Disobedience

First Hit: Extremely well-acted film about how antiquated thinking can split families and a loving relationship.

Ronit Krushka (Rachel Weisz) is a photographer in New York City. As we meet her, she's photographing a tattooed man.

She suddenly has to leave New York and we see her as deeply anxious. She arrives in a small town Orthodox Jewish community in England because her father, Rabbi Rav Krushka (Anton Lesser) has died suddenly. She did not know he was ill with pneumonia. The mystery is set with this scene; as she enters Dovid and Esti Kuperman’s (Alessandro Nivola and Rachel McAdams respectively) home where they are honoring Rav’s death, there is a strong silent judgmental air as she enters the house and each room.

The way this movie is filmed, we see her both as slightly detached from the people around her and intensely engaged. There is a depth of sadness in her character.

There is an especially strong sense of a subject not discussed when Ronit and Esti are together. Dovid was Rav’s specially selected heir apparent to be head rabbi of the local temple. The audience slowly learns that Ronit’s absence and rejection by the community is partially due to a lesbian romance with Esti when they were very young.

Scene after scene the community rejects Ronit because of her past and their passive aggressive closed-minded behavior is a key subject of the film.

The stark, clean way this film is shot adds to its intense beauty. The slow building of the way we learn about their previous relationship, how the community saw this forbidden relationship, and how the love still burns for each of them is outstanding.

Although their hotel lovemaking scene is what is advertised, it’s the entire story around it that makes this scene and this film work.

This film also exposes the lack of acceptance of human love by her family and friends and the Orthodox Jewish community.

Weisz is amazing in this film. She is an incredibly strong actress and she puts herself into roles that challenge her and the role of women (think My Cousin Rachel and this film to name two) in their communities. McAdams is a revelation in this role. Her subtly in revealing her love in this film was fantastic. I loved how she fiddled with her wig as it showed a level of unsurity. Nivola was wonderful as the conflicted rabbi who loved his wife Esti, Ronit, and his Jewish faith. Sebastian Lelio and Rebecca Lenkiewicz wrote an detailed and effective screenplay that got to the spirit and heart of the matter is a wonderful way. Lelio had a clear vision in his direction of this story and cast. It was clean and was based on characters that had depth.

Overall: This is one of the best films this year.

Avengers: Infinity War

First Hit: Poorly conceived film because someone thought that putting every conceivable character under the sun into a single film was a good idea for a story.

Action for action’s sake is a waste of time because after a few minutes there’s no story to engage with and all the audience is doing is watching visual tricks on a screen. And, although I enjoyed the quips shared and pointed towards particular characters, in the end, it isn’t enough to make me want to recommend anything about this film.

I couldn't get into the plot of this film because there were so many small subplots and sidebars that I the real story became distractingly meaningless. However, my guess at the plot is: Thanos (Josh Brolin) was seeing his world fall apart because there were too many people, therefore by killing half the population in the universe, things will be peaceful and life would be able to support itself. The Avengers don't want this to happen.

To have the power to make this desire come true, Thanos needs six stones that are being held somewhere in the universe, a few of them are in possession of superheroes. So he goes about finding the stones and doing anything to get them.

To stop his quest, all the Avenger superheroes loosely come together to fight the good fight to defeat Thanos. Iron Man/Tony Stark (Robert Downey Jr.), Thor (Chris Hemsworth), Hulk/Bruce Banner (Mark Ruffalo), Captain America/Steve Rogers (Chris Evans), Black Widow/Natasha Romanoff (Scarlett Johansson), War Machine/James Rhodes (Don Cheadle), Doctor Strange (Benedict Cumberbatch), Spider-Man/Peter Parker (Tom Holland), Black Panther/T’Challa (Chadwick Boseman), Gamora (Zoe Saldana), Nebula (Karen Gillan), and Loki (Tom Hiddleston) just to name some.

