Comedy

Hot Pursuit

First Hit:  Mediocre story, partially slapstick, occasionally good out-loud laughs, but in the end it just wasn’t enough.

The set-up is that Officer Connor (Reese Witherspoon) grew up admiring her police officer father. She always wanted to be a cop. But with an embarrassing incident early in her career, she finds herself down in the evidence room. She gets a call to assist moving a drug informer and his wife to Dallas to testify against the head of a drug cartel.

The wife Daniella Riva (Sofia Vergara), is an opposite type person from Conner, her protector. The rest of the film is about putting them in instances where their differences are expounded. From the type of underwear to how they talk, their body styles, height and age.

The quips by the news organizations about their age and height were funny as was some of the dialogue on the bus they found themselves riding. However, the same bus scene had a shooting sequence when they were driving the bus that I found awkward and poorly designed.

This was the way of the whole film, poorly crafted scenes mixed with funny scenes (like her Cooper changing clothes in the sporting goods store).

Witherspoon was, at times, amazingly engaged and funny, like her very fast talking after being covered by cocaine powder. At other times it didn’t work and the scripting and acting felt tried. Vergara was really funny when she was talking about her shoes and what she can and cannot do. But I also found her restricted by the storyline. David Feeney and John Quaintance wrote an uneven script, which the director Anne Fletcher failed to remedy.

Overall:  Although amusing at times, the outtakes at the end showed how fun and funny this film could have been.

While We're Young

First Hit:  Uneven and the up moments happen more often than the down moments.

There are moments of insight, like when Josh (Ben Stiller) says that he’s been too focused on himself (his ego) and how he’ll be seen in the world instead of just doing the work.

He’s a documentary film maker that is 8 years stuck in a project. He’s an idealist and caught in his idealism. His wife Cornelia (Naomi Watts) has a famous documentary film maker father Leslie (Charles Grodin) and this adds all sorts of complications for all three of them.

Josh and Leslie strike up a friendship with Jamie (Adam Driver) and Darby (Amanda Seyfried) who are almost 20 years younger than them. They enjoy the aliveness of this young couple and spend lots of time with them. But is the relationship really what it is perceived to be? That is the question Josh needs to figure out.

Stiller is OK, there is something about his intensity that worked for and against him in this role. Watts is far better and watching her learn hip-hop was funny and wonderful. Driver is strong as the guy who will bend the truth and look honest doing it. Seyfried was very good and her ability to be seen in the film this well as the fourth character shows her strength. Grodin was great as the crotchety, yet kind, documentarian. Noah Baumbach wrote and directed the film. There are strong moments as well as moments that needed to be cleaned up.

Overall:  It was enjoyable enough and there are some funny bits in this film that make it entertaining.

Danny Collins

First Hit:  I really enjoyed the film mostly because of the music followed closely the characters.

Danny (Al Pacino) is an aging rock and roll star that sings his and other’s old songs to an aging audience that love his old songs. It is just for the money.

He’s still into drugs and drinking while seeing the irony of having a young fiancé. She’s with him for the money and drugs. On his birthday his manager Frank Grubman (Christopher Plummer) gives him a letter written to him by his all-time hero, John Lennon.

Frank bought this 40 year old letter for Danny after tracking it down to a collector. Danny is overwhelmed by the gift, and decides he needs to change his life. So he moves into a hotel in New Jersey being managed by Mary Sinclair (Annette Bening). They have great banter and the chemistry is palpable. Besides getting rid of his drugs and trying to write new songs, he wants to visit his son Tom Donnelly (Bobby Cannavale) whom he’s never met.

His son doesn’t care one iota about him and wants him out of his life. His daughter Hope (Giselle Eisenberg) is ADHD and through her Danny tries to find a way back into his son’s heart. This film is about the difficulties of redemption, forgiveness, growing, and letting go.

Pacino is pretty good, and although there are times I felt he was over milking the part, other times he appeared clued into the role and was creating a wonderful character. Bening was wonderful. She was a great foil for Pacino’s role. Plummer was fantastic. Cannavale was superior as the son who was both angry and happy to meet his father. The star of this film was Eisenberg. She was amazing. Dan Fogelman wrote and directed this film. His use of the John Lennon music was absolutely perfect. The other stories that make up this film were strong.

Overall:  I thoroughly enjoyed the film and it was the music that got me fully engaged.

Living Is Easy with Eyes Closed

First Hit:  One of the sweetest films I’ve seen in a long time.

This is the story about three Spanish people who come together to learn more about themselves and to take charge of their lives. Yes this sounds overly philosophical, yet the simple elegant story by which this story unfolds is so gracefully sweet.

Based in the late 1960’s the world is changing. The Beatles have taken the world by storm but are at the brink of breaking up. “Free Love” means that sexual mores are clashing against more old fashion beliefs while personal liberty is becoming more important to young people as their peers are singing about changing the world. Juanjo (Francesc Colomer) is a young man wanting to define his place and space in the family.

The issue he uses to stand up to his father is the length of his hair. His father wants his son’s to get a haircut, while Juanjo wants to leave it as it is. Belen (Natalia de Molina) is young, sweetly beautiful, and 3+ months pregnant. She’s been ousted from the home she was sent to and is trying to find her way back home.

Antonio (Javier Camara) is a John Lennon obsessed school teacher. He teaches English to students using lyrics written by John. His kids are engaged and he loves what he does. Antonio gets the idea to drive to another part of Spain to see his hero who is shooting a film “How I Won the War”. On his way he picks up Belen and Juanjo who are hitchhiking.

As the three learn more about each other a deep friendship and honor for each other evolves as they hang around a very small town in Spain hoping to see Lennon.

Camara is outstanding as the gentle, kind and likable school teacher. His deft handling of his role and the innocent excitement he brings to the character is amazing. Molina is exquisite as the pregnant girl who is both innocent and divinely guided. Colomer is wonderful as the young man who is trying his wings for the first time. David Trueba wrote and directed this film with wonder and innocent beauty.

Overall:  Truly an enjoyable film to watch.

Get Hard

First Hit:  Funnier than expected and not a great film.

This somewhat topical film about Wall Street mismanagement of funds is only interesting because James (Will Ferrell) is a newly appointed partner in his fiance's felonious father's firm (say that 3 times fast). He is also unknowingly going to be the fall guy for the theft.

Looking at 20+ years in the penitentiary, he hires Darnell (Kevin Hart), an executive car wash owner, to teach him how to survive in prison. Although Darnell’s never been to prison, he makes James believe him because what James will pay him. To do this, Darnell turns James’ home into a prison with barbed wire, security gates and all sorts of spotlights.

The interaction between the fast-talking Darnell and the slow to get the picture James is, at times, very very good. At other times not quite as good. Yet; I’ll say that with Hart as a foil, Ferrell is better than usual.

Hart is a fast-talking creative genius. Watching him act you know he’s adding and deleting dialogue as required to make the scenes work. Ferrell is better with Hart as a foil instead of being the sole performer in a film. Craig T. Nelson as the felonious father-in-law is believable. Alison Brie as his fiancé Alissa is OK but her part felt forced. Jay Martel and Ian Roberts wrote a pretty good script in that it allowed for the actors to create characters. Etan Cohen did a good job of directing by letting the actors push their characters, although the first part of the film felt more constricted than the latter half.

Overall:  One of the better Will Ferrell films I’ve seen in a long time.

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