Don't Think Twice

First Hit:  At times funny, occasionally awkward, and might have been better as a documentary.

The way this film begins it almost feels like a documentary, and there are segments that were documentary like, however it isn’t.

The Commune is a small group of improvisational comedians and this film follows them as they do performances that feel very authentic. Prior to each show the group riffs with each other, hug and reaffirm they have each other’s back, and touch a lucky charm before going on stage.

The theater is small and usually full and mostly because they are good and the seats are cheap. It is easy to see that this group loves improv and they are committed to each other. They barely make any money and live mostly together in shared housing and although one of the team might have access to family money, they take other jobs to keep themselves in food.

Their goal is to get on a television program called “Weekend Live” which is a takeoff of “Saturday Night Live”. Being on this program would mean fame and a regular, much larger, paycheck.

There is some competition among the group to get noticed by the Weekend Live staff. Some in the group are more talented, some are better bit writers, and some are more driven. However, there are others who just want to be in the cocoon of the group because it is where they fit.

The group consists of Miles (Mike Birbiglia) who is a teacher of improve at a school, Samantha (Gillian Jacobs) who loves the group and has a poor sense of time (in some ways), Allison (Kate Micucci) is one of the more introspective and talented member, Lindsay (Tami Sagher) is one who has access to money, but loves the bohemian lifestyle, Jack (Keegan-Michael Key) who wants fame the most and puts himself in place to make it happen, and Bill (Chris Gethard) who seems out of place, yet is a critical member.

The story is about how they react and support each other in finding a new place to create their form of art, how they act when someone gets noticed, and what they learn about themselves along the way.

Birbiglia wrote, directed and has a primary role in this film. Overall, his character is one that has to learn a lot about who he is and in this vein he was good. Jacobs is strong as the person who is clear about her wants, but has difficulty expressing them. Micucci, played a little like the character she has played on “Big Bang Theory”, which is the person unsure of her skills. Sagher is good as the girl who is trying to make her own way although the team knows her family has money. Gethard is good as the guy in the background who gets to express himself on stage. Key is very good as the big personality and the one who aggressively wants to make it big. He does well at showing his compassion for the others and engaging in his success. The writing was at times strong and other times seemed unclear of direction.

Overall:  This film didn’t seem quite focused enough to know where its strengths were.

Café Society

First Hit:  I was disappointed in this film.

The first thing was I couldn’t get over how quickly Bobby (Jesse Eisenberg) spoke his lines with rejoinders coming almost as fast in return.

It just didn’t seem like anyone (Director or Actors) wanted the let the words breathe and have some sense of feeling with them. It is reflective of a poor Woody Allen film. Eisenberg is no Allen (and I like Eisenberg's work) and speaking Allen’s words the way he was directed didn’t work.

Nobody does Allen like Allen (good or bad). With this overriding problem with the film, it seemed hard to get into the story. On a good note, I thought that Kristen Stewart (as Vonnie) was very strong. She was the only main character that seemed to feel her way into her character.

Steve Carell as Phil Stern was OK, but at times it just seemed as though he was straightjacketed as the big time movie producer. I never felt his attraction to either his wife or Vonnie, it all seemed for show. I did like the feel of the 1930’s set with the nightclub being especially embracing.

Eisenberg, either got poor direction or wasn’t right for the role in that his machine gun approach to the lines lacked depth and feeling. Stewart was the best character in the film and she continues to show why she is so much more than the “Twilight” girl. Carell was mediocre as the studio executive, and my sense it was the direction that failed him. Blake Lively was good as Bobby’s wife and the scene of their meeting was one of the better scenes in the film. Corey Stoll as the criminal element of Bobby’s family was also good. Woody Allen, narrated, wrote and directed this film and in all ways it seemed to lack heart and comedy.

Overall:  One film that is easily forgotten.

The Secret Life of Pets

First Hit:  Made me think about what our dog might be doing while I was watching this film.  

Pi in hat

There are moments in this film where the animators and voice artists get dogs and cats perfectly right:  Watch the dogs circle to lie down. Other times they were represented as we might want them to be or the way we think they are.

The voice acting in this film is very strong; among them are:  Jenny Slate as Gidget. Louis C.K. as Max. Lake Bell as Chloe. Albert Brooks as Tiberius and the fully engaging Kevin Hart as Snowball the bunny.

Pi Smile Carpet edit

The overall story is that Max and Duke get lost and their friends come to help them find their way home. The animation was very strong and did an excellent job of catching their behaviors. Listening to the children in the theater react to this animated film was the signal telling me the writers and directors were spot on. They captured the young demographic perfectly.

The film did feel a little long and I would have cut the entire sequence in the sausage factory, thought it was unnecessary and didn't move the real story along.

Slate, C. K., Bell, Brooks and Hart’s voices were fully engaging and wonderful. Cino Paul and Ken Daurio wrote a very strong and fun screenplay. Yarrow Cheney and Chris Renaud did a great job of directing this animated feature and getting the most out of the voice actors.

