The Big Sick

First Hit: I really liked the story but the acting by the main character didn't stand up when compared with the rest of the cast.

This is a wonderful, real relationship, story between Kumail Nanjiani (played himself) and Emily Gordon (played in the film by Zoe Kazan). The unfortunate part is that Kumail wasn’t very engaging to watch. There were times it felt like he was a deer in headlights. Granted this may be the way he is but it doesn’t work for film. It was like he was amature playing with pros.

Kazan (as Emily) was amazing. Her quirkiness and direct dialogue was a perfect foil for Kumail’s poorly timed lightweight jokes and kidding way. Emily meets Kumail after she watches one of his comedy shows. As a struggling comedian in Chicago he gets small five minute segments at a comedy club along with his roommate and comedian friends. He and Emily seem to hit it off during the conversation and next thing you know they are staying the night at his house.

As a Pakistani, Kumail’s family wants him to marry a Pakistani Muslim so his mother, Sharmeen (Zenobia Shroff) continues to bring by women for him to court and marry. He doesn’t like them. Although the reasons why were obvious on the screen, there was one woman that was presented to him at dinner that made me wonder if it was because his mother introduced him that turned him off because she appeared interesting and someone he could get to know.

Both Emily and Kumail tell each other they are not looking for a permanent relationship and don’t want to see each other more than two nights in a row. However, their relationship grows quickly.

Kumail doesn’t tell his family about Emily and this backfires on him because Emily believes that Kumail has been honest with her. Because of this riff they have a horrible breakup and shortly thereafter she gets very sick. She's rushed to the hospital and one of her friends calls Kumail and asks him to go to the hospital to support Emily. Because she’s extremely sick with an unidentified infection and could die, he signs a form allowing the hospital to put Emily in an induced coma.

Afterwards, he calls her parents Beth and Terry (Holly Hunter and Ray Romano respectively) who make the trip from North Carolina to stay with their daughter in the hospital. The dialogue and scenes between the three of them while they hold vigil over Emily are funny and pointed. Like when Terry asks Kumail about how he felt about 9/11. Or, at the comedy club as Kumail is doing standup, when Beth sticks up for Kumail as a heckler attacks him. The scenes between the three of them are great mostly because of Hunter and Romano.

Emily eventually recovers and indignantly asks Kumail why he’s at the hospital after he hurt her so badly. In two of these scenes, I found Kumail's character (himself) to be rather benign and lacked real passion. This may be his real self, but for a film character, it had me question his love towards Emily.

All’s well that ends well and because Kumail and Emily co-wrote this film we know they get together in the end.

Nanjiani didn’t come across as strong. At times, I didn’t believe that he actually went through this experience although it's own story. He may do stand-up comedy and write for comedians but it doesn’t mean he can be a big screen actor. Kazan was wonderful. She is so expressive and fills the screen when she’s in the scene. Hunter was fantastic as Emily’s mother. Her movement from disliking Kumail to supporting and defending him was wonderful. Romano was a revelation. I loved his character. When he said “… I was hoping that if I talked something smart would come out…”, I busted a gut. It was a great line. Shroff was excellent as Kumail’s mother. Emily Gordon and Kumail Nanjiani wrote an excellent script. Michael Showalter did an excellent job directing this story.

Overall: I really liked this film and felt the only downside was the lead actor.

Baby Driver

First Hit:  Thoroughly enjoyable and fun to watch.

The music mood of the film begins right away. The music is critically important to Baby (Ansel Elgort) because he spends most of his time with his white earbuds in his ears to listen to music that the audience hears during critical moments and sometimes as background in other scenes.

Baby uses the music piped into his brain to drown out the constant noise due to tinnitus. It could be that one of the reasons I related well to this film. Because of the explosive noises I was subjected to in Vietnam and from the extra loud rock concerts I attended, I have a severe case of tinnitus which means I have a constant loud noise in my head all the time.

I find that when I write, especially the two books I’m currently writing, I do it with music headphones on or I use the background noise of a café because it helps me concentrate. That’s why Baby listens to music especially when he drives the getaway vehicles for robberies set up by Doc (Kevin Spacey).

Doc obtains information about banks, armored cars, or even the post office he thinks would make great targets for cash. Doc then gathers a crew of people to do the job and each crew is a cast of different characters for each job he does except Baby.

Doc caught Baby stealing his car once and the trunk contained bags of drugs. Although Baby didn’t know about the drugs, when he fenced the car the drugs were lost. Doc makes Baby drive for the robberies because he’s the best driver there is and Baby’s share of the jobs goes to Doc as repayment for the lost drugs.

The robbery teams include; Buddy (Jon Hamm) Griff, (Jon Bernthal), Darling (Eiza Gonzalez), and Bats (Jamie Foxx). Darling and Buddy are a couple and work together but their first time working with Bats is quite an experience.

When Baby meets a waitress, at a diner he frequents, he is immediately taken with her because she sings while she walks by. Debora (Lily James), is drifting like he is. Her singing reminds him of his mom who sang and also worked at the same diner before she died in a car accident when he was a little boy. He was in the car when his parents died and it was this event that gave him the tinnitus.

