Jurassic World: Fallen Kingdom

First Hit: For something as overly done and complicated as this, it was a drag to watch.

This is another example of a franchise pushing it too far and getting minimal results.

The first opening scenes, when two guys are underwater sawing off a bone of a dead dinosaur and a guy on land, guiding them, was cartoonish although it wanted to be something else. They are sawing off this bone so that the DNA can be used to create more dinosaurs.

The island where the dinosaurs are currently living, Jurassic Park, has been over run (see last episode) by these very same dinosaurs. No people live on the island and it is no longer an amusement park. However, all of the dinosaurs are in danger of dying because a volcano on the island is starting to erupt.

Benjamin Lockwood (James Cromwell) has come up with a plan to transport several of the current species from this erupting island and put them on another island he owns. They identify something like 13 dinosaurs to move. I couldn’t help but notice that they only wanted 1 of each, so my mind went to; how are they going to propagate on this new island without a mate?

Unbeknownst to Lockwood, his company manager, Eli Mills (Rafe Spall), has other ideas. Mills is planning to use Lockwood's money to move the dinosaurs but to a place where he can sell them to the highest bidder. He’s also working with Dr. Wu (BD Wong) to genetically engineer some new species from the DNA of the captured dinosaurs and the bone that was captured in the first scene.

Under the belief that they are supporting Lockwood’s plan, Claire Dearing (Bryce Dallas Howard) and Owen Grady (Chris Pratt) help Mills capture the dinosaurs. The were recruited because they know the Jurassic Park Island and Owen raised "Blue" (a Velociraptor) and may be the only one to get the raptor into a cage for capture.

To add some comic relief and younger actors, Franklin Webb (Justice Smith) and Zia Rodriguez (Daniella Pineda) are brought on the expedition because Webb is an IT wiz and Rodriguez is an accomplished physician for dinosaurs. Webb’s fear of everything resulted in lots of screaming by him which got old after his second scream.

Meanwhile, the original director of Jurassic Park, Ian Malcolm (Jeff Goldblum), spends his time arguing in front of Senate committees. He doesn't want to save the dinosaurs and is in favor of letting them die from the volcanic eruption. He suspects that there will be trouble if they are saved.

This is enough of the story line setup to say that things go bad for everyone’s plan and that is where the action takes over. Unfortunately, the only thing good about the action is that CG dinosaurs look awfully cool. The detail in their skin and movement is outstanding. However, some of the actions, like a dinosaur tapping its long-clawed toe on the bedroom floor, is too human of a movement and came off as silly.

Pratt does action, quirkiness and smart-alecky remarks very well. He’s well controlled in his body and always has enough wherewithal to make his character believable. Even in a boring dumb film such as this, he makes his character work. Howard is mediocre at best. She never looks the part of scientist or activist and she doesn’t come off as intelligent. Spall was OK as the guy who was out to make money for himself. Cromwell had a very subdued role and his performance reflected this. Goldblum plays the wiseacre know it all and although it is his signature type of performance, it would be nice to see him really act sometime. Pineda was strong as the young woman whose intent was to save the dinosaurs. Smith’s role was silly, and it made him look silly. Isabella Sermon did an excellent job playing Lockwood’s granddaughter Maisie, however there is something behind the curtain. Ted Levine played Ken Wheatly the tough guy carrying out Mills’ orders and always wanting to be paid. It is actually a good thing that he got his just deserts. Derek Connolly and Colin Trevorrow wrote this overly complicated moving into boredom script. J.A. Bayona did what he was told, action at all costs, and also throw in some tongue in cheek funny moments and quips.

Overall: This film is a disgrace to the franchise and isn’t worth the money spent on it or the price of admission.

Tag

First Hit: Funny moments but it also felt like it was pressing for the laughs.

At the end of the film there’s shot of an old Wall Street Journal article showing about 10 men who were the subject of a story about a group of guys keeping a game of tag going for many years. This was the premise and storyline for this film.

The idea of a group of guys playing the game of tag into their 30’s and 40’s has a nice ring to it. It is easy to see that this game, which the group started playing when they were young boys, is a way for them to stay connected to each other.

The film touches on this, but sometimes, a bit too cavalierly and tries to go for the laugh and not a deeper story. My sense was that this game between these men, besides being fun, grounded them in their roots and where they came from. Having just gone to my 50th high school reunion, it was interesting to hear stories of my old class mates and what their path had been. I’ve been fortunate to have been able to keep two friendships together for over 55 years, and it’s been nice to connect with them every few months and to have been part of their lives.

