American Assassin

First Hit:  Mildly entertaining.

The story begins with Mitch Rapp (Dylan O’Brien) and Katrina (Charlotte Vega) frolicking in the water in an undisclosed foreign location. They are in love and, with his phone, he’s videotaping their time together which concludes with him asking her for her hand in marriage. She accepts and he goes to the beach bar to get them drinks to celebrate when a group of terrorists start shooting everyone on the beach. Mitch gets hit with two slugs and Katrina is shot dead.

The film moves forward eighteen months and Mitch has recovered and he’s clearly aiming for revenge because he’s taking mixed martial arts lessons, shooting lessons and has mastered Arabic because he’s communicating with ISIS operatives. He’s trying to get close to the people who killed his fiancé so that he can kill them, specifically Adnan Al-Mansur (Shahid Ahmed). He plans to infiltrate their organization by pretending to be a new western recruit, get close and kill him and everyone in that cell.

His plan gets foiled because he’s being watched by the CIA who find him fascinating and possibly someone they want on their team. Deputy Director Irene Kennedy (Sanaa Lathan) recruits him to be taught by a black ops trainer Stan Hurley (Michael Keaton).

Typical issues arise as the young guy with guts and a clear personal mission tries to learn and be better than the grizzled veteran. Some of these scenes are rather good. As Hurley gets Rapp ready to become an operative, Kennedy learns that an old CIA operative, who goes by the name Ghost (Taylor Kitsch), has a stolen a small atomic device. This part of the story is not very well done, because the story wants the audience to believe that it is radical Iranian’s who are going to get the bomb, but there are too many hints to the contrary.

Because Ghost felt that Hurley left him to die, he wants to get back at Hurley by blowing up the sixth fleet.

Some of the bomb effects were interesting, as were some of the close fighting action that the agents get into. However, the film was predictable.

O’Brien was strong enough to make his character work. He used his intensity well. Lathan was very good as the CIA Deputy Director. Keaton was both strong and mediocre. I think the mediocre part was more of a scripting issue than Keaton’s fault. Keaton can be an excellent antagonist and more could have been done with this role. Shiva Negar as the in-country Iranian CIA agent Annika, was excellent. Kitsch was solid as the vengeful rogue agent. Stephen Schiff, Michael Finch, Edward Zwick and Marshall Herskovitz all participated in creating the screenplay. This might have been the problem, too many cooks. Michael Cuesta directed this and the strengths were the fight scenes, which were well choreographed along with the interaction between Annika and Rapp were great.

Overall:  This could have been more exciting with more clarity in the story and it wasn’t.

It

First Hit:  Although the characters were engaging and well defined, this film was uninteresting, long and lacked suspense.

It is sad when a film bills itself as horror and it doesn’t create any such feeling. Although the character “It” (AKA Pennywise) was appropriately evil looking, the jerky back and forth movement when it tried to be scary came off as pressed and silly.

As a set-up, the town of Derry, where the film takes place, has a history of young kids going missing and the town doesn't seem to concerned about this.

The kids in this film were distinctly defined. The tough bully kids, led by a policeman’s son named Henry Bowers (Nicholas Hamilton), was sufficiently mean. His angst and bully ways came from the way his father treated him.

The group of nerds were perfectly developed with their own backgrounds and reasons for being part of the nerd group.

The story begins with a young boy Bill Denbrough (Jaeden Lieberher) folding a piece of paper to make a boat for his younger brother Georgie (Jackson Robert Scott) so that Georgie can float the boat down a rain filled street gutter. The boat gets sucked down the storm drain and this is when the audience gets introduced to ‘It’ aka: 'Pennywise' (Bill Skarsgard). Luring the boy to reach down and get his boat, the boy disappears down the drain.

At school Bill is consoled by his nerd friends Richie (Finn Wolfhard), Eddie (Jack Dylan Grazer), and Stanley (Wyatt Oleff). They soon join forces with other nerds and outcasts Ben (Jeremy Ray Taylor), Beverly (Sophia Lillis), and Mike (Chosen Jacobs) as they band together after having separate experiences with what scares each of them.

What ‘It’ does is that it finds out what scares each kid and presents it to them to lure them into the lair below the city streets in the sewers and old water system of Derry.

As expected, the kids band together and solve the issue of the missing children.

The wonderful interaction within the nerdy group of kids was excellent. They had their differences with each other but their deep friendship prevailed over everything.

The interaction between Henry and his father were appropriately intense and gave a solid base for Henry's bullying. Then there was Beverly’s relationship with her father, which was creepily perfect.

