Tim Robbins

Dark Waters

First Hit: An excellent portrayal of corporate malfeasance and arrogance, finally getting its comeuppance.

Robert Bilott (Mark Ruffalo), a corporate attorney, is a thorough pragmatic defender of corporations. He’s just made partner in his firm and is a powerful asset to the company because he’s so good at his work.

During an important meeting, he’s interrupted by Wilber Tennent (Bill Camp) and friend who come from a farm in Parkersburg, West Virginia. They come to see Bilott because Roberts’s grandmother, “Grammy,” is a friend of Tennent. They hand Bilott a box full of videotapes explaining that no local Parkersburg lawyer will help them with the problem of their cattle dying. They believe the animals are dying because the town’s largest employer, Dupont, is polluting the water with chemicals from their facility.

Bilott tries to deter Tennent and not get involved, but Tennent’s plea knags at him, so he visits his Grammy, verifies she knows Tennent and then drives to Tennent’s farm. When Wilbur shows him his field full of buried cows, “190 of them,” he realizes there is a problem.

Although Bilott’s firm doesn’t have Dupont as a corporate client, they are reluctant to take on a nonpaying client that is going to end up suing Dupont as it will hurt their reputation with their own corporate clients.

However, Tom Terp (Tim Robbins), Bilott’s boss, supports Robert continuing his investigation even though his client cannot pay. There is a great scene when all the partners convene to hear and discuss Bilott’s work.

Finally, Dupont sends over all the discovery information that Bilott had requested, and it is massive. Hundreds of boxes of memos, reports, and other documentation. Being a team of one, dutifully Robert sits down on the floor and begins categorizing each document by year and subject. This is a great scene because it cements Robert’s commitment to do the right thing no matter what it takes.

His years of research comes up with proof that Dupont knew that they were poisoning people and animals through the creation, use of, and byproducts from POFA (C8), a chemical creation used in Teflon© the non-stick coating that everyone was using. C8 is one of those chemicals that cannot be broken down by nature, let alone the human body and therefore it stays in the body and slowly causes various types of cancer.

The film takes us through this story as it develops over the years of difficult lonely hard work on Bilott’s part. The filmmakers did a great job of showing the passage of time by giving the audience quick glimpse of his three boys growing up in front of him. He barely interacts with them because he’s so clearly focused on this one case, this man is all in.

In the meantime, because of the court's slow processes, Dupont’s putting roadblocks at every turn, and the slowness of a medical testing company that was reviewing over sixty thousand blood tests, people were continuing to be poisoned and die from being exposed to C8.

We watch as the stress of doing the right thing for his client requires him to take reductions in pay because he’s spending all his time on this case that has no paying client. We watch him feel the pain while he watches his clients deteriorate because of the poison.

His wife Sarah (Anne Hathaway) tries to keep their family together, showing undying support, even as she sees the deterioration of her husband because of the deeply committed compassion to see this lawsuit through for the people who are being harmed.

One thing the film made sure of was the darkness of this subject. Every scene is dark in color or filled with gray skies.

Ruffalo was excellent as the committed attorney who gave up almost everything, including his life, to find and fight for the truth. Hathaway was superb as his supportive wife attempting to keep their family together while Robert fights for the truth. Robbins was influential as Bilott’s boss and senior managing partner of their law firm, showing support for Robert on this long trail to truth. Camp was terrific as the driven farmer and rancher who committed his life to making sure Dupont was charged for their crimes against his community. Victor Garber, as Phil Donnelly, a senior executive in Dupont, was supreme in his portrayal of being the mouthpiece of corporate malfeasance. Mare Winningham, as Darlene Kiger, a Parkersburg resident, was fantastic. It was lovely to see her on the screen again. Mario Correa and Matthew Michael Carnahan wrote a powerfully detailed script. Todd Haynes did a great job of creating the feel corporate malfeasance and the difficulty of making wealthy companies pay for their crimes against humanity.

