The Disaster Artist

First Hit:  This is a very out loud funny film.

I’ve never seen The Room which has a reputation of being the worst film to ever be released. The basis of The Disaster Artist is about the making of The Room. Tommy (James Franco) plays Tommy Wiseau an odd person who seems to have unlimited funds, has a very peculiar accent, and would like to be an actor. Our first introduction to him is when he gets in front of an acting class and dramatically over does a scene. The looks on the other acting students’ faces? Priceless.

Contrarily Greg (Dave Franco) is in the same acting class and he freezes and cannot emote in front of his classmates. So, Greg reaches out to Tommy and asks him if he would help him learn to emote. The scene in the restaurant where the first lesson happens is hilarious.

Because they both want to be actors and do not see an opportunity, they decide to make a film together. Tommy ends up writing, directing, producing, financing and starring in this film called The Room.

They hire a team of people including actors for the film. Tommy, in the lead role of Johnny, gives Greg a major part as Mark. To play Johnny’s love interest, Tommy hires Juliette (Ari Gaynor) to play the role of Lisa. Additionally, he hires Carolyn (Jackie Weaver) as Claudette, Lisa’s mom. As someone to guide the actors with the script and help Tommy direct the film, Tommy hires Sandy (Seth Rogen) who has experience in filmmaking.

The rest of the film is about the poorly acted and scripted scenes of making this film, The Room. The difficulties of working with Tommy and worse, his unclear vision, are filled with hilarious scenes. Although Greg and Tommy are friends, this friendship gets tested in both the acting scenes as well as the scenes where Greg decides to live with his girlfriend Amber (Alison Brie).

Do I want to see the room? I’m not sure because just prior to the credits the film shows scenes from the initial film, The Room, next to the same scenes from this film of filming the room. I was struck about how close the scenes were done and now think that seeing The Room won’t enhance my overall moving going experience. This is because I don’t think I’d act like the audience in the film’s opening night.

James Franco was fantastic as Tommy. I loved how he gave this character an air of otherworldliness. Dave Franco was great. I loved his enthusiasm towards the character and giving this role a wonderful appeal. Weaver was really good. I loved her line about her announcing that she has cancer never appears again in The Room. Brie is wonderful as Greg’s supportive girlfriend. Gaynor is engaging as the film’s love interest. Scott Neustadter and Michael H. Weber wrote an ingenious script to capture the story of the creation of the film The Room. James Franco did an excellent job of putting a very funny story together by getting strong situational comedic performances out of the actors.

Overall:  This was probably the funniest film I’ve seen this year.

Nerve

First Hit:  I sat down in my seat with a bit of apprehension, and this all changed as soon as the film rolled, it was a blast.

This film could have easily been a bomb. But what kept it from being a dud was the explosion of characters, “watchers” and “players”.

The main character Vee (Emma Roberts) who is the beautiful girl, who doesn’t know her beauty and she hides in the background. She's a watcher and engaged with people but through her creative (although we don’t see much of it) side as a photographer.

Her BFF is Sydney (Emily Meade), a risk taking girl that does what she can for attention. Yes, she's a player and it is obvious that by playing "Nerve" she attempts to convince herself and others that she is not insecure.

"Nerve" is like the old "Truth or Dare" game but the difference is that there is no "truth" in "Nerve"; it is all "dare". It has been created anonymously by a group of hackers/programmers on the dark web, and it invites anyone to be a player or watcher. The more dares completed and the more complex dares a player attempts to "complete", the more money the player can win.

If the watcher’s like you, you win more money for completing the dare. Watchers get to watch you do the dare live on any device. Emma gets goaded to becoming a player by Sydney and because her fear is real and it puts her outside her comfort zone, she instantly becomes a favorite of watchers.

The watchers hook her up with Ian (Dave Franco) and together they take on the dares presented to them. One that touched me was riding a motorcycle together with the driver blind. It touched me only because I was in a passenger car in my late teens with the driver’s eyes were covered by a back seat passenger who shouted out driving commands. It only lasted about 2 minutes on a quiet, no traffic street, but it was a bit nerve-racking.

Anyway the contest to win the big prize becomes engaging for the watchers with Vee and Ian as a team, Sydney and Ty (Colson Baker AKA Machine Gun Kelly) as the other front runners. Many of the dares are difficult to watch, some are inventive, while others are a bit odd. The intenseness and playfulness of each dare was well shot and most of the dialogue fit the players generational sound and meaning. This film was fun.

Roberts was spot on perfect. Her growing into a player worked well as her inner strength came through. Meade was really strong as the girl craving for attention but, in the end, still had heart. Franco was great and it was nice to see him in a non-comedic role. He brought charm to his character. Baker was perfectly intense as was needed. Miles Heizer as Tommy, Vee’s friend, was charmingly protective of Vee reflecting his hidden love for her. Juliette Lewis as Roberts' mother was wonderful. Jessica Sharzer wrote a script that was spot-on to the time, place, and feel of the characters and their situations. Henry Joost and Ariel Schulman did a wonderful job of directing this with intense and thoughtful scenes. They got great performances out of the actors and script.

Overall:  This film surprised me with how good and fun it was to watch.

Now You See Me 2

First Hit:  Very convoluted and moderately interesting story to show large scale illusions.

I would have settled on a film that had big magical illusions by tricking banks, Wall Street, a crooked company or something of that nature. In other words, more like the first film.