The bikes, the drugstore, library and town’s main street were well sourced and perfect for the era. The darkness of the haunted house and sewer system were good in their representation, however, I never felt any fear feeling during the film. I didn’t get afraid for the kids, nor did I sense enough suspense to make it a horror film.

Lieberher was excellent as the stuttering young boy who loved his brother and fell with great affection for Beverly. Hamilton was excellent as the bully who wanted to show his father that he was unafraid and tough. Scott was very good as the young boy who fell under It's spell. Skarsgard was good as Pennywise ‘It’. Taylor was fantastic as the overweight nerd who was enchanted by Beverly. Lillis was sublime as the only girl in the group. Her fearlessness was perfect. Wolfhard, Jacobs, Grazer and Oleff were very good. Chase Palmer and Cary Fukunaga wrote a mediocre screenplay in that the story lacked real engagement and was too long. Andy Muschietti was the director. Although the children’s performances were excellent, he didn’t create any real suspense and horror based fear. The film dragged on way too long.

Overall:  This was a disappointment because the characters were good but the story and interaction between the vehicle of fear and the kids was done mediocrely.

I Do... Until I Don't

First Hit:  Although not well crafted, it had some funny sections and the film ended nicely.

Lake Bell as both director and lead actor did a fair job in developing this film. What didn’t work was that some scenes seemed forced while others ended with little reason for being and did not set up another scene. What did work for me was that there were some very out-loud funny moments and I liked how the film came together in the end.

The film follows three types of relationships partially through the eyes of a relationship guru named Vivian (Dolly Wells). She wants to prove her theory that marriage between two people cannot be "until death do you part." She surmises that people live longer these days so that this promise is not in tune with the changes in our aging process. What she thinks and believes is that after seven years of marriage a couple should have the option to renew or not. To prove her theory, she wants to video a couple falling apart to prove her point.

One relationship that Vivian follows is Bell as Alice who is married to Noah (Ed Helms). They own a window blind store that is failing. The reason it is failing is that he holds on to the ways his father and his grandfather ran the business and doesn’t want to change. They need money as they are about to go into Chapter 13 bankruptcy. Alice thinks by working with Vivian she might make some money. Adding to their issues, Alice doesn’t want to have children while Noah does. Alice also thinks that Noah is hot for her sister Fanny (Amber Heard).

Fanny and Zander (Wyatt Cenac) are not married but have been together for six years. They are raising a son and have publicly declared they’re in an open relationship. There is talk about having other partners but in the end, we find out that they're more talk than action (more sizzle than steak). This is another couple Vivian decides to video because she thinks their relationship will fail.

Lastly, she makes a deal to video Cybil and Harvey (Mary Steenburgen and Paul Reiser respectively) who appear to be tired of their long term marriage. Their communication is mostly made up of snide and snippy remarks towards each other. Cybil is intent on serving Harvey with divorce papers for Vivian’s video and has been guaranteed $10,000.

What the film follows is how these couples set up both their failures and successes with each other. In the course of their interactions, there are naturally developed situations and scenes that are laugh-out-loud funny. Two such scenes are when Alice tries to make money by becoming a massage therapist that gives happy endings to clients. Her first time attempt to do this happens to be with Harvey, who gets a happy ending massage coupon from his wife, Cybil. Their interaction is very funny. Another amusing scene is when Alice and Harvey meet, after the massage, Alice’s reaction is priceless.

When the couples learn about how they are being used by Vivian and that they still love each other, they plan to teach Vivian a lesson.

Bell is up and down in her character, there are times I thought her reactions were not congruent with her character. Helms is okay as Bell’s husband and as consistent in his character. Steenburgen was wonderful. I loved her shift through the film. Reiser is very strong as Harvey the quiet, semi-lost, husband looking for a way to share his deep caring for Cybil. Heard is very good as the free flowing and free spirited sister. Cenac was very good as Fanny’s partner and when he shows his true color for someone trying to seduce Fanny, it is perfect. Wells was funny and okay as the videographer who has a strong opinion about marriage based on her own failings. Lake Bell wrote and directed this film along with starring in it. Not many people do all three successfully and as the film and story evolved it got better which gives me hope that future offerings by Bell will continue to be stronger.

Overall:  The ending made up for some of the failings of the beginning scenes.

Tulip Fever

First Hit:  This film personifies the idea that having wonderful actors doesn’t mean the film will be good; this one isn’t.

How can a film with Judi Dench, Alicia Vikander, Christoph Waltz, Zach Galifianakis, Jack O’Connell, and Tom Hollander be so unentertaining? Easy have a lousy script and screenplay and a director that didn't see the problems and fix them.