Overall: This is an excellent story about the power of perseverance.

Life of Crime

First Hit:  Pretty much a waste of time.

This film was lifeless from the beginning. Mos Def playing Ordell Robbie (as Yasiin Bey) has a smile and attitude that belie his role, kidnapper.

Yes it was supposed to be a comedy but it wasn’t funny and his sly grin didn’t make it so. Mickey Dawson (Jennifer Aniston) was the person Ordell and Louis (John Hawkes) were going to kidnap. Why her? Her husband Frank (Tim Robbins) was stealing money from the city of Detroit and putting it in an offshore account. They believed he loved his wife and by kidnapping her they could extract the money from him.

What they didn’t know was that Frank was in the process of divorcing Mickey so he didn’t care that she was kidnapped. Frank was also having an affair with Melanie (Isla Fisher) with whom he wanted to marry just as soon as his divorce was settled. With a few mishaps; like a double cross, some misgivings, and newly found freedom, the audience was expected to be engaged with the characters I found it hard to care about any of them, let alone the story.

Aniston is a good actress, however her entire performance here seemed pained and phoned it. It was like she didn’t want to be there. Def was fun to watch but he seemed miscast or the film forgot it was supposed to funny as well. Hawkes was OK but again, when a film doesn’t work it is hard for actors to perform well. Robbins was OK but seemed to carry a level of aloofness throughout. Fisher was the best part of the film. She was really trying to make something of her character. Daniel Schechter wrote and directed this and it appears he’s got work to do to make a film that works because this one didn’t.

Overall:  This film just never clicked and didn’t work.

Thanks for Sharing

First Hit:  Scenes of this film are really good and reflective.

I can understand the lack of an audience for this film. People aren’t necessarily compelled to watch something that has such a stigma – yet it would be wise if people did.

Adam (Mark Ruffalo) is a recovering sex addict. Although he has 5 years of sobriety from sex, he’s still scared every day of what can happen if he acts out on his underlying desires. His sponsor, Mike (Tim Robbins), is encouraging him to consider dating and being open and honest in a full and engaged relationship.

Mike is an addict himself with multiple additions, or so we are led to believe and his steadfast guidance is honored in the weekly meetings. His wife Katie (Joely Richardson) has been through it all with him and she continues to be a supportive because she loves him.

To view the obsessiveness of this addition, the film uses Neil (Josh Gad) a doctor who rubs against people in the subway, tries to film up his bosses dress, watches porn films he’s made and on the internet. He is out of control and tries to BS his fellow AA meeting group about his sobriety.

The scenes in the meetings were good, and some were very good. The scenes of Neil falling to his obsessive behavior are tinged with Gad’s own humor, but also show to the lengths some go to, to not acknowledge their disease. Bringing Adam out and into the world of a sexual relationship is Phoebe (Gwyneth Paltrow). She has had a prior relationship with an addicted person (alcohol) and makes it clear she doesn’t want to be with someone who’s in a “program”.

When Adam honesty opens up this part of himself to Phoebe is a powerful part of this film. Then seeing Adam’s fall into past behavior was equally powerful. The film also shows how addictions affect family by sharing Mike’s son Danny (Patrick Fugit) own fight to sobriety although it is different than his father’s.

Ruffalo is really good and believable is presenting the constant vigilance he has to take and how easy it is to fall down again. Robbins is very good as the slightly self-righteous sponsor who has years and years of sobriety and his arrogant behavior leads him to being humble. Gad is great and willing to put obsessive behavior on film. Paltrow is beautiful, and carries her character in the ways many people share about addicted people. Fugit is good as the son who is attempting to make amends his own way. Pink as Dede, another addicted person, is wonderful and she brought a strong woman’s voice to the film. Stuart Blumberg and Matt Winston wrote a very good script and obviously did their homework. Blumberg’s direction was very good while some scenes were exceptionally strong.

Overall:  I really like this film because the closeness of addiction in me and my extended family’s life.

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