You can see from the above listing, along with another ten superheros, having this many characters makes for a confusing mess because each has to have their day in the story. This is exactly what we get - confusion.

Most all of the actors do their superhero thing and do it well enough. However, with everyone one splitting screen time and with minimal roles, it was difficult for anyone except Chris Pratt (As Star-Lord/Peter Quill), Downey, Hemsworth, and Cumberbatch to standout.  Ruffalo was also funny trying to turn into the Hulk. The rest was more like having them do cameos of their characters to show that everyone was onboard to fight Thanos. Brolin as Thanos was strong but it is hard to show the depth of character he was attempting give the audience through the heavy makeup. Christopher Markus and Stephen McFeeely wrote an over ambitious screenplay that melted under the number of characters they had to bring in. Anthony and Joe Russo co-directed this mess and it showed. The use of effects was good, but effects to no make a film, characters do and shortchanging so many of them was its downfall.

Overall: I only went to this film because of the strong audience attendance and I cannot believe that the millions walked away satisfied.

Finding Your Feet

First Hit: A very inspirational, delightful and fun film.

Sandra (Imelda Staunton) is married to Mike (John Sessions) who has just received his MBE from the British Crown. They live in a big house and Sandra is a dutiful wife giving everything of herself to support her husband.

During a party she walks in on Mike making-out with their mutual friend Pamela (Josie Lawrence) and Mike tells her that they've had the affair going on for five years. Mike has no intention of stopping the affair.

Sandra walks out of the house and goes to her sister Bif's (Celia Imrie) flat which is in a very crowded common person's neighborhood. Bif is an adventurer. At about age 70, she takes dancing classes with others her age, rides a bike and goes swimming in a outdoor pond facility. Her flat is messy. Her life has been and is lived as fully as she can make it.

Sandra and Bif have not been in contact with each other for years and their two juxtaposed lifestyles make it difficult for them to live together, but gentle nudging from Bif and her friends, Charlie (Timothy Spall), Ted (David Hayman), and Jackie (Joanna Lumley), she begins to realize she's suppressed her life for Mike and slowly becomes more joyous and carefree.

At their mutual dance class, they learn new steps and put on a spontaneous mashup performance that gets filmed and goes viral. They get invited to Rome to perform.

After Bif passes away, Mike and Pamela break up and Mike realizes he misses what he had. He asks Sandra to come back into their home. She gives it a try, but the lessons she's learned about herself from her newfound friends require her step into her life and find her own feet.

Staunton is fantastic as a once brave woman re-finding her source of inspiration for living her life. Sessions is excellent as the stuffy brit who took advantage of his wife's loyalty and lived only for himself. Imrie was amazing as Sandra's sister Bif. Her edge was perfectly appropriate for the part. I loved her story about having only one love while they were in Rome.  Spall was sublime as the loyal husband who has a wife with alzheimer's. I loved how he got his van back when it was confiscated. Hayman was wonderful as one of the dance team and a close friend of Charlie. Lumley was great as one of the dance team and inspirational friend. Meg Leonard and Nick Moorcroft wrote and wonderfully touching script. Richard Loncraine did an excellent job of directing this ensemble of performers to deliver a wonderfully inspiring film.

Overall: This film was filled with emotion through endearing characters that most everyone could relate to.

Lean on Pete

First Hit: A wonderfully acted film about a young boy having to raise himself. 

The sixteen-year-old Charley (Charlie Plummer) is a great kid. He takes care of himself and his father Ray (Travis Fimmel) who, although capable of working, is shown to imbibe in drinking and likes messing with women, married women as well.

What Charley depends on is that his father is there. His father also teaches him a view of life, which is homespun philosophy. There is one bit when he explains why waitresses are the best women in the world, that's true to his view of the world.

Charley's mother left him because she was great one moment and horrible and mean the next. During a drunken fight with his father, she left for good. His father paints his mother as bipolar.

