21 Bridges

First Hit: A solid, yet predictable, thriller about corrupt cops.

The set up for Detective Andre Davis (Chadwick Boseman) was robust. We are introduced to Davis attending a funeral. He’s a young boy, and he’s mourning his father’s death. His father was a cop and served with honor and was killed in the line of duty. There is also an early scene when Davis is being questioned by Internal Affairs because Davis has created a reputation for hunting down and killing cop killers.

With this setup, we follow two criminals Ray Jackson and Michael Trujillo (Taylor Kitsch and Stephan James respectively), breaking into an up-scale wine bar to steal thirty kilos of heroin. Finding three hundred kilos instead, they realize this could be trouble or a setup. Just as they begin to leave with fifty of the three hundred kilos, four cops appear at the front door and knock.

Not getting an answer, they break in the front and back because they find Ray and Michael’s getaway car running in the back alley. Michael and Ray are armed with automatic guns and start killing cops and the lone wine bar employee.

More cops come, and Michael and Ray kill them all. Michael is a sharpshooter and is ruthless in his picking off the police. The 85th Precinct Captain McKenna (J.K. Simmons), whose precinct where this crime is taking place, wants Davis on the case along with Drug Investigator Frankie Burns (Sienna Miller). Together, these two believe they’ve only got hours to find these cop killers or they will disappear into the civilian mass.

When the detectives find all the heroin still left in the freezer, Davis and Burns question why the cops were there and why their bosses’ story was that they came to break up a burglary. The crime scene doesn’t add up to a robbery of this type.

The FBI arrives and wants to take over the case, but Deputy Chief Spencer (Keith David) and Captain McKenna argue to let the NYPD handle it for the next few hours. If they don’t solve it in a few hours, the FBI will take over.

Setting up this urgency allows Davis the ability ask that all 21 Bridges to Manhattan Island be shut down, as well as all subway lines and trains. After doing this they start to “flood the island with blue” (cops).

At this point, the movie follows both Ray and Michael trying to evade the chasing cops, Burns and Davis. This cat and mouse game are well presented as the plot adds in new characters, the owner of the three hundred kilos, a money launderer, and the suspicion that something else is up.

Boseman is excellent as a detective that is focused on justice and the law. The final scenes with McKenna and Burns present a predictable conclusion. Miller is outstanding as the Drug Investigator who is really doing a balancing act. Simmons is sublime as a guy who believes he’s helping the department’s force with his actions. Kitsch is outstanding as the highly charged marksman of the criminal duo. James is a revelation in this role. He brings a perfect blend of viciousness and emotional heart to his character. His final few scenes clearly give the audience a man who is trying to find a way while honoring his brother’s impact on his life. Adam Mervis and Matthew Michael Carnahan wrote an excellent screenplay that encompassed well-choreographed action and intellectual endeavors. Brian Kirk did a fantastic job of bringing this story together and making it all feel believable.

Overall: This was a solid film, even though it was highly predictable.

American Assassin

First Hit:  Mildly entertaining.

The story begins with Mitch Rapp (Dylan O’Brien) and Katrina (Charlotte Vega) frolicking in the water in an undisclosed foreign location. They are in love and, with his phone, he’s videotaping their time together which concludes with him asking her for her hand in marriage. She accepts and he goes to the beach bar to get them drinks to celebrate when a group of terrorists start shooting everyone on the beach. Mitch gets hit with two slugs and Katrina is shot dead.

The film moves forward eighteen months and Mitch has recovered and he’s clearly aiming for revenge because he’s taking mixed martial arts lessons, shooting lessons and has mastered Arabic because he’s communicating with ISIS operatives. He’s trying to get close to the people who killed his fiancé so that he can kill them, specifically Adnan Al-Mansur (Shahid Ahmed). He plans to infiltrate their organization by pretending to be a new western recruit, get close and kill him and everyone in that cell.

His plan gets foiled because he’s being watched by the CIA who find him fascinating and possibly someone they want on their team. Deputy Director Irene Kennedy (Sanaa Lathan) recruits him to be taught by a black ops trainer Stan Hurley (Michael Keaton).

Typical issues arise as the young guy with guts and a clear personal mission tries to learn and be better than the grizzled veteran. Some of these scenes are rather good. As Hurley gets Rapp ready to become an operative, Kennedy learns that an old CIA operative, who goes by the name Ghost (Taylor Kitsch), has a stolen a small atomic device. This part of the story is not very well done, because the story wants the audience to believe that it is radical Iranian’s who are going to get the bomb, but there are too many hints to the contrary.

Because Ghost felt that Hurley left him to die, he wants to get back at Hurley by blowing up the sixth fleet.

Some of the bomb effects were interesting, as were some of the close fighting action that the agents get into. However, the film was predictable.

O’Brien was strong enough to make his character work. He used his intensity well. Lathan was very good as the CIA Deputy Director. Keaton was both strong and mediocre. I think the mediocre part was more of a scripting issue than Keaton’s fault. Keaton can be an excellent antagonist and more could have been done with this role. Shiva Negar as the in-country Iranian CIA agent Annika, was excellent. Kitsch was solid as the vengeful rogue agent. Stephen Schiff, Michael Finch, Edward Zwick and Marshall Herskovitz all participated in creating the screenplay. This might have been the problem, too many cooks. Michael Cuesta directed this and the strengths were the fight scenes, which were well choreographed along with the interaction between Annika and Rapp were great.

