The Bronze

First Hit:  It was tough to watch and listen to Hope's (Melissa Rauch) dialogue, however, I think the overall concept held together.

Hope is deeply holding on to the fame she gained by winning an overall gymnastic bronze medal she won in the 2004 Olympics.

Her winning overshadowed other gymnastic Olympians because she severely hurt her ankle on the balance beam but did finish the completion by doing the uneven bars which earned her a Bronze Medal.

Coming back to her hometown she received a hero’s welcome and benefited from  perks the town gave her (own parking space in town, free sneakers, and other things) ever since. This even includes a sign of her achievement under the town’s “Welcome” sign.

She doesn't have a job, she steals from her dad’s mail truck, she wears her Olympic warm-up suit each and every day. She’s gained some weight but keeps the hair style, including the bangs she had during her heyday. She’s rude to almost everyone she meets and has a horrible attitude. Watching the scene when she first meets Maggie (Haley Lu Richardson), the town’s new gymnastics super star, she barely looks at her during the entire conversation.

She is challenged, by money, to coach Maggie because Maggie’s coach dies. They end up working together at Ben’s (Thomas Middleditch) gym. There are a few nice gymnastic sequences to watch and if you can get by the raunchiness of Hope, it actually isn’t a bad film.

Rauch holds her character most all the way though the film, but it isn’t a character we can really care about, even at the end there’s an edge that is bothersome. Middleditch is very good as Ben (Twitch). Richardson is almost too naïve as the upcoming gymnast. Gary Cole as Hope’s dad Stan was very good in that he was believable. Melissa and Winston Rauch wrote the screenplay which erred on the side of too raunchy and mean. Bryan Buckley directed this with reasonable clarity and what failed was the script.

Overall:  The concept for me worked well but the film’s main character seemed overboard in the role.

Knight of Cups

First Hit:  An interesting, esoteric and ethereal film of a man reflecting on his place in the world through his relationships.

This film is not and will not be everyone’s cup of tea. In general it is about self-discovery, our purpose in this life, and understanding ourselves individually and collectively.

Those who value self-reflection and contemplating their own life as a way to see and better understand their current place and have patience for the film to unfold in its own way may like it.

One particular sequence early on with Ben Kingsley’s voice over states something like; it takes us so long to begin to see the depth of who we are because we spend most of our time responding to outside stimuli. During this sequence the images on the screen are of a young Rick (Christian Bale) on the beach with his family and in other settings.

The film is divided into 8 named sequences. Each, except the final section called Freedom, are named after Tarot cards, as is the name of the film. The "Knight of Cups" is the heart filled Knight in the Tarot deck. Although the Knight is on a horse (strength), because the horse is in a walking position, the Knight and the other representations on the card represent calmness and being ruled by the heart when important decisions are made.

Rick goes through the film in this etheric way, little outside emotion is seen, and each scene gives a view into his feelings. The people speaking to him fade in and out and one can begin to sense that Rick is Hollywood connected.

Each of these sections, which reflect the names of the cards are about the women he’s been with, his angry and lost brother Barry (Wes Bentley), his controlling, angry, and demanding father Joseph (Brian Dennehy) (their section is named “The Hangman”), and an immoral playboy Tonio (Antonio Banderas) (his section is named “The Hermit”).

My sense was that the latter was Rick’s own reflection of his playboy ways. The women are Della (Imogen Poots) whose section is “The Moon” and she is young and rebellious. The section called “Judgement” is played by his former wife, a physician, Nancy (Cate Blanchett). “The Tower” is played by Freida Pinto as a serene model named Helen. Teresa Palmer, as a spirited playful stripper named Karen is the section called “The High Priestess”. Elizabeth (Natalie Portman) is “Death”, the person Rick wronged. And finally, “Freedom”, an innocent Isabel (Isabel Lucas) who assists him in seeing ahead.

All of these stories are mixed and matched with life events, like robbery, heated arguments, disagreements, moments of bliss, and each of them lying on a backdrop of natural reflective scenes of Rick in the desert and on the beach at sunset.

Bale says little in the film, much of his thoughts and feelings are shared through visuals of him solitarily reflecting, with others but almost always on the edge of being disengaged, and the scenes outside himself, what he’s seeing. Because he had no physical script to work from, he was genuinely perfect for the role because of his ability to be silent yet communicative at the same time. Bentley is very strong as the angry, lost brother. Dennehy was perfect as the father. It was so nice to see him again. Poots was very good as Della. She clearly provided an edge to Rick’s life. Blanchett was very strong as his former physician wife. Her compassion to the people she worked on was amazing. Banderas was great as the playboy and during the A-List Hollywood party, he was like a kid in a candy store. Pinto was elegant in her role as a serene presence in Rick’s life. The model shoot was very realistic. Palmer was strong as the enticing playful stripper. Portman was extremely strong as a tortured married woman who both loved and felt wronged by Rick. Lucas was very good in representing a path forward. Terrence Malick wrote and directed this film. His strengths are getting creatively strong improvisational performances from his cast. The visual shots in the film are often arrestingly beautiful.

Overall:  As I said, this film isn’t everyone’s cup of tea, but it was mine.

Hello, My Name Is Doris

First Hit:  Sally Field (as Doris) steals this film and makes this story work very well.

Doris is in her mid-sixties, her mom has just passed away, she had lived with her mom most of her life, she’s a hoarder, and works in an advertising agency as a data input operator.

