Hunter Killer

First Hit: As far as submarine-based films, it was OK, but the added ground team made it better.

My dad (who died 23 years ago today) loved submarine films. His favorite was the 1958 thriller Run Silent Run Deep. He’d sit there and watch it every time it came on television (after seeing it on the big screen) and recite the dialogue with the actors. Maybe it was because he loved the ocean, or that he was in the Navy, I don’t know, but when I see submarine films, I think of him.

In this movie, a U.S. submarine is, at close range, following a Russian sub under arctic ice in the Barents Sea. Then unknowingly, another Russian sub, hiding in a carve out slice of ice, torpedoes and sinks the U.S. Sub. Then there is an explosion and the Russian sub sinks.

Rear Admiral John Fisk (Common) with National Security Advisor Analyst Jayne Norquist (Linda Cardellini) advocates figuring out what to do and wants to send another submarine in to figure out what happened to the sub and if there are any survivors. Chief Joint Chief of Staff Charles Donnegan (Gary Oldman) is opposed to this and wants to gear up to start another world war against the Russians.

Meanwhile we get a short glimpse of SEAL Lieutenant Bill Beaman (Toby Stephens) and his team practicing maneuvers.

Then when Fisk sends the USS Arkansas sub commanded by newly inaugurated Captain Joe Glass (Gerard Butler) to find the previously sunk U.S. Sub, they also find the sunk Russian Sub.

They hear something on the Russian Sub and make a rescue of the captain and two other men. When Glass shows the Russian Captain, Sergei Andropov (Michael Nyqvist) that his Russian sub was sabotaged and sunk by someone on board, he realizes that something is going on with his country.

Sensing Russian problems, Beaman’s team parachutes into the Russian base to find the Russian President Zakarin (Alexander Diachenko) is being held hostage by Defence Minister Dmitri Durov (Mikhail Gorevoy) who is instigating a coup.

The plan is to have Beaman’s team kidnap the Russian President and escape by getting on board Glass’s sub which will be guided into the Russian base by Andropov. All this is to prevent an all-out war between the two countries.

I thought some of the scenes in the subs were well done. I loved when the men on the con were leaning as the sub dove. I thought the attitude of the SEALs was perfect. I enjoyed the sharpshooting by the youngest member of this team. I enjoyed the grit and determination shown by Captain Glass, especially when he was challenging Andropov to help him.

There is a far amount of suspense in the film, but it does have an obviousness that we know how it will end. Thought that Donnegan’s character was over the top and don’t know if that was direction or just Oldman being over the top.

Butler was excellent as the come up from the ranks Captain of the USS Arkansas. There was a certain amount of grittiness in his approach that worked for this role. Common seemed a little out of his element in this role. He didn’t quite exemplify a Rear Admiral. Oldman's character was unprofessional, for the position, in the ranting he showed. Nyqvist was excellent as the closed mouth long time professional sailor. Diachenko was OK as the Russian President. He didn’t quite come off as being strong. Gorevoy was a poor choice as someone to pull off a coup. His character felt fearful and weak most of the time. Stephens was great and exemplified a Navy SEAL leader, rough, demanding and with a heart underneath. Cardellini was good as a NSA Senior Analyst. Arne Schmidt and Jamie Moss wrote a good script. Donovan Marsh did a good job of directing this film. Some of the scenes in the sub were fantastic as were some of the on-land scenes. However, really thought that Oldman’s role was a big downfall as was the war room scene with the US President.

Overall: An OK thriller but it will not go down as an all-time great submarine-based film.

The Hate U Give

First Hit: A fantastic film about the existence of racism and, as indicated here, in our police departments as well.

I’ve seen three films this year that deal directly with racism, Blindspotting, BlacKkKlansman, and this film The Hate U Give. In both Blindspotting and this film, we have a white policeman shooting and killing an unarmed black man.

The film starts with Maverick “Mav” Carter (Russell Hornsby) giving his children; Starr (Amandla Stenberg), Seven (Lamar Johnson), and Sekani (TJ Wright), “the talk.” Mav’s been to prison, he’s fought the hard life but wants to stop the cycle of violence and pain in the family.

He's giving his children the talk about how to act when they are stopped by police for any reason because he knows how they will be viewed being black.

I was deeply saddened listening to this because it’s 2018 and I don't understand why haven't figured out that racism, in any form, is wrong. It shows that we’ve barely grown as a country.

Their mother, Lisa (Regina Hall), doesn’t want them exposed to the school in their ghetto neighborhood so she sends them to a mostly white college prep school. She wants her children to not be unduly influenced.

