Deadpool

First Hit:  I enjoyed this tongue-in-cheek somewhat bizarre film.

I know that most of the reviews of this film where not positive, however I was amused and enjoyed the quirkiness of this story and film.

Was this story improbable? Yes, and so what. Most films are improbable. But what works for this film was that Ryan Reynolds was a perfect fit as Wade/Deadpool. As Wade, he’s sort of an enforcer of wrongs done by people and he gets paid for it. He's funny and serious at the same time.

The film does not do a good job giving the audience a background of where these jobs come from nor does it do well in setting the whole group of people who do this sort of work. However, get past this and enjoy. They gather in this bar run by Weasel (T.J. Miller).

Here Wade meets Vanessa (Morena Baccarin), and falls in love. They totally “get” each other and it changes his life for the better. He then finds out he has cancer and is going to die. He takes one final chance to heal himself by an evil scientist, Ajax (Ed Skrein) who promises that he will alter his DNA to heal him of his disease. However, there will be unknown side effects and in the case of Wade, now "Deadpool", it is that he cannot be killed and his skin becomes disfigured.

He doesn’t believe Vanessa will love him with his new look so he’s bound and determined to get back at Ajax. This is the story:  How does he let his love know he’s still alive? How does he get revenge on Ajax? And finally how does he live the rest of his life?

This film uses special effects to its advantage and the best part is Reynolds. He’s self-effacing, brash, and funny.

Reynolds is really good and I cannot think of another actor that would have been able to pull this off as well as Reynolds. Miller was great as the bar owner. He is great as Reynolds friend and confidant. Baccarin was perfect as Reynolds lover and wife. She’s just as quirky and strong and holds up her end of their relationship seamlessly. Skrein was strong as the evil doer. He carries this persona with clarity. Brianna Hildebrand as the Negasonic Teenage Warhead was good. Rhett Reese and Paul Wernick wrote a quirky odd story that, for me, worked. Tim Miller did a wonderful job of getting the most out of this odd story through his direction.

Overall:  I liked and enjoyed the oddities of this film.

Ride Along 2

First Hit:  Not much of a film and felt forced in all ways.

The upside was seeing Olivia Munn although I sensed she knew this was a stinker of a film.

This retread of a film came off as a throwaway. Kevin Hart as a newly minted, on probation, police officer Ben Barber who is engaged to Angela Payton (Tika Sumpter) that happens to be Detective and fellow officer James Payton’s (Ice Cube) sister.

James doesn’t think much of Barber’s unqualified police and detective skills. Barber doesn’t help his case much because he’s always talking. He is incessantly chattering away about something or nothing.

Not sure if the script had it this way or they just let him loose but it was tiring. With all the noise he was creating it was extremely difficult to hear any good stuff that would make the film funny.

Together Barber and James are off to find a guy who is a drug supplier to a dealer they tried to bust. The investigation takes them to Miami where they meet Munn (as Maya) a detective with the Miami Police Department.

The villain is Antonio Pope (Benjamin Bratt) who is half wise guy and half stupid. His scripted toughness lacked an intelligent storyline for his obvious success.

Therefore, we end up with a stupid insipid story bouncing along hoping that Hart’s jokes and banter will make this film interesting or funny; it was neither.

Hart’s role was one of constant needless jabber. It was almost as if the director and producers hoped he'd talk so much that it would make this film funny or interesting. It didn't. Hart needs to take on roles that have some depth and story behind them and use his quick wordiness more sparingly. In other words quit throwing shit on the wall hoping some sticks. Ice Cube:  I’m always so surprised that I see him in something like this. This was the guy who came Straight Outta Compton? Really, you’re doing mindless drivel like this. Where did your soul go? Sumpter is OK as the engaged girlfriend of Barber’s. She barely rose above the level of the film. Munn was fun to see and she did her best to keep the role focused and on target. The scriptwriters and director let her down. Phil Hay and Matt Manfredi wrote this stupid script that had little direction or focus. As director, Tim Story, never told one.

