The Call of the Wild

First Hit: I was very distracted by the computer-generated dog, Buck, that acted more like a human than a dog, therefore, I missed the power of the story.

This film is based on the great Jack London short novel of the same name. From the moment we meet Buck, his looks and mannerisms reflect the humanization of the dog. Being a dog owner, I really disliked this. Reading into a dog’s eyes and looks to reflect our human emotions is a fantasy I don’t particularly like.

Basically, the story goes that Buck is stolen from his owner Judge Miller (Bradley Whitford), in Santa Clara, CA. While with the Judge, Buck had the run of Miller’s home, and the opening scenes we see him eating whatever food he can find, and then he ruins a whole table full of food, by sampling or eating more food than a dog, of that size, could ever eat.

Now stolen from his home, Buck is shipped to Alaska and meets John Thornton (Harrison Ford), who is grumpy but sees something in Buck he likes and gives a wry smile.

Buck is purchased by the mail delivery team of Perrault (Omar Sy) and Francoise (Cara Lee). Although Buck is a huge dog, he’s out of his element because Perrault and Francoise are dog sled mail delivery workers, and Buck has never been a working dog and knows nothing about snow or being a sled pulling dog. He’s been a home dog.

Buck is mystified by the snow and then becomes demoralized after being hooked up to a harness and asked to pull a sled led by other computer-animated dogs. He does his best but, in a human way, makes mistakes.

But CGI Buck decides to become the best dog in the team, which comes across as another human aspect. The lead dog appreciates Bucks's efforts (more human emotions), but the entire movie audience knows what is coming, a confrontation with the lead husky.

This confrontation ultimately ends up in glory for Buck, Perrault, and Francois, but as the story would have it, Buck gets sold again to a greedy miner Hal (Dan Stevens) who wants to find gold. He and Thorton get into it, and bad blood arises over Hal’s treatment of Buck.

Buck escapes Hal, finds Thornton, and they walk together into the wilderness, the call of the wild sort of speak.

Together they create an excellent partnership. Upon arriving at a remote cabin, they set up shop, and Buck starts to flirt with and hang out with timberwolves. Of course, there is one final predictable confrontation with Hal, and we all know what will happen.

There are lovely and poignant moments, and they mostly revolve around Thornton’s grumpy demeanor and Buck’s loving, caring way.

Not being able to forget just how humanized Buck was made to be, the film’s real story about self-redemption and following your dream, was left on the cutting room floor.

Ford was terrific as John Thornton, a man who was still mourning the loss of his son. Sy was great and engaging as Perrault, the sled driver. Gee was excellent as Perrault’s co-sled team driver. Michael Green wrote this screenplay. There wasn’t anything wrong with the screenplay, but the execution of the CGI dog just failed the film. Chris Sanders did a reasonable job of directing this story, but the CGI hurt the effort, and Sanders is part to blame because he allowed too much humanization of Buck.

Overall: This was a difficult film to watch because it seemed too made up.

Star Wars: Episode IX - The Rise of Skywalker

First Hit: In the end, it was satisfying and that’s all that mattered.

I was one of those guys standing in line the first day that the original “Star Wars” film, later subtitled “Episode IV – A New Hope,” was released (1977). The moment the words “Star Wars” came on the screen, followed by the storyline scrolling up and fading into deep space, and lastly, the cruiser coming in overhead, I was hooked.

I liked some of the subsequent films. The prequels were a mixed bag, as were the sequels. Yesterday the final movie, number nine, was viewed, and I was happy I saw the ending to the film that started it all some forty-two years ago.

This film brought in many of the old characters in different scenes signaling this saga of stories’ conclusion. Most of these scenes worked well, but some did not.

The highlights included how they intertwined Leia’s (Carrie Fisher) stored archival footage quite effectively into this story. Because of Fisher’s passing, she had a more significant part than I would have imagined. Luke Skywalker (Mark Hamill), was terrific and became the Jedi teacher, just like his teacher Obi-Wan, was to him. Luke gave Rey (Daisy Ridley) her final lessons to become a true Jedi Knight and with that lesson, the sword (OK, lightsaber) was passed to her.

Her rival and representing the dark side, as Darth Vader once did to Luke, was a continuation of the previous film and well played by Adam Driver as Kylo Ren. The story also included small scenes with Lando Calrissian (Billy Dee Williams), who once owned the Millennium Falcon before he lost it in a poker match to Hans Solo (Harrison Ford) and his sidekick Chewbacca.

However, it was Harrison Ford’s addition that didn’t work as well. His talk with Kylo seemed odd because of his casual GQ attire look didn’t seem to fit the Hans of the past. Despite this, I appreciated the closure these additions provided.