When she says to him, she just wants to get in a car and drive west to a new life, he completely falls for her. Baby decides that he’s going to do one last job for Doc, pay off his debt, and ask Debora to go west with him.

This is a great set up for the film because Bats is crazy as hell, Buddy and Darling are fully capable of mayhem, Doc is arrogantly mysterious and Baby is, well, incredibly focused and talks very little.

The only things that I didn’t like in the film was the opening scene which seemed to choreographed and a couple of the scenes when Baby is walking to and from a coffee house to bring the robbery teams coffee. They were a bit to staged as well. Else I loved the driving scenes, the music and the premise as it was unique.

Elgort was fantastic. His inner character is exemplified during the scenes where he's with his foster parent Joseph (CJ Jones). Now that Jones cannot care for himself alone, it is Baby who takes care of him. His boyish soft looks belied the intense driven young man inside. He was perfect for the part. Hamm was great as the intense man, feeding habits including his girlfriend, Darling. Gonzalez was wonderful as the intense woman who was loved by Buddy. Together they had matching intense, impulsive and wild natures. Foxx was off the charts crazy. He clearly made this role his own. Spacey was perfect as the guy with the mean sarcastic whit. He’s got a wonderful ability to make his character drip in a smarmy liquid way. Jones was strong as the deaf man who loved Baby and wanted only the best for him. James was beyond amazing. Her sweet strong personality was perfect for the part. She exuded this role completely. Edger Wright wrote and directed this unique film with deftness. I loved the choreographed driving scenes and my only criticism I’ve already shared. This is one of the best actions films of the year.

Overall:  This movie was a joy ride.

Beatriz at Dinner

First Hit: At times funny, but more of a sad and depressing drama to me and I’m not sure why the producers only tagged this as a comedy.

This film started interestingly for me for a couple of reasons. One, the locations where this is filmed are very familiar. Santa Monica and Newport Beach, where most the film takes place, are places where I grew up. And two, I also think that there is truth to the energy healing that Beatriz (Salma Hayek) performs as her vocation.  At the cancer center in Santa Monica where she works, the patients believe she is critical to their healing.

One of her patients, Suzana (Natalia Abelleyra), gained strength and healing through the work Beatriz did. Suzana’s mother Cathy (Connie Britton) has invited Beatriz to Newport so that Beatriz can give her a massage prior to a business dinner she and her husband Grant (David Warshofsky) are giving for Doug Strutt (John Lithgow) his third wife Jeana (Amy Landecker) and Alex and Shannon (Jay Duplass and Chole Sevigny respectively).

They are at dinner to discuss a big land deal that will allow them make a lot of money although it appears that they already have enough money based on the home they are in and cars they drive.

After Beatriz gives Cathy a massage, she’s asked to stay for dinner, as a friend, because her car doesn’t start and she is stuck there for a while.

The comedy and drama really start when Beatriz starts to speak to this obviously conservative, money focused, and egocentric people. She tells them about when she was a little girl and when her father caught a white octopus and asked her to kill it by kicking it. When she reached down and touched it she felt the pain of the octopus and from then on she became aware that all humans and animals are connected.

Doug shares about his killing a rhino in Africa and passes around a phone picture that so upset Beatriz that she throws the phone across the room at Doug. The hosts, Cathy and Grant ask Beatriz to leave the room and home.

Before she does there is a sequence where she gives thought to murdering Doug, then the film goes even darker and more depressing.

Hayek was good and she was believable but the script and story was a letdown. I’m not sure the flashbacks of her on a river looking for her white goat or the other dream sequences served the film or story. Lithgow was excellent as an arrogant, self-absorbed, conservative, and egocentric guest. I bought his character fully. The rest of the cast was good and nothing stood out. Mike White wrote this screenplay and it seemed to be a bit too esoteric. As I said I don’t think the dream sequences worked and the ending was not called for. Miguel Arteta did well in directing the cast, but think he could have effectively cut some of the dream sequences and maybe asked to create additional effective scenes. It is almost like this film could have been a good 1 hour movie special.

Overall:  I was hopeful for this film, but it failed for many reasons.

Megan Leavey

First Hit: I was fully engaged emotionally with this film and maybe it's because I have a dog and we're close.

Megan Leavey’s story is a true one and I appreciated seeing the real Rex and Megan in the final credits.

This story is about a young lost girl who finds love and a path through life by joining the US Marines and becoming a dog handler. Megan (Kate Mara) perfectly portrays a life not worth living. She is in constant dispute with her mother Jackie (Edie Falco) who just seems clueless about her daughter’s life and what she’s hurting from. Megan also hates her job and has recently lost her closest friend.

There’s a great scene in this film that emphasizes the struggle between Jackie and Megan. Jackie is complaining about her former husband Bob (Bradley Whitford) not giving her the $2,000 he owes her, and Megan’s retort points out that Jackie slept with Bob’s best friend Jim (Will Patton) so Megan doesn’t think Bob owns her mother anything.

