Maggie's Plan

First Hit:  Oddly interesting story about love, marriage and life through three very different personalities.

The three are Georgette (Julianne Moore), her husband John (Ethan Hawke) and Maggie (Greta Gerwig).

Georgette is a precise, egocentric professor that is focused on her career. She works at a prestigious university (Columbia) and her career path is to be well known and a department head. She has two children with John and abdicates most household care to him.

John works as a part time professor at a lesser college while also working on a novel. He’s famous for some of his anthropological work, but his heart is on writing a novel. On the campus he teaches, he meets fellow professor Maggie who believes she can only have relationships that last 6 months.

Because she wants children, she decides to get pregnant by asking a friend (mathematician) to give her his sperm that she can insert. However, she engages John in conversations and begins to give the attention he’s not getting at home. The relationship starts with John giving her sections of his book to review and ends in a marriage. However, things go array, the relationship changes and realizing that there needs to be a change she creates "Maggie’s Plan".

Moore is very solid as the precise, smart and career focused Georgette. Hawke is very good as the guy who continues to succumb to an illusion of what he wants and what love is. Gerwig is great as the main character who has a clear idea of what she wants and how to get it. Travis Fimmel and Maya Rudolph are very good as friends of Maggie. Rebecca Miller wrote and directed this quirky independent film in a sure handed way.

Overall:  I enjoyed the way this film played out.

Now You See Me 2

First Hit:  Very convoluted and moderately interesting story to show large scale illusions.

I would have settled on a film that had big magical illusions by tricking banks, Wall Street, a crooked company or something of that nature. In other words, more like the first film.

The story attempts to make a computer chip have the power to get past any security on any computer. Insurance tycoon Arthur Tressler (Michael Caine) wants this chip badly because anyone breaking into his computers will find out he’s committed fraud. He enlists Walter Maybry (Daniel Radcliffe) to do what it takes to get the chip that the four horsemen have stolen.

Just to get here, the horsemen J. Daniel Atlas (Jesse Eisenberg), Merritt McKinney (Woody Harrelson), Jack Wilder (Dave Franco) and new horseman Lula (Lizzy Caplan), are in hiding from the last film and being chased by the FBI including the horseman’s insider Dylan Rhodes (Mark Ruffalo).

The film spends too much time making as issue of Atlas’s wanting to be in charge of the horseman, trying to make a connection with the mysterious “Eye”, and how they got to China.

Then there is the questionably antagonist Thaddeus Bradley (Morgan Freeman) who appears to be against the horseman but more specifically, Rhodes, but is he?

The film does come together in the end but the magic and illusion (the reason I wanted to see the film) of the last trick was telegraphed and I knew it was coming. In other words, it didn’t work on me.

Caine was appropriately stoic and arrogant. Radcliffe didn’t help his resume any. I didn’t think he was powerful enough to make his role work. Eisenberg was OK but not his best stuff. Harrelson had two roles, his twin and Merritt. I enjoyed their (his) interplay from time to time. Franco had a more minimal role in this film and I’m not sure that was the best move. Caplan as the new horseman was good and brought a more positive energy to the cast. Freeman was his ever present steady self. Ed Solomon wrote a convoluted uninteresting screenplay from his own story. Jon M. Chu probably did his best with this film but the story was weak.

Overall:  My guess there will be another film but if it is based on a story like this one, it will be a not be very good.

Dark Horse

First Hit:  This is a very sweet film about a group of Welsh people from a small town having a once in a lifetime adventure.

There is a small Welsh mining town that has lost their major employer, the mining operations. Most of the people are poor and have little education. However, they’ve got desire, grit, and determination.

One such person Jan Vokes who works as a cleaner of a supermarket and wants more in her life. She comes up with an idea to own and train a horse, a thoroughbred. She finds a mare that has been put to pasture and convinces 30 other town members to be part of a syndicate to own a horse for a small monthly fee.

From this fee they buy the mare, find a stud, and after the birth of the colt house the horse at a training stable. At first no one thinks this young horse will amount to anything (it’s all legs), but over time the horse begins to show some progress.

They enter the horse in a few races and before they know it, it actually starts placing and winning a few of them. On the lead up to the second most important race in England the horse gets hurt. What will the consortium do? You’ll have to see the film.