Here we have Hogan “Hoagie” Malloy (Ed Helms), Reggie (LilRei Howery), Bob Callahan (Jon Hamm), Randy “Chilli” Cillano (Jake Johnson), and Jerry Pierce (Jeremy Renner) as five friends who have played tag together since they were young boys. As they got older, they set aside the month of May as tag month. Anytime during this month, the person who is “it”, can and will find one of the other guys and tag him. At the end of the month, the game ends for another eleven months.

The hook this film uses was that Jerry had never been tagged. Somehow, for more than twenty years, he’s been able to avoid being “it.” Hoagie learns that Jerry is getting married in May and thinks this will be the opportune time to tag him. He rounds up the rest of the gang to plot this once in a lifetime score.

The opening scene has Hoagie getting hired as a janitor in Bob’s company, so that he can surprise Bob, tag him, and then enlist him in the effort to get Jerry. This is how the storyline gets the Wall Street Journal involved because at the time Hoagie tags Bob, he’s being interviewed by Rebecca Crosby (Annabelle Wallis) who is a journalist interviewing Bob about his company.

There are funny scenes as this small group join forces to get Jerry, but the over the top performance goes to Anna Malloy (Isla Fisher), Hoagie’s wife. She is intense and focused to help Hoagie’s dream come true, getting Jerry. There is a reason for this and you’ll have to see the film to know why.

Helms is good as the guy who instigates the plan to get Jerry tagged. Howery was strong as one of the members who had his own way of participating. Hamm was very good as the successful business professional who sets aside his business for the sake of the game. Johnson’s role was a little off for me. I didn’t see the reason to have someone whose ideal life was being high on pot as a good plot device. Renner was excellent as Jerry. His intense and intelligent actions were good for this story. Wallis was OK as the Wall Street Journal reporter following the story. Fisher was perfect as the over the top wife willing to make the game happen for her husband and herself. Rob McKittrick and Mark Stellen wrote an OK screenplay, although I think it needed to not focus on generating a laugh. It could have been funny without resorting to physical site gags. Jeff Tomsic directed this film and would have done better to redirect the emphasis towards the friendship between these men.

Overall: I enjoyed the film but would  have rather had a more engaged full story.

Hereditary

First Hit: A rather complex or complicated horror film that worked reasonably well.

This is a dark film and attempts, in its own way, to pose question about evil being hereditary. The story revolves around the horrible death of Charlie (Milly Shapiro). She is killed in an accident (or is it) when her brother Peter (Alex Wolff) is driving her to the hospital.

Although this scene is early in the film, the strangeness of the family and their dynamics are shown because Annie (Toni Collette), the mother, makes models of the house and other things in her work studio. Charlie sleeps outside in a tree house that's very cold. The main house itself is way out in the country and is given the feeling of being a bit dark. Peter is shown to be somewhat ambivalent about life, school, and spends a lot of time high on pot.

We learn later that this Annie’s accurate models are her art and livelihood. Her husband, Steve (Gabriel Byrne) is rather stoic about the family’s oddness and acts as the solid foundation of the family.

After Charlie’s death Peter and Annie have fights blaming each other for Charlie’s death while Steve tries to referee these fights.

Annie meets Joan (Ann Dowd) who speaks with her about losing a child and quickly becomes Annie’s confidant. But things become more bizarre and sinister when Joan teaches Annie about how to conjure up the spirit of her deceased Charlie.

From here the film takes some bizarre turns and outside of the strong performances, the story is not believable or, in the end, horrifying.

Collette is amazingly and bizarrely strong in this role. She’s required to portray a wide range of feelings and emotions and she does this very well. Wolff is the other prime role and his lack of outward rage was either script driven, or he didn’t have the ability to share this. His actions after the accident didn’t seem to fit the event and that was disconcerting to me. Byrne was OK as the stoic father who rarely ventured out of this role’s comfort zone. Shapiro was good in her short-lived part. Dowd was excellent as the friendly helpful person who also had a dark side. Ari Aster wrote and directed this film. I trust he got what he wanted but for me, the horror in the film was the shocking accident that killed Charlie, the rest was just oddly bizarre.

Overall: This film was unique in its storytelling that had strong performances.

American Animals

First Hit: Interesting in that it shows, how many under 25-year-old men think and act. 

Friendships among young men can be very influential. As childhood friends Warren Lipka (Evan Peters) Spencer Reinhard (Barry Keoghan) are still friends as they enter college. Warren was the more wild, entertaining, and reckless of the two. Together they had a symbiotic bond.

