Nicolas Winding Refn

The Neon Demon

First Hit:  Odd, visually striking, with great electronic music but the direct story was way too twisted.

However, there are depths in this story that are poignant and were interesting. Directly, Jesse (Elle Fanning), is a young girl without parents who comes to LA seeking to be a model. As she states: “I can’t dance, sing, or have any skills, all I have is my looks.” At 16 she’s young, she’s beautiful and everyone who meets her is taken by her presence, innocence, inner strength and beauty.

She quickly rises up in the LA fashion modeling scene, and the other models are jealous. There is a lot of gossipy discussion among the other girls about what work they have had done on their bodies to make themselves look better: Nose jobs, breast augmentation, eye lifts, body augmentations and lots of other things so that they can be the “it” girl and continue to work.

Jesse is naturally beautiful and mesmerizes every clothing designer and photographer she meets. She has become the "it girl". Her innocence and surety of her beauty is profound.

The depth of the film comes with what people will do to be seen as beautiful and how much physical beauty matters. I’m not sure I liked the way it was presented as I was bored at times but it also had a power of drawing me into the main character.

Fanning was very good as the young mid-western girl wanting to live her dream of being a model. Her ethereal beauty and strength were evident and why she was chosen for this part - she was perfect for it. Karl Glusman as Dean a photographer and friend of Jesse was OK, but didn’t bring out a strong dynamic. Jena Malone was very interesting as Jesse’s friend and make-up artist. Her twists are edgy. Bella Heathcote as Gigi the model who will do anything surgically to be the “it” model. Abby Lee was interestingly strong as another model who has some odd eating habits (at the end of the film). Keanu Reeves as the intense somewhat twisted motel manager was a nice turn. Nicolas Winding Refn wrote and directed this oddly twisted film.

Overall:  This film was more odd and interesting than engaging.

Drive

First Hit:  A perfect role for Ryan Gosling and a very good film.

When an actor fits the role and it's within their wheelhouse, then add an interesting story, it is a pleasure to drop into the story and let it go.

Drive does this because the film is perfect for Gosling who plays the “Driver”. There are times when a character needs to have a historic storyline to make his character believable. However great acting, as delivered in this particular role, doesn't require this type of development to make the character and film work. In Drive we have the later. 

Driver is a mechanic at a small garage run by Shannon (played by Bryan Cranston). Driver also works as a Hollywood film stunt driver, and does odd driving jobs for robberies. He runs into a neighbor woman named Irene (played by Carey Mulligan) who has a young son. He is immediately attracted to Irene and her boy. The chemistry between them is obvious. There are lots of moments of silence between them, but they say so much.

Irene is married to a Standard (played by Oscar Isaac) who is in prison and when he gets out he owes money to the mob that protected him while he was in prison. For payback, the mob asks him to do a job and he solicits Driver to help him.

The job goes bad and the local mob is now after the money that Driver is holding. Driver wants to give the money back to protect Irene but Bernie (played by Albert Brooks) and Nino (played by Ron Perlman) want everyone eliminated that know about this blown job.

Gosling is perfect as the quiet, private, intelligent and remotely caring Driver. This is a grand performance because he says so very little but provides so much information. Mulligan in a role that matches her age is wonderful. Her ability to play off of the quiet Driver is amazing. Cranston is very good as they guy beholding to too many people and continues to have “bad luck”. Isaac has the right look and feel of the guy scared and tough at the same time. Brooks is the surprise here. He’s great as the local mob ringleader with a dark heart. The defining moment is when he kills Shannon in a caring, subtle, and decisive way. Perlman is just right for this off-handed second in command guy who at “59” continues to screw things up. Hossein Amini wrote a very good screen play including when to have silence in a character’s role. Nicolas Winding Refn directed this with a great feel for LA and the type of characters which reside there.

Overall: I fully enjoyed this film but I would have like just a little more driving.

googleaa391b326d7dfe4f.html