Before long, it happens. Starr is being driven home with her lifelong friend Khalil (Algee Smith), when they are stopped for changing lanes without signaling. Khalil, despite Starr’s insistence that he follow the cop’s commands, mouths off to the officer and eventually follows the officer’s commands. Standing outside the car, facing the car, while the policeman checks his ID, Khalil reaches in the car to get a hairbrush, and the officer shoots and kills him. Starr witnesses the whole thing and is in shock.

Starr testifies in front of the Grand Jury, the jury decides to not indict the officer, and the city goes into an uproar. Sound familiar? Yes, this scene has been happening across the U.S., and even with incriminating video footage we’re not holding policeman responsible for their quick trigger behavior.

This film explores this issue when Starr asks her uncle Carlos (Common), who is a black police officer, why police act this way. When he starts his monologue about how a policeman has to act and respond to tense situations, I found myself thinking, wow this is a compelling argument and I can nearly see why a policeman would react this way. However, when Starr asks would the cop shoot a white guy dressed in a suit driving a Mercedes, or would he ask the white guy to put his hands up. Carlos pauses, then says, he’d tell the white guy to put his hands up.

This is the issue. Why would a black police officer shoot the black man but tell the well dressed white man to raise his hands.

Other race issues show up when Starr’s closest friend at her prep school, Hailey (Sabrina Carpenter) shows her true colors as Starr becomes more vocal about her community in her community. A great juxtaposition was her white boyfriend Chris (K.J. Apa) who supports Starr in her quest to be seen and speak her truth. My only criticism of this film is that there are sections that seemed elongated or unnecessary that altered the intense pacing of this film. I would have rather had some smart trimming to keep the pacing at the higher level.

Regardless, this film has things to say and in summary, we’ve got a lot to learn and it starts with each of us doing soul searching.

Stenberg was sublime as Starr. She was both verbally and visually expressive at the right moments. Hall was wonderful as the strong mother who wants the best for her children but also gives them enough reign to grow. Hornsby was fantastic as the father. His pent up and controlled rage channeled to help his family was perfectly expressed in this film. Common was strong and his discussion with Starr about “what if…” was key. Apa was extraordinary in his role as the white boyfriend. Johnson and Wright were amazing as Starr’s siblings. Hall was wonderfully charismatic and excellent as the young man killed by the white officer. Anthony Mackie was very strong as King, the neighborhood drug dealer, controlling the actions of many. Audrey Wells wrote a strong script. George Tillman Jr. did a wonderful job directing this story and strong actors keeping the point of racism in focus.

Overall: This was an emotional film to watch as witnessed by the numerous times I had to wipe my eyes.

Megan Leavey

First Hit: I was fully engaged emotionally with this film and maybe it's because I have a dog and we're close.

Megan Leavey’s story is a true one and I appreciated seeing the real Rex and Megan in the final credits.

This story is about a young lost girl who finds love and a path through life by joining the US Marines and becoming a dog handler. Megan (Kate Mara) perfectly portrays a life not worth living. She is in constant dispute with her mother Jackie (Edie Falco) who just seems clueless about her daughter’s life and what she’s hurting from. Megan also hates her job and has recently lost her closest friend.

There’s a great scene in this film that emphasizes the struggle between Jackie and Megan. Jackie is complaining about her former husband Bob (Bradley Whitford) not giving her the $2,000 he owes her, and Megan’s retort points out that Jackie slept with Bob’s best friend Jim (Will Patton) so Megan doesn’t think Bob owns her mother anything.

Early on she drinks herself out of a job she hates, and drinking gets her in trouble in the Marines as well when she gets caught peeing next to the base provost’s home. Making wrong decisions are her trademark, but this latter one gets her duty cleaning up the kennel. And with most detrimental things in life, there are opportunities as well and Megan suddenly realizes she wants to be a dog handler.

The film takes us through the process and gives the audience a clear picture of how unique these dogs and their handlers are. After Megan meets Rex (her German Shepard), she begins to open up and feels caring and love towards something for the first time in a long time. There are wonderful touching realistic moments that are nicely captured.

Although these dog teams are not well loved by other ground troops and the enemy really dislikes them, they provide a valuable service and when they discover hidden explosives they are beloved.

The movie follows Megan to Iraq where she and Rex are assigned missions. Rex performs perfectly and bravely because Megan performs in the same way, they are connected. They are a team and become inseparable. However, after they both receive injuries, the expectation is that Megan will not re-enlist and Rex will be retired. She wants to adopt Rex but a very unmindful Marine Vet says Rex is unadoptable.

