The Great Gatsby

First Hit:  Visually arresting at times, but the story lagged and acting was spotty.

A good actor can create believability in a character. Leonardo DiCaprio as Jay Gatsby had me believing. I like how he’s matured and the lines in his face are giving him an air of reliability.

Carey Mulligan (as Daisy Buchanan) didn’t quite make it for me. She appears too intelligent and strong to make me believe she would choose to stay with her husband given the love she had for Gatsby.

Tobey Maguire as Nick Carraway, the storyteller, is good at showing vulnerability, intelligence and obsessiveness. One thing that perplexed me from the beginning was how I was expected to believe that Nick and Tom Buchanan (Joel Edgerton) went to school together – the perceived age difference between the two characters didn’t work for me.

I sat there and said to myself multiple times, these two guys didn’t go to college together. Baz Luhrmann directed this film with visual flash at the expense of substance and the real Fitzgerald story is about substance in the world of flash. The choice of using modern attempts at music from the 20’s was extremely poor and seemed way out of place. DiCaprio wanted me to know more about his character and there is where the film could have spent more time.

I did like how the filmed opened with black and white Warner Bros logo and moved into the beautiful 3D world of the film. Another strong aspect of the film was the way we (the audience) were introduced to the story – by having Nick writing his experience while in a mental hospital.

DiCaprio was the strongest character in the film and I wanted to know more about him and the script and director didn’t quite deliver. Mulligan didn’t quite make me believe she was as weak as her character was made to be. Edgerton was a strong Buchanan and was solid. Maguire was good and I believed his character and way of telling his story. Craig Pearce and Luhrmann wrote a good, not great, script but Baz overdressed this film and relied on the glitz and left the story behind.

Overall:  The film was a letdown although some of the performances were very good.

At Any Price

First Hit:  A very strong film about family and the pressures of living up to one's own and others expectations.

Henry Whipple (Dennis Quaid) is a head of his family farm; his dad Cliff (Red West) is still alive and pressuring Henry to make the family farm work the way he wants it to work.

Henry has two sons Grant (Patrick Stevens) the older college football star and younger son Dean (Zac Efron) who wants to be a NASCAR driver not a farmer. Henry really wants Grant to take over the farm, but Grant graduates and decides to travel the world. The undying hope that Grant will return haunts Henry.

Dean is hard headed and hates farming and his Dad’s placating ways. Henry, screws around with his old high school sweetheart while his loyal wife bears the pain of knowing but loving Henry anyway. She confronts him in one scene and in the next she’s holding his hand making a great public appearance. It is all about what it looks like.

This is the heart and key of the film, is how one is scene in public. Henry could be seething in side but he’s quick with a smile that looks real and is real – to a point.

Dean meets his fear on the race track and becomes lost. When his father covers for him and supports him for one of his stupid actions, he becomes the next generation farmer.

There are other sub-stories in this film which integrate with the whole story, one being that what goes on in Middle America’s farms reflects what goes on in bug corporations as well.

Quaid is perfect in this role as his quick smile and eyes that light up with his smile, are perfect for the man who is use to putting on fronts. Efron is very good as the troubled young man. The only thing that didn’t fit wonderfully for me, was why he lost his ability to face the fear of driving. However, his shift from rebellious young son to the future family farm leader was very good. Kim Dickens as Henry’s wife Irene was excellent. She embodied the faithful loving wife while looking past her husband’s indiscretions. Maika Monroe was wonderful as Dean’s young girlfriend. Clancy Brown as Jim Johnson, Henry’s rival Liberty seed seller, was very good. Chelcie Ross was also very good as Henry’s seed washing accomplice. Ramin Bahrani wrote and directed this very strong film that may show up at next year’s awards ceremonies.

Overall:  This film has more under the hood than shown at first blush. It asks; what would you do for your family?

Mud

First Hit:  A well-crafted film with excellent performances.

Where “To the Wonder” tried to show love and didn’t speak about love, “Mud” evoked a story around what love can drive people to do or not do.

This film evoked the feeling of Arkansas, the difference between town people and river folk, and how love can confuse young and old alike. We’ve got two young boys Ellis (Tye Sheridan) and his close friend Neckbone (Jacob Lofland) finding a boat in a tree. It got there through one of the horrific storms that come through the south.

While exploring their new found treasure, they run into Mud (Matthew McConaughey) who has commandeered the boat for his own purposes. Listening to him talk you get a sense that he skirts the truth while embracing wives tales and superstitions when they serve his purpose. He convinces the boys he’s there to meet his love Juniper (Reese Witherspoon) whom he’s loved his whole life.

He’s also hiding out because he killed one of Juniper’s boyfriends for hitting her. Now the boyfriend’s family and police are after him for revenge. Ellis has an idealistic view of love and it is congruent with the devotion Mud has for Juniper. However his mom Mary Lee (Sarah Paulson) and dad, Senior (Ray McKinnon), are talking divorce and Ellis sees his life falling apart. He’s a strong willed kid and when he stops a guy from pushing a girl he likes by hitting him, he becomes enamored and hopes she like him. He and Mud connect in this way.