The goal of this story was the defeat of the dark side still headed up by Emperor Palpatine. Palpatine (Ian McDiarmid) who was secretly managing the demise of the Resistance with the rest of the Siths from their planet Exegol. One of the twists - aren’t there always twists in a Star Wars film, was that Rey was Palpatine’s granddaughter. Palpatine was hoping to turn Rey to the dark side and together with Kylo, they would rule the universe and everything in it.

Heading up the Resistance’s battle against the dark side was Rey, Finn (John Boyega), and Poe Dameron (Oscar Isaac), who had inherited the Millennium Falcon and Chewbacca after Hans death in the previous story. Together they pulled all the outliers of the resistance to do one final battle against the dark side.

The scenes were well done, and the photography and special effects were A-1. The first 2/3rds of the film was a mishmash of battles and strategy sessions attempting to set up the final 1/3rd. The last section built up in a predictable yet effective way.

We know who’s going to win this battle of light and dark, but there was enough there to make one wonder along the way. It’s enough to keep you in your seat when the full-screen cinematography throws up images that touch your joy, curiosity, and memories of days gone by.

Ridley is strong in this role. I never warmed to her in the previous two films, but as this one moved along I started to accept her as the Jedi Knight savior and leader of the Resistance. Driver was excellent as Kylo. He had immediately picked up where Vader left off and even with his helmet off, Kylo’s face scar says it all. Isaac isn’t Ford. And to create a new captain of the Falcon is a significant role to jump into. Ford had his way, and eventually, I bought into Isaac’s version of the Millennium Falcon’s captain. Boyega’s part was good but his overall role seemed to be minor in the scope of things. Williams was okay as Lando, and there was one scene in which his charm was at the level it was when we were first introduced to him. Ford’s role seemed just a bit out of place and almost like an add-on. Hamill’s character was well done and I liked the inclusion. Chris Terrio and J.J. Abrams wrote a satisfying finale to this nine-film saga. J.J. Abrams also directed this effort and was able to put a final period at the end of this well-intentioned set of stories.

Overall: I’m more glad that sad that this saga is over because at least it ended strong.

Blade Runner 2049

First Hit:  Although this film was well shot and interesting in its context, I ended up not caring about the characters.

The original 1982 ‘Blade Runner’, projected our life in 2019. It was bleak and focused on the creation, use, and abilities of replicants. It left us with questions as to whether replicants could re-create. Given that we are developing robots, self-driving autos and other interesting things, we are not what was projected back then.  Given this, it is my guess that we won't be what this film says about 2049. The only caveat would be, we could be worse off than what is projected.

The original wasn't popular (gross sales) when it came out, however it did organically grow a larger and wide-ranging audience because of its questions, pacing and the way it was shot. It became more of a cult film that aged really well. In other words, as time went by, its positive qualities came forth and lasted. In that film replicants went back to Earth to find their creator and Rick Dekard (Harrison Ford) was sent back to kill these renegade replicants and in doing so, he started having questions of his own.

In this new version, again the languid pacing is in its own world, and because we have a history of this, it's expected. This makes this better understood in the first viewing. We are placed into the year 2049 and Los Angeles is this bizarre sort of world of real humans and replicants. If replicants can reproduce, then what use are humans? The story then, is about a Blade Runner “K” (Ryan Gosling) who thinks he’s found the remains of previously pregnant replicant and is tasked by his boss Lt. Joshi (Robin Wright) to find out if this baby lived and destroy all evidence of its existence.

This is asked of him because there is a fear that there will be a war between humans and replicants. As he learns more about this person’s possible existence he learns more about his possible part of this evolution.

This film’s storyline isn’t easy to follow; however, one aspect is that K thinks he may have real memories, versus programed memories and he tries to validate this by official memory maker Dr. Ana Stelline (Carla Juri). He also speaks with the head of company that makes replicants Niander Wallace (Jered Leto).

Wallace is trying to program replicants to reproduce and in one scene, a fully grown and replicant reproduced woman drops onto a padded platform in the middle of an empty room. To make the point that this is a reproduced replicant, she arrives via a replica of an amniotic sac. Rather interesting and telling scene.

In search of his own beginnings, K then goes to San Diego which is a waste dumping ground, and speaks with Mister Cotton (Lennie James) who helps him put real context to a dream he has. Then he heads to a deserted and dust filled Las Vegas and finds Deckard (Harrison) hiding out with a rangy dog. At first Deckard doesn’t trust K that’s validated when all of a sudden others come to kill them both. Deckard is abducted by Luv (Syliva Hoeks) as a way to control the future.

However, K feels kindred to Decker and helps him escape. In the end, this film leaves the viewer with questions, as it's suppose to do, and makes one wonder if there will be one more film.

The music is a great part of this film. It enhances the sense, time, and etheric feeling of this film. The visual pacing is variable; however, the overall sense was, for me, too slow and pedantic. There were sections I wanted sped up or removed as the sense of the pace was already established and it was taking too long to develop and I was losing interest.