Overall:  This film was really a follow-up to the first one and showed NO originality or reason for existing.

Academy Awards - The Oscars

OK, here we are again celebrating another year of film going. Some strong films this year, films that broke box office records, and films that failed. Here are my choices for the following awards and some thoughts around some of them.

• Best Actor - Nominees are:  Bryan Cranston (Trumbo), Matt Damon (The Martin), Leonardo DiCaprio (The Revenant), Michael Fassbender (Steve Jobs) and Eddie Redmayne (The Danish Girl). This is not as strong a field as it was last year. The obvious missing actors are Tom Hanks (Bridge of Spies) maybe because he made it look so easy, and Steve Carell who was so quirky and interesting you just wanted to see what he was going to do next. Both of these were strong performances, yet not in my top two of this listing. Although Cranston's  performance was good, I didn't like the character nor the interpretation. Fassbender was very good, however this role had been done too many times in the last two years. I did not see The Danish Girl therefore I don't have an opinion. However, Damon and DiCapiro's performances were fantastic - beyond amazing. I loved each of them. My guess is that DiCaprio will win the Oscar.
• Best Actress  - Nominees are:  Cate Blanchett (Carol), Brie Larson (Room), Jennifer Lawrence (Joy), Charlotte Rampling (45 Years), and Saoirse Ronan (Brooklyn). This is a strong category although I didn't see 45 Years, the others were great. I also see a missing person from this list and that would be Rooney Mara in Carol as well. Between Cate and Rooney I would have picked Mara because I felt as though her evolution through the film was a more powerful statement. However, she is in the Supporting Actress listing. Out of the nominated list, it comes down to two outstanding performances: Ronan and Blanchett. Lawrence's performance was really good and I was fully engaged with her character, however it did not have the power of Ronan or Blanchett's. Larson was also very strong, however so much of her performance is linked to Jacob Tremblay the young boy that it took away from her own performance. For me I'd like Ronan to get this Oscar in an amazing performance in a  wonderful film.
• Best Supporting Actress  - Nominees are:  Jennifer Jason Leigh (The Hateful Eight), Rooney Mara (Carol), Rachel McAdams (Spotlight), Alicia Vikander (The Danish Girl), and Kate Winslet (Steve Jobs). As I mentioned earlier I think Mara's performance belongs in the Best Actress category. I didn't see The Danish Girl so I'm making my pick without full knowledge of the selections. However, without Mara I think the most interesting and performance is Leigh's. It was so hidden and yet over the top that I was mesmerized each time she opened her mouth and/or the camera focused on her. These are the top two and in my view either probably deserves the Oscar.
• Best Supporting Actor  - Nominees are:  Christian Bale (The Big Short), Tom Hardy (The Revenant), Mark Ruffalo (Spotlight), Mark Rylance (Bridge of Spies), and Sylvester Stallone (Creed). The missing performance is Jacob Tremblay's in Room. He was phenomenal. But this is probably one of the strongest fields in years, so someone had to be left off the list. They were all great and my favorites out of this list are Rylance and Stallone. Rylance had such a small role yet it was so much impact on the film that it was unforgettable. However Stallone will get it for both this performance and his body of work as Rocky Balboa.