With Warren supposedly going to college on an athletic scholarship and Spencer being drawn towards art, they still hang out, smoke pot and try things together. When Spencer goes into the special collection book room at the Transylvania College Library, he’s struck by the amazing paintings in the displayed Audubon books. Thinking they are valuable, along with others in the collection, including one by Charles Darwin, kiddingly he wonders outloud to Spencer about their value and what he'd do with the money.

Hatching a plan to steal and fence the books, the plan starts a life of its own. Throughout the planning process, Spencer thinks that they will come across an obstacle that will require them to quit thinking they can pull off the job. They don’t. For each obstacle, they find a solution including bringing on two others to help them; brainiac Eric Borsuk (Jared Abrahamson) and rich boy Chas Allen (Blake Jenner).

The film follows them as the plot and work their way through the obstructions from making this robbery work. One of those items was who was going to neutralize the woman guarding the special collections, Betty Jean Gooch (Ann Dowd).

All their planning, partially induced by watching robbery films, turns out to be not as through as they had hoped, which resulted in poorly executed robbery.

One of the better things in this film were the occasional interviews with the real thieves, Gooch, and parents of the boys. What made this even more interesting was that I thought the real young men might have made a better film as they were all personable and film friendly, especially Warren.

Peters was good as Warren. He didn’t quite have the wild-eyed look of the real Warren, but it worked. Keoghan was strong as the conscious one of the group. His hesitating nature make his role work. Abrahamson was strong as the quiet, smart, and a slightly dark brooding Borsuk. The real Borsuk ended up becoming a writer. Jenner as the amped up Allen was intense and supercharged. I thought he did a good job in this role. Dowd was very good as the special collections librarian. Bart Layton wrote an effective and interesting script. He also directed the film. Although I liked the use of having interviews with the real young men, it didn’t help the film because they might have been good in their own roles.

Overall: This was an interesting film especially because it was a true story.

Hearts Beat Loud

First Hit: It was an obvious feel good movie and it worked reasonably well.

Frank Fisher (Nick Offerman) is a failing vinyl record store owner in Brooklyn, NY. He’s raising his biracial daughter Sam (Kiersey Clemons) alone and she’s just about to go away to UCLA enrolled in their pre-med program.

He seems stuck in his record store and in an early scene, he lights up a cigarette while standing behind the cash register. When his only customer points out that it is against the law to smoke, Frank doesn’t care. The customer leaves and in view of Frank and the audience, he makes the vinyl record purchase from Amazon via his phone.

Frank is staying in Brooklyn because his mother Marianne (Blythe Danner) is struggling in her old age. At one point, early on, he’s called to pick her up from a small store because she was caught shoplifting. His Brooklyn store is also near where his wife died while riding a bicycle.

Frank and his wife were in a band together and his first love is performing music. To satisfy his urges, he and Sam do jam together when she’s not studying. The audience gets treated to some of their work together.

Besides having strong, yet mixed, feelings about heading to UCLA for school, Sam is leaving her dad in his failing record store, and is falling in love with Rose (Sasha Lane) who is a local artist. Rose is her first love and is encouraging Sam to follow her passions.

Jamming one day, Frank and Sam tape a song Sam has written. Frank, without Sam’s permission, uploads the song onto Spotify under the band name of, “We’re Not A Band.” Somehow the song ends up on the Spotify Indie Play List.

Encouraged that Sam has real talent, Frank attempts to keep his daughter around by telling her she has a real talent and they could make a go of it in the music business.

Because the store is failing, he decides to tell his landlord Leslie (Toni Collette) that he’s vacating the space. His closest friend, local bar owner Dave (Ted Danson), tries to help Frank get over the hump of closing down the business.

The stories and sub-plots in this movie are: Frank's failing record store and inability to support Sam’s college tuition, Marianne’s failing health, Sam moving to California, Rose and Sam’s relationship, Frank’s feelings for Leslie, Dave’s love of trees, and most of all the music that Frank and Sam make together.

Offerman was OK as the father. For some reason it was difficult for me to really feel his angst towards his situation. This difficulty could have been partly due to the script and direction versus his ability. I did sense his character's love for music. Clemons was wonderful. I thought that she did a great job of showing her love for her father, leaving home for the first time, and falling in love. Danson was fun as the long time Brooklyn barkeep and Frank’s friend. Collette’s role was interesting because she was very cagy about her feelings for Frank, as a friend and landlord. Lane was fantastic as the struggling artist who fell in love with Sam. Danner was excellent as Frank’s mom who was slowly losing her ability to function in the world. Marc Basch and Brett Haley co-wrote this script that lacked some background story but created wonderful interactive dialogue. Haley also directed this effort and it was generally on target.

Overall: The songs brought forth joyful emotion and were definitely a bright spot in this film.