Charley has not heard from is mother in nearly 8 years and he longs for her and finds solace and friendship with Del (Steve Buscemi) a horse trainer and one of his horses Lean on Pete. Del is in the downside of his career but he pays Charley well for doing work like walking Pete and cleaning out the stables.

Del's friend and part-time jockey Bonnie (Chloe Sevigny) also befriends Charley.

When Charley's dad dies because of a wound he receives from an irate husband, he becomes focused on finding his mother.

This story evolves more and Charley is put through some very difficult situations with Del, Bonnie, and Pete. But his focus is clear, he loved his dad, he wants to find his mother and he loves Lean on Pete.

The scenes of Charley and Del are wonderful. Del being crusty and set in his ways get softened a bit with Charley. Scenes of Ray and Charley were also both sweet and poignant. The pictures of the open land when Charley was walking to Wyoming were devine.

Plummer was fantastic. He's a great young actor and embodied the fear of his life falling apart and his will to survive in an amazing way.  Fimmel was strong as the father who took on the responsibility of raising his son alone and who wanted the freedom to live a single life. Buscemi was outstanding as the crusty difficult soft-hearted horse trainer. The scene where he tells Charley to get some eating manners was priceless. Sevigny was strong as the jockey who tried to teach Charley that horses cannot be pets. Steve Zahn does a nice turn as the homeless Silver. Andrew Haigh both wrote and directed this film with a fine hand at creating characters that made this film work.

Overall: There were heartbreaking scenes in this film that made me really pause and think about the multitude of ways people are raised.

You Were Never Really Here

First Hit: Beautifully shot scenes, dynamic soundtrack, but this oddly paced film tells a story of redemption, salvation or deeper despair.

It isn’t easy to summarize this film except to say, its odd pace had me both engaged and patiently waiting for what would be next.

Joe (Joaquin Phoenix) erases problems and he’s got his own problems. He’s taking care of his aging, somewhat helpless mother, his job is that he finds and kills people, and he’s haunted by his military service overseas. The latter coming to him in flashes.

In the opening sequence, we see Joe completing a job. As the camera pans across what he’s cleaning up, we know enough that when he goes to the hardware store, he’s preparing to do some graphic damage to someone. His favorite tool is a hammer.

Accepting a new job, he’s been asked to find Senator Albert Votto’s (Alex Manette) daughter Nina (Ekaterina Samsonov). The senator believes she’s been taken and housed by a group that uses her as an underage sex worker. All he has is an address.

He stakes out the building and see’s that it is a high-end prostitution ring and that Nina is just one of many of the underage girls being used by wealthy men.

As the story unfolds, it gets complicated quickly because after rescuing Nina, she gets stolen from him. The story turns because Joe's vested into helping Nina.

The rest of the film is about him finding  who stole Nina, where Nina is, who killed his mother, and settling the score.

All through this, the action comes in spurts, the flashbacks of Joe’s young life and his overseas service come at odd moments, and the quiet intensity of Joe permeates this story. His match is Nina. Her almost soulless stares, acceptance of what her path is, and the way she fixes it make them an odd pair.

Many of the shots in this film are reminiscence of some of the best Martin Scorsese shots in Taxi Driver. In ways this is a film that uses that story, a twisted older man helping a young girl, to deepen and create mixed feelings about the characters.

Phoenix is darkly effective. There is no way anyone would want to cross him and it shows in virtually every scene. His portrayal of being affected by his upbringing and service overseas worked. Samsonov is a revelation. She makes this film have a depth it would not have had without her almost soulless stares. Manette is good as the twisted senator. Judith Roberts, as Joe’s mother is wonderful. Her portrayal of a woman who is forgetful and dependent on Joe were perfect. Lynne Ramsay wrote and directed this dark complex film. The use of flashbacks was, at times, overly done and too brief to create enough context to understand. However, the use of Phoenix as the main character was perfect.

Overall: This dark complex slowly paced film borders on overdoing itself, but the actors made it stay with me afterward.