• Best Cinematography  - Nominees are:  Ed Lachman (Carol), Robert Richardson (The Hateful Eight), John Seale (Mad Max: Fury Road), Emmaual Lubezki (The Revenant), and Roger Deakins (Sicario). Although Mad Max: Fury Road was big it did not grab me because I thought the film was more on the mindless side. Carol was elegantly shot and fully deserves the nomination. However, The Hateful Eight and The Revenant are over the top amazingly beautiful and powerful. The Hateful Eight deserves a lot of credit for doing so much in one room, while The Revenant wins this award for how shots were made and the perspective by which they were made. The winner - pick.
• Best Adapted Screenplay  - Nominees are:  Charles Randolph and Adam McKay (The Big Short), Nick Hornby (Brooklyn), Phyllis Nagy (Carol), Drew Goddard (The Martian), and Emma Donoghue (Room). Wow, what a list. All great picks. Any one of these could win in any given year. However, my final two would be Randolf and McKay for The Big Short and Hornby for Brooklyn. In the end I'm picking Nick Hornby for Brooklyn because it was a great screenplay and a wonderful film to watch.   
• Best Original Screenplay  - Nominees are:  Matt Charman and Ethan & Joel Coen (Bridge of Spies), Alex Garland (Ex Machina), Pete Docter, Meg LeFauve, and Josh Cooley (Inside Out), Josh Singer and Tom McCarthy (Spotlight), and Jonathan Herman and Andrea Berloff (Straight Outta Compton). Another strong set of contenders. All very different films. In the end I think I like Ex Machina and Spotlight as powerful screen plays for very different reasons. One reflects a horrible set of acts by Catholic Priests and the other about the obsessiveness and controlling nature of technology. In the end I select Josh Singer and Tom McCarthy for Spotlight.
• Best Director  - Nominees are:  Adam McKay (The Big Short), George Miller (Mad Max: Fury Road), Alejandro Gonzalez Inarritu (The Revenant), Lenny Abrahamson (Room), and Tom McCarthy (Spotlight). Missing are:  Ridley Scott (The Martian), J.J. Abrams (Star Wars: The Force Awakens), Todd Haynes (Carol), Quentin Tarantino (The Hateful Eight) and John Crowley (Brooklyn). To me this is the most messed up nominee listing. How is Max: Fury Road better directed than all my exceptions? It isn't and doesn't hold a candle to them. Also given my exceptions, I think Abrahamson's delivery is not quite there. Anyway, from the nominee list, I would say it is between McKay, Inarritu, and McCarthy. In the end I'd select McKay (with McCarthy a very close second) because he did the most to keep the film on track. Inarritu had too many long wistful shots. However this listing of nominees is really flawed.
• Best Picture  - Nominees are:   The Big Short, Bridge of Spies, Brooklyn, Mad Max: Fury Road, The Martian, The Revenant, Room, and Spotlight. Missing here is Carol and The Hateful Eight. Mad Max: Fury Road is nowhere in the league as these other nominees and, in my opinion, doesn't deserve to be listed. I simply was board stiff by the one long chase film filled with foolish philosophy. It is hard for me to pick as I loved "Brooklyn" as being a wonderfully executed nostalgic story. I thought "The Big Short" told a compelling story of how our economy tanked. "The Martian" was beautifully delivered and Damon made it happen. "Bridge of Spies" and "Spotlight" are both amazing stories about something that really happened. I was totally engaged and felt they delivered in all ways; education and story. The only thing I didn't like about "The Revenant" was that there were too many long scenic only shots which took away from the story.  In the end, of the listed I'd like to see "The Martian" win but can also see the others winning except Mad Max.

