Winchester

First Hit:  This film needed to be taken out back and shot with a Winchester rifle.

I’ve been to the Winchester mansion in San Jose. It is a very interesting structure and although currently it is large, 4 stories in some sections, it was once much larger at seven stories high in places. But after the 1906 earthquake, also a plot device in the film, it got reduced in size.

The basic story about the house is that Sarah built this house to capture and confuse the ghosts resulting from people who died by her husband’s rifles. She was told by a medium, that she needed to amend for her husbands invention of the repeating rifle. This film takes the bent that because she owned a huge portion of her deceased husband's company, Winchester Repeating Arms Company, the board of directors thought she was crazy to be building this house, and wanted a negative evaluation of Sarah Winchester’s (Helen Mirren) mental capabilities to take back control of the company.

The directors hire Dr. Eric Price (Jason Clarke) who’s imbibing Laudanum to ease the pain of losing his wife who killed herself with a Winchester Rifle after wounding him with the same rifle, to analyze Sarah and report back to the board.

They pressure him to determine that Sarah is crazy. He arrives at Winchester’s house and has dealings with staff, niece Marion Marriot (Sarah Snook), her son, and ghosts. Because Sarah is driven to house and appease all the ghosts, building rooms onto the house goes on 24 hours a day, 7 days a week. People are always working on the house.

The film tries to make a compelling ghost and horror story about Sarah, Marion’s son, and Eric and how, together, they fight to kill one rambunctious ghost, Ben Block (Eamon Farren).

I cannot tell you anything I liked about this film. It was shot way to darkly (in color) and they showed very little of the peculiarities of the house itself. Winchester House is interesting and fascinating and this film does nothing with this, they just made a poorly constructed and contrived ghost story.

Mirren was OK in a role and script that didn’t become her abilities. Clarke was poor. His choices, as directed in the film’s script, were poorly done and not well thought out. The story of his demise felt contrived. Snook tired to be sincere but it was the role and script that failed her. Peter and Michael Spierig wrote and directed this mess. I’m not sure how they got funding for this, and my guess is that they will be hard pressed to get funding for a future project.

Overall:  This film is a waste of any money used to go see it, let alone make it.

mother!

First Hit:  It was not very interesting, was poorly scripted and had little to offer.

Director Darren Aronofsky probably had something to say by making this film, but I can only come up with snide thoughts like:  The battle between control and chaos is difficult. One needs to ask their partner before inviting people into the house. People like Him (Javier Bardem), need to have their ego stroked. Well-known artists, Him, would sacrifice his family for outside admiration. People will give the artists they admire leeway to act poorly. Life is a never-ending sequence of the same stuff over and over again. I could go on.

One troubling aspect about this film was that Darren had some great actors, but Mother (Jennifer Lawrence) seemed like she was saying lines and occasionally her actions were more engaging. Him seemed to take on the poor struggling artist role rather mediocrely. Together they were a shipwreck ready to happen throughout the entire film.

The story is that Mother has rebuilt a very large house because it burned down in a fire. It was Him’s family home. She’s doing this because she loves Him and the poems that he’s written in the past. However, he’s had writer's block since the fire burned down his family’s home.

One day, Man (Ed Harris), a chain smoking doctor, shows up at their home thinking it is a place where he can rent a room while doing research. Without asking Mother, Him tells Man that he can stay there as long as he wants. Feeling pushed aside, Mother reluctantly goes along with this.

Then the rest of Man’s family shows up. Woman (Michelle Pfeiffer) is pushy and is very passive aggressive while Mother waits on her. All the while Him likes their company. Woman tells Mother that she needs to have a baby to really know what life is about.

During an argument, Him and Mother have make-up sex and she gets pregnant. Also, Woman and Man’s boys come to the house and start a big fight and one of the boys gets killed.

With Mother being pregnant and the killing of the boy, Him writes another poem that causes a national stir and now thousands of people come to the house to both grieve the dead boy and the celebration of this new poem. This makes Mother angry as she tries to kick everyone out because they are wrecking the house she built.

Then the film heads into over weird with rituals and demons and other stuff. Why? I cannot tell you why even if I knew. It is beyond my understanding of the point and purpose of this story and film.

Lawrence gives a uneven performance. It was both difficult and easy to understand her love and devotion based on whatever scene she was in. Bardem had an easier role of being egocentric and caring about himself more than the people for which he professed his love. Harris was OK as the initial interloper. Pfeiffer was interesting because her sarcasm and disdain towards Mother was well done. Aronofsky wrote a confusing and unclear script that came off as being overindulgent towards bizarre behavior. If the audience doesn’t get the point, why do a film like this? As director, the point was lost in the script, and therefore the acting wasn’t reflective of a cohesive story leaving the audience lost.

