Joanne Whalley

John Wick: Chapter 3 - Parabellum

First Hit: Entertaining, full of unbelievable action, and an excellent setup for Chapter 4.

One can only enter the theater knowing you're going to see lots of shooting, hand to hand combat and knife fighting. This film doesn’t fail at delivering this.

When we last saw Mr. Wick (Keanu Reeves) in Chapter 2, John had broken the rules of the Continental Hotel and Winston (Ian McShane), proprietor, was ready to put out a contract on Wick’s life.

This is where Chapter 3 opens. John is running through New York City, looking for a place to hide from the assassins that are ready to kill him for the $14M that is being offered for his extermination.

There is a countdown, and when the 6:00 PM execution time happens, the world seems to be after Wick. In this world, assassins are everywhere. Yes, I only gave glancing thought to this real-world possibility because this is an unreal world story, and even your neighbor is an assassin.

The ludicrousness of many of the fights Wick gets into and wins was out loud laughable (which I and others did) but no less engaging. Yes, some of the choreography was a little stiff with people hesitating for the next lunge, thrust or throw but it was delightful.

That, for me, is the point of this series of films. It is full of entertainment, has little basis in reality and is not presented to make a point. These films make Wick a voice of a man who was drawn back into the violent life, he left for a woman and subsequently a dog (“it’s not just a puppy.”) and now is fighting for his survival.

All the scenes are shot in dark tones, there are few daylight scenes. This aside, I liked many of the sets, from Bowery King’s (Laurence Fishburne) building basement and pigeon coops to the elegance of the Continental Hotel, and all are sets in darkened tones.

Reeves was fun to watch, but as I watched him run, especially at the beginning of the film, I found his running labored and slightly awkward. However, his quips along the way were great, and he only continues to develop and mine this character for pure entertainment. Halle Berry, as Sofia, was fun as the person who owed Wick a favor. Her dogs were a fun part of her scenes. McShane was perfect as the Continental’s proprietor. His role was expanded for this film and will be an integral part of the next. Fishbourne as the elegant Bowery King was memorable. His presence is critical here and will be in the next chapter. Mark Dacascos as Zero, the assassin the High Table uses as the principle assassin to take down Wick, was excellent. Asia Kate Dillon as the High Table’s Adjudicator was good. There wasn’t enough background of her to give me the impression she held all the cards she projected she held. This meant she had to build credibility in this role with her actions, dialogue, and screen presence, and she pulled it off. There’s an authority in her look that makes this role work. Lance Reddick (as Charon, the hotel’s desk man) expanded his previous role to become an excellent protector of the hotel, Winston, and Wick. Derek Kolstad and Shay Hatten wrote an action-oriented script that brought out more of the principal characters. Chad Stahelski directed this film in a way that kept the story and feel of the past films while propelling it into the future.

Overall: This film is a world of its own, and it works as entertainment.

44 Inch Chest

First Hit: It started off well but faded as the film moved along then ended with a thud.

This strong cast of Ray Winstone (playing Colin Diamond), John Hurt (playing old man peanut), Tom Wilkinson (playing Archie), Ian McShane (playing Meredith), Stephen Dillane (playing Mal), and Dave Legeno (playing Brighton Billy), are close friends gathering together to support one of their own.

Colin has come home to his wife Liz (played by Joanne Whalley) who proceeds to tell him that she has met another man and doesn’t love him any longer. He pleads with her to understand how could this be the case after 21 years and that she is everything to him.

She doesn't relent and in his anger he tries to strangle her. To escape she runs through a sliding glass door window. He contacts Archie, who contacts the others in the group who gather together to help him. This assistance consists of the group kidnapping this man from his job as a waiter in a restaurant and depositing him in a wardrobe cabinet in a deserted building.

Gathered together, they sit Colin in front of the wardrobe expecting him to take his revenge out on this young man. Most of the film centers around how they encourage him with their rants and their own sick ways of viewing the situation. Each person has a different focus, but they are in agreement that Colin must extract his revenge.

However, Colin doesn't know what to do he is so hurt. As brisk as the dialog is at the beginning, it loses steam and the film eventually falls flat.

Winstone has been better (See him in Edge of Darkness). Hurt is ranting and shows little else in and of his character. Wilkinson is the only one who seems to have some character development that is meaningful. The writers, Louis Mellis and David Scinto, had an interesting idea but seem to have gotten lost in creating intense and intense dialogue which kept the film from moving along.

Overall: Where "Glengarry Glen Ross", was filled with intense and competitive dialogue which moved the film along, this film is filled with intense dialogue and which makes the film fizzle out.

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