Jan Vokes, Brian Vokes, Howard Davies, and Angela Davies are just four of the consortium and they bring out so much about the personality of the whole group and how one horse brought them together. Louise Osmond both wrote and directed this film and in its sweetness it is just a really enjoyable experience.

Overall:  This was such a wonderful experience to see real people engage with such love of purpose.

Popstar: Never Stop Never Stopping

First Hit:  This very funny musical parody gives a glimpse of how young pop stars (like the Beastie Boys or One Direction) might respond to immediate fame.

The Style Boyz are three lifelong friends who are musically talented separately but together they are great. Their first album sells like hotcakes and they even have their own dance; “The Donkey Roll.”

Enough people single out Conner (Andy Samberg), the lead singer, to do something on his own which he decides to do leaving his band mates Owen (Jorma Taccone) and Lawrence (Akiva Schaffer) to fend for themselves.

Owen joins Connor’s touring support team as a DJ and eventually gets masked during performances. Lawrence is put out to pasture, literally, by becoming a farmer and also dong wood carvings. Conner’s first album is a success and he becomes a big star.

The film uses real music stars to validate Conner’s success by giving them the opportunity to sing their praises of Conner’s work. They even have Justin Timberlake as Conner’s chef. There is also a parody of the television program TMZ with CMZ and how they cover famous artists.

Conner sets out to do his second album and when it drops, it fails miserably and Conner scrambles to put his career back together. This film is about putting his career back together. The songs that truly stand out are:  I’m Not Gay and F#^$ Bin Laden.

Samberg is excellent as Conner the leader of Style Boyz and as Conner4Real, the single act. Taccone and Schaffer are wonderful as his bandmates. They show a level of reverence and their own strength in appropriate levels. Tim Meadows as their manager Harry was wonderful. Samberg, Taccone, and Schaffer wrote a wonderful inventive funny script. Schaffer and Taccone did a great job of directing by creating wonderfully funny musical scenes.

Overall:  It was a good laugh and enjoyable.

X-Men: Apocalypse

First Hit:  Much better than the other Marvel (Comic) film “Captain America…” but it felt worn and reaching.

The beginning is a set up based on some past historical idea about a demonic force called En Sabah Nur/Apocalypse (Oscar Isaac) wanting to finish his evolvement which will give him total world domination. But to complete this task he has to usurp the powers owned and inherent in Professor Charles Xavier (James McAvoy), the leader of the X-Men (and women). By obtaining this power he can rule the world.

The film fails to make this important task engaging enough thereby making the film uninteresting, let alone believable by any stretch of the imagination. The other story is that Erik Lehnsherr/Magneto (Michael Fassbender) has distanced himself from the other X-Men(women) and Professor Xavier.

In this distancing, Magneto has joined with Apocalypse and will execute his commands to rearrange the planet by removing the metal structures of the earth thereby making earth’s inhabitants helpless. The interplay between the X-Men is good and does make this film interesting in ways that has some depth.

The most fun part of the film has to do with Quicksilver/Peter Maximoff (Evan Peters) because his scenes are lighthearted, well-conceived, and simply fun to watch. He brings a humorous element to the whole film and when he’s on the screen, I was engaged.

What seemed pressed were scenes with Raven/Mystique (Jennifer Lawrence) as it seemed she really didn’t want to be in this role and is done with the X-Men series of films. I’d be surprised to see her in another, unless she needs the money.

Isaac created a good enough demonic Apocalypse character, and the makeup helped a lot. Fassbender was OK as the aloof, isolated Magneto. McAvoy was strong as Professor Xavier. Peters was fantastic and the best part of the film. His tongue-in-cheek and cavalier representation of the character was appropriately in-line with my view of what Marvel Comics were originally about. The rest of it has become too serious and seems only there to extract more money out of the public. Lawrence seemed done with the whole thing and her performance and character lacked inspiration. Simon Kinberg wrote the sometimes witty and sometimes labored screen play. Bryan Singer brought some interesting visual scenes to the screen but the attempt to make this story real falls on deaf eyes (yes I mean deaf eyes).

Overall:  Although fun enough, this franchise has to make more and more unrealistic set-ups to attempt to make the stories continue to work into the future.