Into her work life walks in John Fremont (Max Greenfield), a new arrival from California. He’s in his mid-thirties, got dropped by his girlfriend, is kind, and in his new job/life he’s trying to fit in.

What doesn’t work about this film is that John is portrayed as too naïve about how Doris feels about him. However, what does work about this film is Field as Doris. She is so good that the audience is engaged and bought into the story.

Most of the film is about how Doris fantasizes about having a romantic relationship with a man half her age. However, it also speaks to aging, human kindness, hoarding, sacrificing for family, the modern workplace, older people, and finally, friends and family.

Although we are not introduced to Doris’ character gently, there is no compromise in her character and to be quite frank, it worked.

Field is beyond fabulous. She could be considered for a third Oscar next March. Greenfield was good but I couldn’t help but think about his lack of vision of Doris' intention. Tyne Daly as Roz, Doris’ best friend, was extremely strong. Her acceptance and friendship was perfectly played. Isabella Acres as Roz’s granddaughter Vivian was spectacular. Her befriending of Doris and helping her navigate Social Media was perfect. Laura Terruso and Michael Showalter wrote a very interesting and edgy script. Showalter did a great job of guiding and giving Field the freedom to deeply explore her character.

Overall:  This film was very entertaining and I loved Doris’ outfits.

10 Cloverfield Lane

First Hit:  I went from engage, to disappointment and disbelief, and finally to satisfied.

This film generated a range of feelings within me; from great story with belief and possibility all the way to disbelief while bordering on “give me a break”. In the end it does redeem itself.

The story begins with Michelle (Mary Elizabeth Winstead) packing up and leaving her apartment and life with Ben (voice of Bradley Cooper). Driving to an unknown location she gets into a car accident.

She wakes up chained to a bed with Howard (John Goodman) as her captor. He tells her that there has been an apocalypse in the world outside and he’s saved her by bringing her into his underground bunker.

Howard introduces her to Emmett (John Gallagher Jr.) who, as she finds out, has chosen to be in the bunker. She hears cars and other noises above her, so she tries to escape only to find someone suffering outside the bunker.

At this point there are a lot of stories floating around in my head about where this film is heading. Then about 15 - 20 minutes before the end, I went into disbelief and disappointment about where the story has taken us, but at the end, I realized that I liked and believed the point of the story and how we got there.

Winstead is very strong as the everyday person finding her strength and being willing to move past her previous fears. Goodman is equally strong as someone who is definitely on his own agenda and belief system which may be true and skewed view. Gallagher Jr. was very good as the other person in the bunker. Josh Campbell and Matthew Stuecken wrote this story that almost fell off the rails. Dan Trachtenberg did a great job creating an intense environment in a closed space. The set was really good.

Overall:  This film was on the edge of falling over a cliff, but, in the end, stays upright.

Whiskey Tango Foxtrot

First Hit:  Although uneven in its execution, I liked the resulting story as a whole.

WTF has an appeal in a couple of ways. The title was interesting because it is what Kim Baker (Tina Fey) felt about her life. She was in an uninspired relationship with her boyfriend, her news reporting job is as tenuous as it is monotonous and she realized that she was sleepwalking through life. She’s given a chance to go to Afghanistan to report on a fading war.

The news focus is on Iraq and the US has troops in Afghanistan and her network wants someone there to get and report on the best news nuggets available. Kim decides to take the leap and almost immediately she regrets the choice. However, as you’d expect, she finds her sea legs and starts to dig for stories and eventually lands an excellent one by being embedded in one of General Hollanek’s (Billy Bob Thornton) units.

Unfortunately, we see Kim fall into the partying ways of her peers with no understanding as to why. Her friendship with Tanya Vanderpoel (Margot Robbie), one of the few other women in compound, seemed shallow.

The script attempted to make these two be good friends, but there was something palpable missing. Labeled as a "Comedy", there was very little that is funny about this film which added to the unevenness.

The notable components for me were:  The outstanding performance of Christopher Abbott as Fahim Ahmadzai, who was Baker’s interpreter. He really embodied a sweetness and intelligence of the culture and his performance stayed with me long after the credits. When Kim spoke with a group of Afghani village women only to find out that they were destroying the wells was another really good scene. However, there seemed little depth to Baker and this did drag the film down and made for some scenes that could have been cut.

The ending scenes, however, brought the film back together. Her meeting with Specialist Coughlin (Evan Jonigkeit) at his ranch was very heartfelt as was her bringing Iain MacKelpie (Martin Freeman), a lover from Afghanistan, on to her Washington news program.

Fey was uneven in her performance and I never really bought that she bought into the character. There seemed to be a slight disconnect at times. Other times her interpretation of the character worked well enough. Abbott was phenomenal, I so loved his character. His eyes said it all. Robbie was OK, but almost out of place based on her character and the situation. Freeman was strong as the guy who found a home in being a photographer in a war torn country. Thornton was perfect as the Marine General who was a sarcastic, tough, and compassionate leader. Jonigkeit was excellent as the Marine who suffered and grew from the experience. Alfred Molina as Ali Massoud Sadiq was another bright spot in the film. Robert Carlock and Kim Barker wrote the screenplay based on Barker’s account of being in Afghanistan. Glenn Ficarra and John Requa directed the film and as I’ve learned; when there is more than one director the chances of unevenness are more available and pronounced.

Overall:  Through the unevenness the ending and a few other great scenes made it work well enough.

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