Fast and Furious: Hobbs and Shaw

First Hit: A real waste of time to sit through this confusing, nonsensical story.

Granted, there are moments of out-loud laughter, but it is mostly a poorly constructed film and story with little focus or value.

It begins confusingly with a group headed by Hattie (Vanessa Kirby), an MI6 field agent, and a small group of people breaking into a building and/or a truck of some sort to steal a 4-inch glass vial that has some liquid in it. This vial is protected by some computer lock which Hattie is hacking so that she can free and take possession of the jar.

Then, she is attacked by Brixton Lore (Idris Elba), a former rogue MI6 agent, who is part human, part machine. He and the computer entity he represents want the substance in the vial as well. Lore wears a black armored suit that looks similar to the Black Panther suit and rides a motorcycle that bends and does odd things. He is being controlled by a machine that has installed parts into his body that allows him to be strong, quick and analyzes possible punches thrown at him so he can deflect and counter punch. Brixton appears to enjoy these powers.

During the initial scuffle with Hattie, Brixton and his two fellow motorcycle riders manage to kill most of Hattie’s team but fail to get the vial. Hattie has managed to insert the contents of the vial into her body. The liquid materials are supposed to melt the internal organs. I never figured out why the contents didn’t make her insides mush.

Meanwhile, Hobbs (Dwayne Johnson), a federal agent working for DSS, is contacted by CIA agent Locke (Ryan Reynolds) who convinces Hobbs he has to go to London and help retrieve this deadly vial of substance. He says OK and makes a point to say he always works alone when Locke says he’ll be teamed up with someone.

At the same time Hobbs is being recruited, so is Shaw (Jason Statham), a former British Special Forces assassin-turned-mercenary. We know Shaw had no love for Hobbs because of a previous encounter when Hobbs jailed Shaw in LA.

When Shaw goes to a prison to visit his mother Queenie (Helen Mirren), we learn that Shaw’s sister is Hattie. During this visit, Shaw and Queenie talk about how Queenie wants Shaw to reconcile with his sister.

When Shaw and Hobbs discover they’ve been teamed up together to recover Hattie, the drug, and to neutralize Brixton, the never-ending competitive macho conversations begin and only to predictably cease at the end of the film. Yes, some of the dialogue is funny, and some of the sight gags are clever, but mostly the setups are ridiculous and the action stupefying.

The film does try to make it personal and heartfelt; Hobbs getting closer to his Samoan family while introducing his daughter to her relatives, and Shaw reuniting with his sister and then, together, seeing their mom in prison.

But the action and heartfelt stuff is pressed, makes little logical sense (like stringing 5 cars and trucks together to pull down a helicopter), and quite frankly wasn’t interesting or exciting. However, what confused me the most was; if this stuff in the vial was supposed to turn someone’s insides to mush and the vial contained enough to threaten the world, why wasn’t Hattie affected by putting the entire vial into her body?

Johnson was his typical self in that he’s gregarious, charming and depends on his brute strength and muscles to solve the problem. He’s the same here, and it is good enough. Statham is adequate in his role of using more brains than brawn but ends up using his brawn trying to show up Hobbs. Kirby was one of the best characters in this film. I enjoyed her the most, but this bar was a low hurdle to clear. Elba was mediocre in this role. It seemed to depend too much on the technology that was inserted and really didn’t allow for a character to emerge. Kevin Hart was a joyful interlude because of his small role as an air marshal on a plane Hobbs and Shaw were on. He asks them to allow him to join their team, and I immediately thought of Joe Pesci’s role as Leo Getz in the “Lethal Weapon” films. But alas they didn’t follow this route. It could have made the movie funny. Reynolds’ brief role was right and probably the only other part that I enjoyed in this film. His sarcastic way of delivering his lines is always fun to watch. I don’t understand why Mirren took this small role. Chris Morgan wrote this ill-conceived screenplay from his own story. David Leitch did what he could, but this film was stupid on paper and as wrong on the screen.

Overall: Ill-conceived and poorly executed, this film just doesn’t work.

The Upside

First Hit: Both funny and pointed, the relationship between Dell (Kevin Hart) and Phillip (Bryan Cranston) highlights taking responsibility for where they find themselves and opening up to something new.

Kevin Hart can often overwhelm a film with a frenetic energy that can push the meaning of the film aside. However, director Neil Burger was able to reign in Kevin’s tendencies with a clear vision and focused script.