Overall:  This was self-indulgence at its finest and a waste of my time.

It

First Hit:  Although the characters were engaging and well defined, this film was uninteresting, long and lacked suspense.

It is sad when a film bills itself as horror and it doesn’t create any such feeling. Although the character “It” (AKA Pennywise) was appropriately evil looking, the jerky back and forth movement when it tried to be scary came off as pressed and silly.

As a set-up, the town of Derry, where the film takes place, has a history of young kids going missing and the town doesn't seem to concerned about this.

The kids in this film were distinctly defined. The tough bully kids, led by a policeman’s son named Henry Bowers (Nicholas Hamilton), was sufficiently mean. His angst and bully ways came from the way his father treated him.

The group of nerds were perfectly developed with their own backgrounds and reasons for being part of the nerd group.

The story begins with a young boy Bill Denbrough (Jaeden Lieberher) folding a piece of paper to make a boat for his younger brother Georgie (Jackson Robert Scott) so that Georgie can float the boat down a rain filled street gutter. The boat gets sucked down the storm drain and this is when the audience gets introduced to ‘It’ aka: 'Pennywise' (Bill Skarsgard). Luring the boy to reach down and get his boat, the boy disappears down the drain.

At school Bill is consoled by his nerd friends Richie (Finn Wolfhard), Eddie (Jack Dylan Grazer), and Stanley (Wyatt Oleff). They soon join forces with other nerds and outcasts Ben (Jeremy Ray Taylor), Beverly (Sophia Lillis), and Mike (Chosen Jacobs) as they band together after having separate experiences with what scares each of them.

What ‘It’ does is that it finds out what scares each kid and presents it to them to lure them into the lair below the city streets in the sewers and old water system of Derry.

As expected, the kids band together and solve the issue of the missing children.

The wonderful interaction within the nerdy group of kids was excellent. They had their differences with each other but their deep friendship prevailed over everything.

The interaction between Henry and his father were appropriately intense and gave a solid base for Henry's bullying. Then there was Beverly’s relationship with her father, which was creepily perfect.

The bikes, the drugstore, library and town’s main street were well sourced and perfect for the era. The darkness of the haunted house and sewer system were good in their representation, however, I never felt any fear feeling during the film. I didn’t get afraid for the kids, nor did I sense enough suspense to make it a horror film.

Lieberher was excellent as the stuttering young boy who loved his brother and fell with great affection for Beverly. Hamilton was excellent as the bully who wanted to show his father that he was unafraid and tough. Scott was very good as the young boy who fell under It's spell. Skarsgard was good as Pennywise ‘It’. Taylor was fantastic as the overweight nerd who was enchanted by Beverly. Lillis was sublime as the only girl in the group. Her fearlessness was perfect. Wolfhard, Jacobs, Grazer and Oleff were very good. Chase Palmer and Cary Fukunaga wrote a mediocre screenplay in that the story lacked real engagement and was too long. Andy Muschietti was the director. Although the children’s performances were excellent, he didn’t create any real suspense and horror based fear. The film dragged on way too long.

Overall:  This was a disappointment because the characters were good but the story and interaction between the vehicle of fear and the kids was done mediocrely.

Alien: Covenant

First Hit:  This version was laughable if compared this with the engagement, thrills and horror of the first film, ‘Alien’.

The opening sequence has Peter Weyland (Guy Pierce) activating his latest humanoid robot David (Michael Fassbender), who is named after Michelangelo’s statue. After a short discussion about Peter being David’s creator,  the question David asks is, who was Peter’s creator? Peter looks at him and says, he doesn't know but that they will search for mankind’s creator together. This dialogue tells the audience that this question is important to the film.

Then we switch to the spaceship Covenant, which is now just seven years away from landing on a planet they believe is perfect to colonize with ship's the crew, two thousand colonists and a thousand embryos that are all stored on the ship.

Minding the ship as it sails along through space is Walter (Michael Fassbender) who looks like a replica of David. At first I was confused because I thought it was David and that he had been re-named. This is an initial flaw in the film but makes obvious that the two characters, David and Walter, will be the drivers of what happens in the film and the film doesn’t disappoint with this thought as a plot device.

The crew led by Captain Jacob “Jake” Branson (James Franco) who dies immediately because of a neutrino burst that hits the ship. This happens just a few minutes into the movie and starts the story’s spiral into trouble for the ship and crew.

The newly awakened crew is thrust into action to fix the ship’s issues from the neutrino burst and while managing the repairs they receive a transmission from an unknown planet that sounds vaguely familiar to Tennessee (Danny McBride). What he discovers is that it sounds like the song “Country Roads” by John Denver.

