his role of protecting the freedom of the press. Odenkirk is fantastic as the assigned Post reporter to find the papers and get The Post back in the fray. Rhys was excellent as Ellsberg for whom I bow to for taking the risk of losing his freedom to tell US citizens the truth of our government’s deceit. Greenwood was great as McNamara. Serving Nixon and being honest with Graham, his friend, was a difficult task. Letts was strong as The Post’s chairman. He wanted and supported Katharine's growth. Brie was perfect as Graham’s daughter. Her role in the bedroom scene added so much to Katharine’s growth. Liz Hannah and Josh Singer wrote an excellent, inviting, and movingly strong script. Steven Spielberg hasn’t lost his touch to create ways for the audience to become fully engaged with his films. The scenes (living room with the papers strung about, the corporate boardroom, the rumbling of the presses starting up shaking the upstairs desks) are typical Spielberg, full, complete, and excellent. However, it was coaxing excellent performances where his ability to work with actors that shined most.

Overall:  This film is perfect for the times; the growing strength of women and holding our government accountable.