Early on she drinks herself out of a job she hates, and drinking gets her in trouble in the Marines as well when she gets caught peeing next to the base provost’s home. Making wrong decisions are her trademark, but this latter one gets her duty cleaning up the kennel. And with most detrimental things in life, there are opportunities as well and Megan suddenly realizes she wants to be a dog handler.

The film takes us through the process and gives the audience a clear picture of how unique these dogs and their handlers are. After Megan meets Rex (her German Shepard), she begins to open up and feels caring and love towards something for the first time in a long time. There are wonderful touching realistic moments that are nicely captured.

Although these dog teams are not well loved by other ground troops and the enemy really dislikes them, they provide a valuable service and when they discover hidden explosives they are beloved.

The movie follows Megan to Iraq where she and Rex are assigned missions. Rex performs perfectly and bravely because Megan performs in the same way, they are connected. They are a team and become inseparable. However, after they both receive injuries, the expectation is that Megan will not re-enlist and Rex will be retired. She wants to adopt Rex but a very unmindful Marine Vet says Rex is unadoptable.

With Megan’s heart broken, she starts to slip away into her previous “I give up” life. However, her dad gives her a talk that highlights her strength and what she learned by being a Marine.

Mara is fantastic. I really felt her despair early in the film and later when Rex was re-assigned to another handler. I also bought her growth as she found strength to tackle the issues or challenges in front of her. Falco was strong has her mother who seemed clueless as to her own behavior and actions towards her daughter. The café scene when she asks about who gets how much money if she happens to die in Iraq was priceless and perfect. Whitford was wonderful as her quiet unassuming father. Common as Gunnery Martin was really good and he’s shown that he's become a strong actor. Ramon Rodriguez as fellow handler Matt Morales was wonderful. I loved his lightheartedness and open caring for both his animal and Megan. Pamela Gray and Annie Mumolo wrote a sensitive and strong screenplay. Gabriela Cowperthwaite did a great job of presenting this emotional strong story.

Overall:  I cried numerous times during this film, which told me it worked.

The Hero

First Hit: A sweet thoughtful film about a man caught in the past and trying to rectify the future.

Who doesn’t love Sam Elliot’s voice? Here Elliot plays Lee Hayden a part time actor and voice over master who had one film part that made him famous. The part was in a western in the 1960's called ‘The Hero’.

The film begins with him doing a voice over with his deep rich velvety voice. The director/producer asks him to continue repeating the saying (about some sauce) as if he’ll do the same words in such a way that it is different. Watching Lee closely you see his distaste for producers and directors not knowing what they want.

He spends time with his neighbor Jeremy Frost (Nick Offerman) who is a former actor who did a short-lived television series with Lee, and is also Lee’s marijuana dealer/provider. They smoke pot, take a few other drugs, drink, get high, watch old films and lament why their careers didn’t do more.

There’s a sadness about Lee, which gets pointed out by Charlotte Dylan (Laura Prepon) one of Jeremy’s other drug customers, when he asks what she sees in him while staring, she says “sadness”. There is a mutual spark of interest and he invites her on a date to an awards banquet where he’s to receive a “lifetime…” award.

The awards banquet is a hoot because Charlotte gave him a ‘molly’ in his champagne and they have a blast together.

The other story is Lee’s attempt at a reconciliation with his daughter Lucy (Krysten Ritter) whom he had with wife Valarie (Katherine Ross). Carrying around this news about his cancer is weighing Lee down and his inability to share this with Valarie, Lucy and his neighbor Jeremy is creating internal dialogue and dreams that have him reliving his famous role, 'The Hero'.

The challenges Lee has are: Being with a woman who’s about 30+ years his junior. His former wife’s success as an artist and gallery owner. His cancer and having an estranged daughter are slowing sinking him. He must find a way to begin resolving these challenges.

Scenes that I thought were powerful included; Charlotte’s comedy routine, Charlotte reading a poem, he and his daughter standing on a beachside cliff, his audition for a new film, and his sharing with Valarie about his cancer.

Elliot’s voice is amazing. I love listening to him speak. It is a voice I’m envious of. He’s perfect for this part because, although known, he’s not an actor you see in a lot of films. It was very nice to see Ross again in a film role. Although it was a small part, she’s great. Prepon is fantastic as the young woman who is interested in spending time with Lee. She’s a perfect amount of sassiness and thoughtfulness. Ritter is strong as the forgotten daughter. I loved her lines on the beach cliff about comparing their hands. It was truly touching. Offerman was funny as Lee’s neighbor, friend and drug supplier. When Lee is reviewing lines for a new part, Offerman’s antsy behavior is priceless. Brett Haley and Marc Basch wrote a very strong script. It was filled with perfect sections of silence as well as witty dialogue. Haley did a great job of filming this and when you see through the eyes of Lee high on mushrooms, you sensed the perceived clarity of life.

Overall:  This was a fine film that will probably be enjoyed by a small audience.

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