An Abbess (Dench) takes in lost children and raises them to be taken into homes, be married or become an apprentice nun. One of her grown children is Sophia (Vikander) who is solicited for marriage by a wealthy Amsterdam spice trader named Cornelis Sandvoort (Waltz).

This story takes place when the Dutch in Netherlands become infatuated with Tulips. The bulbs of particular flowering types are auctioned for enormous sums of money. They are bought and sold, as commodities in a riotous bar and brothel near the canals.

Sandvoort is much older and is looking for a wife to bear him a child, preferably a boy. He’s proud of his new young wife, Sophia, and commissions a young painter, Jan Van Loos (Dane DeHaan), to paint a portrait of them.

The film shows their live as very routine and their nightly unenthusiastic sexual attempts to conceive. as time goes by, they become disheartened.

Meanwhile their maid Maria (Holliday Grainger), is having an affair with Willem Brok (O’Connell) and she becomes pregnant. By buying and selling a particular tulip, Willem makes enough money to marry Maria, however he thinks he sees Maria having an affair with the painter, Jan, and in shock and being distraught, leaves Amsterdam without saying goodbye.

The mistake was made because Sophia took Maria’s coat to hide herself while going to see her new lover the artist, Van Loos. Sophia is in love and wants to leave Sandvoort and escape with the artist. To make enough money he gets involved in the tulip options market which is regulated and controlled, in part, by the Abbess. However, the blossom is falling from the tulip market and bidding becomes stagnant. He's panicked that he cannot make enough money.

I won’t bore you with more of this plot but the intense part of the film has to do with fooling Sandvoort about pregnancies and Sophia’s very life.

Vikander did the best she could do with the part. Waltz was strong as the wealthy merchant and his “first to flower, first to fall” line was quintessential Waltz. Dench was good in her limited role as Abbess and tulip controller. Galifianakis was very good as Gerrit, the drunk who lets Jan down. DeHann was okay as the young idealist painter. Hollander was very good as well as Dr. Sorgh, the guy who helps the deception of childbirth. O’Connell was great as the man who loves and eventually comes back to his love. Grainger was fantastic in her role as maid and friend to Sophia. Deborah Moggach and Tom Stoppard wrote a poorly conceived screenplay. Justin Chadwick directed this mess. The overly dark scenes of Amsterdam, Netherlands canal districts with constant fighting, drinking and debauchery didn’t add to this film whatsoever.

Overall:  This film was uninteresting and lagged from beginning to end.

The Only Living Boy in New York

First Hit:  I liked the idea of the story more than the pithy clichés and lines that filled up the screen.

Thomas Webb (Callum Turner) is a mid-twenty-year-old man who is living on the lower east side of New York City. His parents live on the upper east side and are wealthy as his dad Ethen (Pierce Bronson) owns a publishing house.

He meets W. F. Gerald (Jeff Bridges), a rumpled mess of a man, as he walks into his building one day. W. F. tells him he has moved into Apt 2B. He seems very personable in wanting to know more about Thomas. Thomas succumbs to his inquiries and begins to tell W.F. his story.

Thomas is in love with Mimi (Kiersey Clemons) after one magical night they had together under the influence of molly and alcohol. But she only wants to be friends. He’d like to be a writer but when he showed his dad some of his writings, he said they were “serviceable.”

One day he sees his dad having an intimate lunch with an unknown woman named Johanna (Kate Beckinsale). He’s hurt and is afraid to tell his mom Judith (Cynthia Nixon) because she’s so mentally fragile. At a loss of what to do, he follows Johanna and confronts her.

However, he ends up having an affair with her and falls in love with her.

Sound twisted? Yes, because this is used to crack open the real story of the film, which isn’t about his love for Mimi and Johanna but how he came to exist.

Turner was adequate in this role but we never see him suffer, grow, or even write which he says is his passion. He almost played victim throughout the film. Bridges was good as the writer who held the secret and was writing a story about “The Only Living Boy in New York”. Clemons was good at the beginning but I thought her character to be not honest. She shunned Thomas because of his affair with Johanna when she had an affair with Thomas when she was with another person. Beckinsale was interesting as the desired woman. It was only till the end did I think she cared about something. Bronson was OK but his moments were few and far between. Nixon was OK as the fragile mother. Still didn’t think the story warranted such fragile behavior. Allan Loeb wrote a weak script that was poorly conceived to tell this story. Marc Webb had some nice sets to work within. I thought the lower east side apartments that both W.  F. and Thomas lived in were perfect. The other inside sets were equally good as well. However, this plot needed a reworking before being committed to filmed.

Overall:  This was a long and ineffective way to tell the real story of Thomas, 'The Only Living Boy in New York.'