Overall:  This could have been more exciting with more clarity in the story and it wasn’t.

Lone Survivor

First Hit:  Knowing the end (title gives it away) before the film starts makes it difficult to watch.

When you know the end of the film before it starts, it can hurt the experience.

Here the audience has to sit through a small group (4) Navy Seals being slowly slaughtered because they consciously let 3 Afghan goat herders go. The decision allowed the Taliban to know the soldiers whereabouts and how to systematically kill the soldiers.

The film is supposed to show the fraternal and brotherly closeness of these Seals. To make this point the beginning of the film shows some of the training exercises the commandos go through to become a Seal.

As most of the candidates quit, by ringing a bell three times and leave their helmet on the ground, the ones who make it through to the end are very close. As the Seals are picked off one by one in horrible/bloody fashion I just sat waiting for the end to come. This film tries to bring the feeling of honor, bravery, and the rightness of the US being at war in Afghanistan – but to me these things do not justify the actions of war although I appreciate the closeness of their brotherhood.

From a story perspective this film might have been better served by not telegraphing the end. However, some of the dialogue was pointed and truly Seal like.

Mark Wahlberg as Marcus Luttrell was focused and fully engaged in this role. This was a typical “full on” performance by him. Taylor Kitsch as Michael Murphy was good as the leader of this group. Emile Hirsch was very good as Danny Dietz communications guy. Ben Foster was the best of the bunch in his part as Matt “Axe” Axelson. Peter Berg wrote and directed this based on Luttrell’s book. The dialogue was strong and cinematography was good but the focus on their struggle to survive the onslaught wasn’t my cup of tea.

Overall:  Not an easy film to watch, especially if killing is not your bag.

Savages

First Hit:  Overly done mishmash of drugs, violence and machismo.

Oliver Stone has done a wide assortment of films and many of them have stories based in violence.

This one is another of those violent films of his and it appears he wanted to say something about the word savages. What the point was of this movie didn’t land on me.

I found this film overly acted (by Benicio Del Toro and Salma Hayek to name too examples) while aiming to shock the audience with the type of the uncaring violence we see in the news coming out of Mexico.

My interpretation of the purpose of this film was to see what happens when two friends Ben and Chon (played by Aaron Johnson and Taylor Kitsch respectively), have their shared girlfriend O (played by Blake Lively) is taken from them because they didn't want to do a drug deal. The three of them love their life by making, selling and using their high grade pot.

Chon is an Iraqi war vet and is a cold killer but only has to use his skills occasionally to keep the drug payments flowing to their business. Ben is a botanist and is the creator of their product which exceeds all other pot in the world. He’s kind hearted and does volunteer work throughout the world when he’s not creating a new strain.

Elena (Hayek) is the leader of a Mexican drug cartel that wants Ben and Chon’s (names reminded me of Cheech and Chong – bad choice of names) product. Elena's enforcer is Lado (played by Del Toro). The film, which early on depicts beheadings and later on with lots of uncaring machismo violence, has no real point except we get to see Ben and Chon get their girl back after Elena kidnaps her to force a deal with the weed makers. For some acting relief, Stone has John Travolta as Dennis the dirty Federal Drug Agent.

Lively is pretty and, at times, plays an effective stupid girl who is a full blown pothead. Johnson is supposed to be the smart cool one and at times he’s OK in this role. Kitsch holds his role as non-caring enforcer well enough. Del Toro is overly slimy in his portrayal of an enforcer. Hayek is wasted in her role as an accidental drug cartel leader. Travolta made the most of his role and screen time. Shane Salerno, Don Winslow and Oliver Stone wrote this poorly constructed script with some stupid lines like “went all Henry the 8th on them”. Stone looks like he found a way to imbibe himself in drugs and violence once again.

Overall:  I enjoyed seeing my old playground town of Laguna Beach, but everything else was wasted – just like how the main characters spent most of their time.

John Carter

First Hit:  This was a painfully dreadful film.

It starts off with a confusing story which segues to a battle between 1 or 2 or 3 societies living on Mars – right.

Then jumps back to some guy hunting gold in Arizona but who comes from Virginia. Oh, the guy in Arizona, its John Carter (played Taylor Kitsch).

Then we’re in some mansion, then we’re back to Mars, then were in Arizona, then were…. The acting was stiff, the story made little sense and direction made it overly confusing.

The trick the filmmakers used to make the film language move from Martian to English was really stupid – he drinks some liquid?

There were a couple of funny moments with the Mars “dog” character but overall it was basically they film makers wasted a lot of money making this.

Kitsch was, at times, watchable but mostly it was just him doing some big jumping around which amazed the Martians. Lynn Collins played the Princess Dejah Thoris and it was truly wasteful. Edgar Rice Burroughs wrote a story on which Andrew Stanton and Mark Andrews wrote a fully flawed and mindless script. Andrew Stanton had no clear vision in his direction and therefore there was a lot of wasted money in visual effects supporting a story that just didn’t work.

Overall: This film has little value and shared no new story or visual technology.