Gosling is strong is this type of role. His inner quiet and strength is what made him the right person for this part and he does it well. Juri is wonderful as the manufacturer of memories. Wright was good as K’s boss. Hoeks was strong as the steely person wanting to control what information gets out and what doesn’t. Leto is very good as the person creating the replicants. His otherworldly presence is felt. Ford was perfectly grumpy and irritated that his life was discovered and made more complicated by K. Ana de Armas as the hologram Joi was enticingly strong. James was excellent as the leader of the orphan kids in San Diego. The music by Hans Zimmer and Benjamin Wallfisch was a very strong part of this film. The mood, sets, and pacing by Denis Villeneuve was very strong under his direction. Hampton Fancher and Michael Green wrote the complex screen play that did a good job of moving the overall story forward.

Overall:  I struggled with the pacing, loved many of the sets, and thought the overall story was interesting enough to keep me engaged.

Star Wars: The Force Awakens (3-D)

First Hit:  Nailed it. This film immediately took me back to May 25, 1977 when the story first began and I knew it was going to be an amazing ride - this film was no different.

I remember standing in line about 38 years ago to see “Star Wars” and wondering if it was going to be as good as the hype.

As the yellow storyline rolled across the screen fading into a vanishing point while being accompanied by the powerful John Williams score; I sat back and smiled and said to myself, “here we go” and the ride began. Yesterday at the 9:00 AM I saw the 3D presentation of film number 7.

As soon as the story-line started scrolling up the screen, accompanied by the John Williams score, I laughed out loud, smiled, and said to myself; “it’s back and I'm ready". There was no let down in this film. The new characters were perfectly cast, the re-introduction of the original characters amazingly handled, while the story was very interesting and moved the whole set of stories forward with suspense, tragedy, and excitement. The writing was top notch, the visual effects were reminiscent to the first film, yet updated with today’s technology and the characters grew in depth while adding to the legacy. 3-D used perfectly - not a distraction only an enhancement.

Harrison Ford returned as Han Solo. He was wonderfully introduced, exquisitely honored, and ceremoniously pathed. For his part, Ford was amazing. Carrie Fisher came back as General Leia (versus Princess Leia) the leader of the resistance against the First Order. Although less dynamic than Ford, her place and fulfilment of her part of the puzzle was required and perfectly executed. I was happy she was part of the film. Mark Hamill continued as a much older and wiser Luke Skywalker. Although his role was small, it begins a new cycle as well, wonderful. As for the major new players: Daisy Ridley as Rey was superb. She filled her role as an intelligent, physically capable, and believer of her destiny amazingly well. She exemplifies and is the new heroine for this series. John Boyega as Finn was auspiciously wonderful as a new male hero for the resistance. Lupita Nyong’o was fantastic as Maz Kanata the very old wise woman. Oscar Isaac was fun as Poe Dameron a renegade fighter pilot for the resistance. Domhnall Gleeson was perfectly arrogant and heartless as the General Hux, leader of the First Order. Lastly, Adam Driver as dark side leader Kylo Ren was very strong. Lawrence Kasdan and J.J. Abrams wrote an incredibly strong script. Definitely Oscar worthy. Abrams fulfilled everybody’s hope in delivering a very exciting film that kicks off a new era of Star Wars films. The next one will be tough to do – just as Lucas found out.

Overall:  Abrams, Kasdan, and the whole team turn out an amazing story – thank you.

Ender's Game

First Hit:  I liked where the film ended because it gave me hope for compassionate thinking.

The film reflected the attitude of a fear based society, let’s be aggressors and attack to extinguish another race without knowing their current intention.

True, this planetary race attacked our planet and in the battle we beat them along with destroying an outpost planet they had. However, does this past action note their current intent? How does this mirror our current conservative government officials? These are the questions I reflected on throughout the film.

With this theme there is also the theme that children are more adaptable, think faster and can process large complex problems and data better than adults. The theory of the films leaders is to attack and fully eradicate this other race so that there is no chance they can attack earth again. Although they have no proof that this is what these aliens are planning, it is the belief and therefore they are combing all youths to find the one who can willfully attack and annihilate the aliens.

The storyline follows Ender Wiggin’s (Asa Butterfield) attempt to be that person. He is being guided by Colonel Graff (Harrison Ford) and Mazer Rackham (Ben Kingsley). His sister Valentine (Abigail Breslin) is his conscious and closest family counsel. When he learns he’s tricked into actually extinguishing the perceived enemy, he’s angry and looks to make amends.

Butterflied is very good. He carries the strong willfulness this character needed to succeed and make believable. Ford is perfect as the gruff military man with one goal. Kingsley is also strong as the hero of the first battle with the aliens. Gavin Hood wrote a good script and he got good performances from his cast, while his direction and use of computer generated graphics and visuals were with clear intent.

Overall:  This was a very entertaining film and characters were very well defined.