Here as Dell, newly released from prison, we are introduced to him attempting to get signatures on a form that proves he’s trying to seek employment. Dell makes it clear the jobs that the computer system spits out for him are not fitting while seemingly he seems to forget he’s a felon and if Dell doesn’t seek to prove he’s job hunting, he’ll end up back in jail.

Thinking that he’s applying for a position as a janitor in an extremely high-end apartment building in New York City, he ends up in a room with other hopeful people who are highly trained to be a full-time on-site caretaker of Phillip, a wealthy quadriplegic man.

Yvonne (Nicole Kidman) is Phillip’s executive taking care of all Phillip’s affairs, schedules, and hiring. As qualified people are interviewed, Dell gets impatient and barges in an interview, asking Phillip to sign a form. There is humor in the asking a person with quadriplegia to sign the papers, and as the exchange goes on, the hook is that Phillip senses or feels a challenge with Dell and someone he can trust not to try to resuscitate him if he starts to have trouble breathing. Phillip gives the impression he’s looking for a way out of his life.

Carrying his deep sorrow for his wife who passed because of cancer he blames himself for the choice he made to go paragliding in a storm. His accident caused him to lose function of his arms and legs. The guilt of this accident took away his ability for him to be available to his wife as she went to the stages of dying. Phillip carrying this pain is the burden he lugs through the film.

Dell, on the other hand, wants to be a father to his young boy Anthony (Jahi Di’Allo Winston) who he's rarely seen because of his time in prison. His son’s mother, Latrice (Aja Naomi King), is angry at Dell for not providing and not being there for his son. When Dell met his father in prison, and his father said “welcome home” he realized he had to change his ways, that is his burden through the film.

This story is about these two men, together, learning about how to live and grow from their mistakes while learning about how to unburden themselves from their past decisions.

There were visible signs throughout the film about how Phillip would find love again, and that was disappointing. However, there were amazing and funny moments as they discover what they have in common.

At times, I think the film dragged a bit. However, I don’t know what pieces I’d change.

Hart was elegantly constrained in this role which allowed a fullness of character. His interactions with Latrice were well done. Cranston was brilliant as the quadriplegic multi-millionaire. His ability to carry a level of remorse deeply hidden, and allow its uncovering was terrific. Kidman in a minor role was beautiful. She brought just the right amount of integrity and deep longing. Winston was great as the son who wanted his father to be there for him and was rejected numerous times. King was fantastic as a woman who loved Dell but was waiting for him to show up. Jon Hartmere wrote a sharp and well thought out screenplay. Neil Burger had a strong vision for what he wanted to see, and he was able to achieve a developed heartwarming film.

Overall: This was a very entertaining, funny, thoughtful and enjoyable film.

Night School

First Hit: A few funny moments in a supposed humorous feelgood film that also attempted to make a point.

Right from the beginning, the failures of this film are present. Kevin Hart playing Teddy Walker, is shown being in high school. To make Kevin look younger and in a different time, they gave him a cornrow hairstyle. It didn’t work, Kevin looked way too old to support the premise.

Although this error could have been alleviated by using another actor, they compounded this error a couple more times in the film. This filming and directional error stayed with me through out.

Present day, Teddy is a high-school dropout but a super salesman selling barbeques. He sells more than anyone else at the company where he works. He spends all the money he makes and his closest friend Marvin (Ben Schwartz), who is a runs a Wall Street company, keeps telling him to save and quit spending.

Teddy is dating and living with a very successful woman named Lisa (Megalyn Echikunwoke) who everyone says is out of his league. When Teddy proposes to Lisa he accidently blows up his place of work. Being a high-school dropout, with no prospects for work, he starts working at a fast food joint as a promotional chicken. When Marvin says he can work for him if he gets he GED, he tells Lisa he’s already working for Marvin.

Enrolling into a Night School class taught by Carrie (Tiffany Haddish) he’s now grouped with other people who are struggling to make their life better. The interaction with them is, at times, funny.

As the film dances between Teddy’s untruthful relationship with Lisa, his high-school days, and his GED classroom antics, the film came across as chopped up.

Hart was Hart. There really wasn’t a character named Teddy. It is Hart as a person named Teddy. Haddish as the night school teacher who cares, was very funny. Echikunowoke, in a limited role, was strong as Lisa. Schwartz was good as Teddy’s friend. Ron Riggle was funny as McKenzie, one of Teddy’s GED classmates. Taran Killam was OK as the school principal and former nerdy high-school classmate of Teddy’s. Romany Malco as Jaylen, one of Teddy’s GED classmates, was strong. Mary Lynn Rajsku, as Theresa, was hilarious as one of Teddy’s GED classmates. Anne Winters was good as Mila, one of the GED classmates. Al Madrigal, as Luis, was funny as one of Teddy’s GED classmates. Kevin Hart and Harry Ratchford wrote a sophomoric kind of script. Malcolm D. Lee did an OK job of directing this film.