Jake’s wife, Daniels (Katherine Waterson), helps the next in command, Orem (Billy Crudup), figure out their next steps to fix the ship and what he needs to do to take charge. The side story that the crew doesn’t respect him plays no aspect in the film’s story and is a waste of dialogue.

Following the signal, they find a planet that appears to have everything they need for colonization and it is only a week away. Although the audience knows, as do some of the crew members suspect, the choice to explore this “new” planet will be the wrong choice but they do it anyway. Not much in the way of suspense.

One rule about thrillers is that to be thrilled one must be surprised and given a full dose of suspense or it won’t work well. And from here on the film dives into wasted energy. We are not surprised, nor is there suspense. They land, they discover it isn’t a friendly place, the immensely strong aliens are back and we discover that here, ‘David’ is the creator of life. A few of the crew get away. But remember my third paragraph where I stated that the look alike humanoids David and Walter will be the dark story, it is true.

Fassbender is strong in both roles, David and Walter, but the film doesn’t do much justice to his abilities. Waterson is very good and is a highlight as first the grieving widow. She is strong as the clear headed person who really needs to be in-charge. McBride is funny and very good as Tennessee, the guy who is homey and smart. Crudup is wasted in his minimal role and doesn’t show strength. Dan O’Bannon wrote a mediocre script and screenplay that showed its hand way too early and really lacked suspense. Ridley Scott appears to have been in this for the money because the film is simply uninteresting and is at times, a joke (meaning people laughed out loud and the preposterousness).

Overall:  Don’t waste your time on this poorly conceived story.

Life

First Hit:  This film tried to be a horror thriller in the science fiction genre, but ended up being lifeless.

The film starts a little confusingly but with some interest. For some reason there wasn’t enough clear back fill as to how a space probe left Mars, heading for Earth and a space station had to catch it or…. Once I got past this unsolved puzzle, watching the team’s pilot Rory Adams (Ryan Reynolds) move a space arm to catch this thing in space was cool. However, any probe coming from Mars would be traveling much faster than it shows here, another puzzle to solve.

After bringing the soil samples into a sealed (not really because there were vents) bio-testing chamber, British biologist Hugh Derry (Arilyon Bakare) starts fiddling with the samples and finds a living one cell protoplasmic entity. Adjusting the mixture of oxygen and stuff, it grows. As Dr. Miranda North (Rebecca Ferguson), Quarantine Officer states; “…all muscle, all brain, and all eye.” It is named “Calvin” by some school children. I liked the reference in some ways because “Calvin and Hobbs” was one of my favorite comic strips and the character Calvin was a handful.

Hugh is like a child with this discovery and Rory states “there’s going to be a huge custody battle over this”, mostly because the space station has multi-national people working on board and it is the “International Space Station” (ISS).

To give some character to the team, Sho’s (Hiroyuki Sanada) wife gives birth while he watches it on a personal video device. Commander Katerina Golovkina (Olga Dihovichnaya) is Russian and is ultimately responsible for the safety of the crew. Dr. David Jordan (Jake Gyllenhaal) is the medical officer and has been in space longer than anyone 400+ days. He likes it there because being on the ISS it is a controllable environment for him.

So what happens? Calvin gets loose and attacks people because humans are filled with the type of liquid nutrients it needs to survive. As Hugh states at one point, it is just trying to survive. All havoc breaks loose, Earth loses communication contact with ISS and decides to send a Soyuz capsule up to push the ISS into deep space forever, killing everyone and everything on the ship. However, when this plan fails, the last two living humans make a decision to try to save Earth from Calvin.

Part of the problem, is that Calvin wasn’t interesting, I didn’t care about the characters, and it seemed like a fight in futility from the get go. Then there were the logistics issues that I pointed out above.

Reynolds had little screen time and maybe the film would have done better with his presence extended. Bakare was OK, but a bit too inquisitive in trying to make Calvin respond to stimuli, which wasn't scientifically stringent enough if this were real. Ferguson was bland and didn’t really add much to the film. Dihovichnaya was OK, but didn’t seem to be controlling her team much, which caused part of the problem. Gyllenhaal was good and one of the better parts of the film because you can tell he pours himself into each part. Sanada was OK and didn’t add much to the overall picture. Writers Rhett Reese and Paul Wernick were both probably aiming for an “Alien” type film but ended up alienating this audience – some actually walked out during my viewing. Daniel Espinosa had some great photography, and visual effects, but the weak script and story deflated the overall presentation.

Overall:  This film will not get reviewed well and just didn’t work