The story attempts to make a computer chip have the power to get past any security on any computer. Insurance tycoon Arthur Tressler (Michael Caine) wants this chip badly because anyone breaking into his computers will find out he’s committed fraud. He enlists Walter Maybry (Daniel Radcliffe) to do what it takes to get the chip that the four horsemen have stolen.

Just to get here, the horsemen J. Daniel Atlas (Jesse Eisenberg), Merritt McKinney (Woody Harrelson), Jack Wilder (Dave Franco) and new horseman Lula (Lizzy Caplan), are in hiding from the last film and being chased by the FBI including the horseman’s insider Dylan Rhodes (Mark Ruffalo).

The film spends too much time making as issue of Atlas’s wanting to be in charge of the horseman, trying to make a connection with the mysterious “Eye”, and how they got to China.

Then there is the questionably antagonist Thaddeus Bradley (Morgan Freeman) who appears to be against the horseman but more specifically, Rhodes, but is he?

The film does come together in the end but the magic and illusion (the reason I wanted to see the film) of the last trick was telegraphed and I knew it was coming. In other words, it didn’t work on me.

Caine was appropriately stoic and arrogant. Radcliffe didn’t help his resume any. I didn’t think he was powerful enough to make his role work. Eisenberg was OK but not his best stuff. Harrelson had two roles, his twin and Merritt. I enjoyed their (his) interplay from time to time. Franco had a more minimal role in this film and I’m not sure that was the best move. Caplan as the new horseman was good and brought a more positive energy to the cast. Freeman was his ever present steady self. Ed Solomon wrote a convoluted uninteresting screenplay from his own story. Jon M. Chu probably did his best with this film but the story was weak.

Overall:  My guess there will be another film but if it is based on a story like this one, it will be a not be very good.

Unfinished Business

First Hit:  Funny, long winded at times, and a convoluted story that didn’t quite work.

Story starts with Dan (Vince Vaughn) leaving the company he works for because the person he works for, Chuck (Sienna Miller), is reducing his commission again. He storms out of the building and meets Timothy (Tom Wilkinson) who has been let go because of his age and Mike Pancake (Dave Franco) who is a challenged employee.

They agree to form a company together and go into direct competition against their old company. They believe they've scored a great contract but have to go to Germany to close the deal. When they get there they find out they are a fluffer (a company that is part of the bidding process to make a competitor, his old boss, look good).

However they decide they can win the contract and work to close the deal. What I thought was the funniest situation in this film was Dan having to stay in a museum as part of an art installation. His bed, everything, was able to be viewed through glass by the museum attendees. The name of the artwork he was installed in was American Businessman #42. Another funny scene was the steam bath scene.

There are also some very touching scenes of him and his son and daughter as they talk through life situations.

Vaughn was typical Vaughn and he’s really not a character in a movie but more of himself in a particular role. Fast-talking, occasionally intelligent, and mostly a wise ass. Miller has a minor role and was OK. Wilkinson was really pretty good in his role as the old codger who’s trying to get a little more out of his life before he dies. Franco was funny and carried off the naivety required with aplomb. Steve Conrad wrote an amusing script. Ken Scott’s direction was adequate.

Overall:  There were some funny bits, but overall it was a let-down.

Now You See Me

First Hit:  I like magic and therefore I was interested and entertained during this film.

However from a plot point of view it was confusing and didn’t necessarily hold together. In the opening scenes we see four magicians performing their particular types of magic. J. Daniel Atlas (Jesse Eisenberg) doing street magic that is grand in its own right.

Merritt McKinney (Woody Harrelson) does mindreading and hypnosis in small venues to make a living after his bother stole all his money. Henley Reeves (Isla Fisher) use to be Atlas’ assistant but does her own dramatic magic in small showrooms. Lastly there is Jack Wilder (Dave Franco) who is mostly a con-artist with deft hands and the ability to be clever.

They are corralled together by an unknown guide and a year later is performing major stage magic in front of thousands of people in Las Vegas. They identify Author Tressler (Michael Caine) as their financial benefactor to the audience.

Also the audience is introduced  to Thaddeus Bradley (Morgan Freeman) in this “First Act” show as someone who makes a living debunking Magic by sharing magician's tricks on his website. In the first act the 4 Horsemen, as they’re called, are to have someone from the audience come up to the stage and rob a bank in France and give the proceeds to the audience.

This is the films setup because the magicians are brought into the FBI for questioning and here they meet Dylan Rhodes (Mark Ruffalo) who is heading the US investigation of the robbery while his Interpol counterpart is Alma Dray (Melanie Laurant). As each of the three 4 Horsemen acts unfold, the story gets more convoluted. This is the problem with this film, it just doesn’t provide enough sustenance and bread crumbs to make it work.

Eisenberg is intense as usual and although he’s good for the part, he’s become more of a one trick pony. Harrelson, as he’s done in the last few years, takes each of his characters and makes them interesting and compelling. Fisher is good enough but I would have seen more grit (street smarts) from her to beef up her part. Franco is OK as the most minor of the four characters but reappears at the end as a critical component. Caine is good as the hard, steely eyed, guy who gets taken for a ride. Freeman is strong as the guy who gets his in the end. Ruffalo is OK, however didn’t seem very believable as a FBI investigator. Laurant is OK but I’m not quite sure this character was needed. Ed Solomon and Boaz Yakin wrote the convoluted story with big ideas. Louis Leterrier directed the film, and it seems, with a certain respect for magic.

Overall: I found the film entertaining and that could be that is because I like the illusion of magic.