This film is not fast paced and, at times, I wanted it to make it go faster, but then I exhaled and let the film continue its elegant unfolding.

Sheridan was sublime by evoking strength, compassion and mindfulness. He was extraordinary. Lofland was equally superb and as a friend to Sheridan he was perfect. I would be surprised if I learned they are not real life friends as well. McConaughey was amazing. As his recent films have shown, he’s really choosing parts that work for him and that he can bring good things to the director of the film. Witherspoon is great in this role because it reminded me of the intensity and power of her early “Freeway” role. I loved her in that film and can still feel the intense scenes with Kiefer Sutherland. Paulson is really good and I loved her presence in the film as the woman struggling and needing to change her life. McKinnon is good, especially as the film moved on. Sam Shepard (as Tom Blankenship) is strong as Mud’s closest friend and surrogate dad. Michael Shannon (as Galen), Neckbone's uncle and caretaker was really good and it was good to see him in this role. Joe Don Baker has a minor and pivotal role as the father of the man Mud killed. Jeff Nichols wrote and directed this film with patience and a great eye for bringing out the south.

Overall:  Although slow at times – it was well worth it.

To the Wonder

First Hit:  I was left wondering.

My guess is that if you were in Terrence Malick’s mind or maybe on the set, you “got” this film.

I can tell you, I’ve seen more films than maybe 98% of the population and conceptually I’m not sluggish about “getting” what the point is. Therefore, I don't think this film worked. 

The power of love as it expresses itself in a relationship and between people, isn’t well served here without dialogue. OK, I’ll correct myself there is occasional muffled dialogue and I will say when it was there I found myself straining to get more so I could engage myself with the story.

Neil (Ben Affleck) spent most of the time with his mouth semi-open which gave me the sense that he was in disbelief about the behavior of his girlfriend Marina (Olga Kurylenko) who had wild mood swings. Then Neil's old girlfriend Jane (Rachel McAdams) appears on the scene and Neil likes her but ....

This film was too long, lacked a way to connect to the audience and created little vision for an audience. On another level – the pictures of the midwest were wonderful and visually well done.

Affleck was mostly silent with his mouth open emoting little. Kurylenko was interesting to watch go from crazy like behavior to loving like behavior – she did troubled well however there was little context for either realms. McAdams was the character where I wanted Affleck’s character to land because there seemed to be joy and peace. But as we know people are rarely satisfied. Javier Bardem didn’t fit as a priest to which Marina was linked. Malick didn’t really write much of a screenplay but he must have done a bunch story boards that he hoped would tell his version of love. Malik also directed this effort and the tedium was apparent.

Overall:  This isn’t worth watching.

Disconnect

First Hit:  A very good, interesting, powerful film about how our digital connections, and how we use them, can damage our lives.

This is a film about three stories: A son attempting suicide because of a picture of him nude was posted on the internet. Another about young kids who’ve runaway from home and make a living selling themselves for private sex over the internet. And, finally a couple whose personal tragedy grew to include identification theft, but this difficulty helped them grow closer together.

Each of these stories was based in today’s reality. The point of these stories was how technology creates new ways for us to communicate and do it poorly.

Rich and Lydia Boyd (Jason Bateman and Hope Davis respectively) have a daughter Abby (Haley Ramm) who is popular at school while her brother Ben (Jonah Bobo) is a loner who loves music and keeps to himself both at school and at home. Two boys, using technology, decide to harass Ben. They make up a girl that likes him and encourage him to do something stupid. A television interviewer wants to expose young kids selling sex over the internet. By getting more involved creates complications for both the person she’s trying to help and herself.

Derek and Cindy Hull (Alexander Skarsgard and Paula Patton respectively) have just lost a young son and turn to internet activities to soothe their pain, her a chat room, him online gambling. Their identity gets stolen and now they are losing everything except themselves. T

wo of the three stories are interwoven with Mike Dixon (Frank Grillo) who is a former cop who has turned to internet sleuthing and remedy.

Bateman is great as a father who loves his son but has gotten so involved with work; he lost his family connection and tries to get it back. Davis is strong as the mom who is trying to get her husband to pay attention to the family. Ramm is good as Ben’s sister, a brother she loves but is also embarrassed by his awkwardness. Bobo is fantastic as the boy who is so scared of showing up and lives within the world of his music. Skarsgard is really good as the father who has lost a child and doesn’t know how to reach out to his hurting wife. Patton is fantastic as the hurting mother who is looking for a way to find emotional relief. Grillo is very good as the single parent trying to do right by his son. Colin Ford as Grillo’s son did a superb job of showing his angst, sorrow and fear for his actions. Andrea Riseborough was really good as the reporter knowing she wanted to help but also wanting a story. Max Thieriot was fabulous as the young kid just finding his own way. Andrew Stern wrote an outstanding script. Henry Alex Rubin directed this three story film with precision and wonder.

Overall:  This was a really good film and deserves to be seen by a lot of people who don’t get how technology has changed our lives.