Overall:  This film was fun and I left the theater happy.

Mike and Dave Need Wedding Dates

First Hit:  This film was continually filled with very funny scenes that made sense – Enjoyable.

This is one of those films I anticipated not liking very much.

Physical comedy at this level can be pressed to the point that it becomes not funny. However, this film was different. Dave (Zac Efron) and Mike (Adam Devine) play brothers who do everything together. They are party boys and the scenes of their past antics as shown in the screen, have fun intentions but ended up being disastrous and funny.

What makes this film work is the boys' relationship to each other and that each bizarre sequence is well thought out and leads to another elevated scene.

The premise of the film is that their sister Jeanie (Sugar Lyn Beard) is getting married and their parents don’t want Mike and Dave to wreck their sister’s wedding with their antics. To make them change their ways, the parents tell them they are not allowed at the wedding unless they have respectable wedding dates. They get dates however they are not just happenstance like Dave and Mike believe.

Alice (Anna Kendrick) and Tatiana (Aubrey Plaza) are out of work because they show up to work drunk, are loud and obnoxious and only want to drink and have fun. Each has a different reason for their behavior and together they are almost as bad as Dave and Mike.

The girls see the guys on a TV program promoting a Craigslist ad to take dates, all expenses paid, to Hawaii for their sister’s wedding. Tatiana comes up with a plan to meet the guys and lie their way into this free trip. For them it was a vacation. The film then takes us to Hawaii and the fireworks of these four people’s antics begin. However, in the end they might make steps forward in their lives.

Efron was perfect for this role. He’s found a niche of being handsome, smart and dumb enough to be both funny and serious in this role. Devine presses his comedy a bit more than I like; however, it works well in this film. Kendrick continues to surprise me at her ability to stretch her persona. Here she compulsively lies and it really works. Plaza is very strong in this role. She’s all out and does a great job of being all out. Beard is wonderful as the sister. Andrew Jay Cohen and Brendan O’Brian wrote a script full of great and funny scenes. Jake Szymanski did a wonderful job of getting laughs out of this funny script. He kept the flow going and there isn’t a dull moment or a time where I found myself saying, this is too much; it was just funny.

Overall:  This film surprised me at how it kept moving and kept itself on track in a fun way.

The Lobster

First Hit:  A strange, different and odd film about forced coupledom.

This film is set in the near future and everyone in society must be coupled or face going to an oddly sterile hotel where they have 45 days to find a mate. If they don’t find a mate they will be turned into the animal of their choice. They can extend their time by hunting down and shooting and tranquilizing others who are escaping. If they are lucky enough to find a mate they can live in a couple’s room, then a yacht for a couple weeks, and if successful they can return to the city as a couple.

Upon entering the hotel, they are given a strict protocol to live by, including no masturbation, along with deciding the animal they want to be turned into if they don’t find a mate; hence the film’s title “The Lobster”. This is the type of animal David (Colin Farrell) selects.

There are some macabre scenes (like the punishment for masturbating), amazingly darkly funny scenes (shooting range practice scene), and simply weird scenes (how do the loners survive in the forest day after day). One of the traits in choosing their possible partner is the sharing physical or mental aspects like; shortsightedness, or limps, or lisps, or cold-heartedness, or the love of biscuits.

Another odd part about this film is that it portrays everyone being so subservient to people who’ve placed themselves in authority. How everyone minds the hotel managers (Olivia Colman and Garry Mountaine) is really bizarre because I would have probably rebelled.

Even more perplexing was how the escapees (“Loners”) minded the direction and instructions of Loner Leader (Lea Seydoux). I kept wondering who empowered these people in this way? Why did others follow their instructions?

The cast of characters in this story were really oddly interesting as well:  Nosebleed Woman (Jessica Barden), Biscuit Woman (Ashely Jensen), Lisping Man (John C. Reilly), Short Sighted Woman (Rachel Weisz), Limping Man (Ben Whishaw), and Heartless Woman (Angeliki Papoulia) among others.

Farrell did a terrific job with his character. He gained so much weight for this role which seemed to also affect his natural intensity. Seydoux was clearly strong as the leader of the Loners. She was very commanding. Reilly was funny as the lisping man who got caught masturbating. Weisz was wonderful as the Short Sighted Loner who loved to eat rabbits and was the narrator of this film. Papoulia was very good as the Heartless person. Barden was amazingly sweet as the Nosebleed person. Yorgos Lanthimos and Efthymis Filippu wrote this strangely effective script even though it was filled with obvious logical holes. Lanthimos did a great job of getting the actors and scenes to coalesce and wonderfully execute this story and idea.

Overall:  The film was very entertaining most of the time, yet the holes in the story kept my mind wandering and asking questions while the celluloid rolled.