Overall: I left the theater uninspired by this comedic attempt.

Jumanji: Welcome to the Jungle

First Hit:  The interaction of the actors in this film make it work – I enjoyed it.

It is hard to miss the funny mark when you’ve got Jack Black (as Bethany), Kevin Hart (as Fridge) and Dwayne Johnson (as Spencer) together in a film. The wonderful part is that Karen Gillan (as Martha) held her own quite well with these three funny and larger than life guys.

A young Spencer (Alex Wolf) is nerdy and unsure of himself. As the film begins, he’s being taken advantage of by a young Fridge (Ser’Darius Blain), who is a big strapping young man. Intimidating Spencer into doing his homework Fridge creates a friendship of convenience.Although Spence is somewhat resentful of being taken advantage of he does it anyway. After they get caught cheating, they are sent to detention.

Young Bethany (Madison Iseman) is the class popular beauty. She’s constantly on her phone and uses her contrived sexuality to get her way in school.  She ignores a teacher’s request to put away her phone and gets sent to detention.

Young Martha (Morgan Turner) is a nerd and introverted. She hates PE and tells the teacher she won’t participate in the exercise class and gets detention.

This is the setup and together in detention they discover an old electronic version of Jumanji. Getting sucked into the game they end up in a jungle where they arrive as the opposite of who they are outside the game. Spencer (Johnson) is no longer an intimidated skinny nerd, he’s a big, strong assertive man. The big man on campus football player Fridge (Hart), has turned into a small wise cracking man. The beautiful Bethany (Black) turns into a short dumpy man. And the nerdy quiet Martha (Gillan) has turned into a beautiful, strong woman who is a martial arts expert.

Given this setup, a lot could go wrong if the situations and dialogue are weak or don’t allow the actors breathing room, however this is not the situation. It works: The situations and dialogue create scenes that are funny and allow the actors to interpret both their former younger selves while embodying their new older bodies and skills.

Johnson is fun to watch here because his ability to seem like his size and strength are new to him really works. His interactions with Hart are priceless. Hart does a great job of trying to make the others still believe he’s still the size of his younger self instead of his shorter self. The script makes good use of his innate talents of making wise cracks and barking out his intentions. Black is perfect. He makes you believe that he was once a beautiful young lady who is now trapped in a stubby man’s body. I enjoyed the scenes when he gave Martha lessons on how to seduce the men guarding the transportation building. Gillan was fantastic because, despite her beauty, she embodied the nerdy girl of her younger self. She was great as the martial arts expert, ready to kick some butt. Wolff, Blain, Iseman and Turner all did a wonderful job of being the younger characters. Chris McKenna and Erik Sommers did a nice job of creating a screenplay that enhanced the story and actors. Jake Kasdan elevated the story to something fun and engaging.

Overall: I was pleasantly surprised by how much I enjoyed this film.

The Secret Life of Pets

First Hit:  Made me think about what our dog might be doing while I was watching this film.  

Pi in hat

There are moments in this film where the animators and voice artists get dogs and cats perfectly right:  Watch the dogs circle to lie down. Other times they were represented as we might want them to be or the way we think they are.

The voice acting in this film is very strong; among them are:  Jenny Slate as Gidget. Louis C.K. as Max. Lake Bell as Chloe. Albert Brooks as Tiberius and the fully engaging Kevin Hart as Snowball the bunny.

Pi Smile Carpet edit

The overall story is that Max and Duke get lost and their friends come to help them find their way home. The animation was very strong and did an excellent job of catching their behaviors. Listening to the children in the theater react to this animated film was the signal telling me the writers and directors were spot on. They captured the young demographic perfectly.

The film did feel a little long and I would have cut the entire sequence in the sausage factory, thought it was unnecessary and didn't move the real story along.

Slate, C. K., Bell, Brooks and Hart’s voices were fully engaging and wonderful. Cino Paul and Ken Daurio wrote a very strong and fun screenplay. Yarrow Cheney and Chris Renaud did a great job of directing this animated feature and getting the most out of the voice actors.

Overall:  This film was fun and I left the theater happy.