Some other thoughts about films this year:

• "Star Wars: The Force Awakens" was amazingly edited.
• "Ex Machina's" visual effects were very strong and so were scenes in "The Revenant".
• "Anomalisa" and "Inside Out" were both amazing Animated Feature films.
• "Carol" had perfectly detailed costumes and overall set design.
• "Writings on the Wall" the song for "Spectre" was dreadful.

Note: I'll be England sitting in silence for 30 days starting late next week. I may be able to see one more film before I go, but otherwise I won't be seeing any films or posting any reviews until the first week of March.

Thank you for viewing my site.

13 Hours: The Secret Soldiers of Benghazi

First Hit:  Possibly adds a bit more light on the problem and fiasco of the 4 American citizens, including an Ambassador, who died on September 11, 2012 in Benghazi.

This film focuses on the group of CIA security contractors who volunteered on their own to try to save the US Libyan Benghazi Embassy, beloved Ambassador Christopher J. Stevens (Matt Letscher), and their team from being overrun by Islamic Militants.

The hidden CIA compound was less than a mile away from the Embassy and when the Embassy was being overrun. The only help that seemed forthcoming was from this group of contractors who were told by the Chief CIA operative Bob (David Costabile) not to help the Ambassador for fear of exposing the CIA compound.

As the attack began there was no immediate support from other parts of the US government and the film doesn’t do much to clarify why there was little support for the Ambassador and his team. There is reference to a broadcast that the uprising started with a reaction to a video but only as a tangential point.

One thing that was made clear was that neither the Embassy team nor the CIA crew knew what local citizen or group of locals they could trust. At one moment someone was friendly, in the next the person was assisting the plot to overrun the compounds.

The film focuses on the team of six contractors, their relationships with each other, the CIA Chief, and their families back home. One of the operatives, Jack Silva (John Krasinski) left is wife and two daughters home again to risk his life with his friends in a war torn country. Why?

That is part of the question the film attempts to answer. He struggles financially with viable work when home, but realizes, especially when he finds out his wife is pregnant again, if he gets out of Benghazi alive, he needs to go home and stay home.

This film is about the trust each of the contractors have for their fellow fighters. This film is also about how the lack of support by the US Government in this critical situation was abominable.

Krasinski was very strong as a standup guy, soldier, friend, and father. As the team: James Badge Dale as Tyrone “Ron” Woods was perfect as a supportive solider. Pablo Schreiber as Kris “Tanto” Paronto was wonderful as well. David Denman as Dave “Boon” Benton was very good. Dominic Fumusa as John “Tig” Tiegen was ideal as part of the team. Max Martini as Mark “Oz” Geist was ideal as another member. Costabile was very strong as the CIA veteran who wanted to play by the book. Chuck Hogan wrote a strong screenplay. Michael Bay did a great job of creating the confusion that surrounded the events of the situation in Benghazi.

Overall:  I liked the focus of this film, which was on the team and their support of each other.

Anomalisa

First Hit:  A dynamically interesting film with many layers of meaning the more I think about it.

Are the layers I see in this film of my development or was the intent of the film to have these layers or was the intent to just have us being thinking?

I don’t know and I’ll share a couple of the layers I’ve considered and neither of these are necessarily predominate in my thinking about the film. One layer is that Michael Stone (voice by David Thewlis) seems to become indifferent with any woman after he’s been intimate with them. He’s fascinated with them in the beginning and once physical intimacy happens, he begins to see and become critical of the person. I think that both men and women have had the experience of seeing someone different after sexual intimacy, I know I have.

Another layer is that Michael sees everyone as the same. This is juxtaposed with his character being the leader in how to deliver customer service by seeing each person as a unique individual. This juxtaposition is effectively created by having Tom Noonan be all the other character's voices (except Michael and Lisa’s).

Regardless, man or woman the voice is pretty much the same and while animated faces are also very close to looking like each other as well. Then from a "look" point of view, we have Michael with a strong unique look (is this how we see ourselves?), and everyone else is seen as having a more generic look. Lastly, with everyone in this film having their faces made of separate pieces/segments (no other body parts are drawn/animated this way) it is interesting that the only the faces are developed/drawn in this way.

This concept transitions to an interesting scene when Michael is hurrying down the hall of the hotel and the lower half of his face falls off. When it comes off, I wondered about everyone's faces being interchangeable. Anyway this is a fully animated film that is definitely of an adult orientation. The love making scene with Lisa (voice by Jennifer Jason Leigh) is very powerful and real.

This film is amazing in its presentation of the details of the body. Watching hair slightly move, the way Michael throws his hotel key down, the way the red lights as the door key doesn’t work – fascinating. The script for Lisa’s character was superb. Vulnerable and self-effacing, she becomes a voice of strength.

Thewlis carried Michael’s struggle well and was a great choice. Leigh was sublime as Lisa’ voice. It perfectly honest in its characterization. Tom Noonan created wonderful characterizations of the other voices. Charlie Kaufman wrote an amazing script. It captured human emotion and feelings extremely well. Duke Johnson joins Kaufman in directing this amazing story in an animated film.

Overall:  This is a complex film with many layers and levels and will leave you wondering for days afterward.