With Megan’s heart broken, she starts to slip away into her previous “I give up” life. However, her dad gives her a talk that highlights her strength and what she learned by being a Marine.

Mara is fantastic. I really felt her despair early in the film and later when Rex was re-assigned to another handler. I also bought her growth as she found strength to tackle the issues or challenges in front of her. Falco was strong has her mother who seemed clueless as to her own behavior and actions towards her daughter. The café scene when she asks about who gets how much money if she happens to die in Iraq was priceless and perfect. Whitford was wonderful as her quiet unassuming father. Common as Gunnery Martin was really good and he’s shown that he's become a strong actor. Ramon Rodriguez as fellow handler Matt Morales was wonderful. I loved his lightheartedness and open caring for both his animal and Megan. Pamela Gray and Annie Mumolo wrote a sensitive and strong screenplay. Gabriela Cowperthwaite did a great job of presenting this emotional strong story.

Overall:  I cried numerous times during this film, which told me it worked.

John Wick: Chapter 2

First Hit:  This movie had a very weak story, uninspired acting, and lots of shooting.

If you want to see someone shoot a lot of people, change a lot of clips in his guns, and act as if he doesn’t care if he’s in the film, watch Keanu Reeves as John Wick.

There were times in this film that I laughed out loud when it wasn’t supposed to be funny, it was just that stupid. I’m sure we’ll see a Chapter 3, because the ending scene has him running off with an hour time limit before the world of assassins are authorized to kill him.

In this film, he is goaded out of retirement because he is obligated to fulfill a marker held by Santino D’Antonio (Riccardo Scamarcio). Santino wants his sister Gianna (Claudia Gerini) killed so that he can take her “seat at the table”. What table this is we’re not given much information about but I guess must be important for Reeves to go ahead in fulfilling the marker.

Wick being an assassin has the skills for the job and this is mostly what we see in this film. Lots of killing. Wick runs through lots of tunnels, alley ways, streets, and buildings shooting nearly a hundred people in this 2-hour 2-minute escapade.

There are lots of other assassins in this film including: Ares (Ruby Rose), Cassian (Common), and Bowery King (Laurence Fishburne) to name a few. The person who keeps track of the assassins’ jobs and markers is Winston (Ian McShane) who runs the “International” hotel which is holy ground and no one kills anyone on holy ground.

Reeves was like a zombie walking through his scenes. Although he moves well, shoots well, and his ability to kick people in the legs so that he can make his assailants lose their balance was impressive, his scenes with dialogue seemed lifeless. Scamarcio was OK as the marker holder, however, he could not meet the image of a big time heavy. Common was probably the best of the lot. His clarity and intensity were strong. Fishburne was mediocre as a pigeon attending assassin controlling a part of NCY using street bums as his eyes and ears. McShane was probably the second best character in the film as the Manager of the International. Derek Kolstad wrote a very week script. The storyline was just filled with fluff between gun fights. Chad Stahelski did an OK job of directing the fight scenes but the story film was too long and had no real point, except to set up the next film where Wick will “kill them all.”

Overall:  Without a real strong point and with minimal acting, especially by Reeves, this film fails on most counts.

Run All Night

First Hit:  The action is very strong, the acting is good and it’s hard to see older men attempt to move their bodies athletically.

Jimmy Conlon (Liam Neeson) and Shawn Maguire (Ed Harris) have been lifelong friends. They've been criminals for most of their lives.

Shawn has been the brains while Jimmy has been the muscle. Although Shawn has no problem killing someone, it’s been Jimmy that has racked up the kills and they haunt him. He left his wife and boy early on because he did not think he would be a fit enough father to be around his son Michael (Joel Kinnaman).

Michael resents his father and has chosen a life that, although difficult, is honorable. Shawn, on the other hand, has a boy named Danny (Boyd Holbrook) who is partly in the family business but keeps screwing up. When Danny kills a couple of crooked Albanians, Mike gets caught up and Jimmy kills Danny. This splits Danny and Shawn’s close relationship and now they’re out to kill each other.

Neeson is very good at showing determination and completing his appointed task with no feelings. Harris was very strong as the guy who has pulled the strings for years. Kinnaman was excellent as the bitter son. Holbrook was also very good as Maguire’s son. Common as professional hit man Andrew Price, was great. Brad Ingelsby wrote a strong script and Jaume Collet-Serra did a great job of creating a mood of NYC in this Irish community.

Overall:  The story of redemption of a difficult life was well done.