Sorry to Bother You

First Hit: What I liked about this film is that it is funny, unique, and unlike any other film I’ve seen.

This film is an alternate universe to present day Oakland, CA. Here we have Cassius Green (Lakeith Stanfield) looking for work, living in a garage, and dating artist Detroit (Tessa Thompson). One of the early funny scenes is when he and Detroit start messing around in bed and a garage door opens which exposes his room as a garage and his neighbors say "get a room". Very funny scene and sets a tone for the film.

Enjoyed Cassius’s interview for a telemarketing job because of what we discover about his creativeness to make himself look like he has a great past working record.

Getting the job, he’s coached by Langston (Danny Glover) to use his “white voice.” This was hilarious, and the voice Danny uses, and the voice Cassius uses are perfectly nerdy white. I loved it. His managers tell him if he does well he’ll be elevated to the position of Power Caller. As a Power Caller he’ll make a lot of money and get to ride in the private elevator. Watch for the entering of the elevator code - hilarious.

The film uses funny ways to see how he doesn’t connect, and then connects with people he tele-markets. All of a sudden, he drops from his desk into the home of the person he’s calling and directly discusses his pitch and deal.

The movie also has a story about workers rights. Leading this effort is Squeeze (Steven Yuen)  and working with Cassius’s close friend Salvador (Jermaine Fowler) start a protest with all of the other telemarketers. Cassius and Detroit are for the cause however, Cassius has now moved up to the Power Caller floor, he holds back from wholeheartedly supporting the protest movement.

As a Power Caller he starts selling for a company called WorryFree run by Steve Lift (Armie Hammer) that offers people the option of working for no money, but they get a place to live, food to eat and entertainment. But others think this is just slave labor. Steve is so impressed with Cassius’s ability to market that he wants him to manage his newest endeavor, making Equisapiens. Equisapiens are people who take a specific drug giving them the strength of horses and also change their physical appearance to look like a person and a horse. Because of their strength, Lift claims can do more work better.

There is more to this film and it is even more bizarre including a reality show called “I Got the S#*@ Kicked Out of Me”.

As I watched this story unfold, all of a sudden someone I know in real life appears on the screen as a newscaster. Ken Baggott is the newscaster that gives us a play by play during the film. That was a great surprise.

Stanfield was excellent as the creative goal achieving telemarketer who had to decide whether he continues to pursue a career where he excels or support his girlfriend and friends and do the right thing. Thompson was outstanding as Cassius’s girlfriend. She’s very fluid in this role and made it very natural. Yuen was strong as the instigator for workers rights. Glover was excellent as the long-time telemarketer. Fowler was very strong as Cassius’s friend who supported his friend. Baggott was perfect as the newscaster. His voice and reporting of the events were spot on. Boots Riley wrote and directed this very creative and inventive film.

Overall: What made this work was the acting in an inventive creative film.

Whitney

First Hit: Although the film is strong, I didn’t learn much about Whitney and learned a fair amount about her enabling family and supporters whom she financially supported.

One doesn’t need to be a Whitney Huston fan to acknowledge her amazing voice. It is also true that not everyone who has an amazing talent also has the ability and presence to manage their life in a productive mindful way. This film shows this.

The film states that her mother (Cissy) pushed her hard, as a young girl, to learn to use her voice. Music ran throughout her family and extended family with relatives Dionne Warwick and her sister Dee Dee Warwick. At family gatherings the interviewees discussed having singalongs instead of conversations.

Religion was also a backdrop in their lives as both Cissy and Whitney sang in the church choir.

The film shares some Whitney’s early singing as well as her adult singing and when it shows one of her last concerts, where her bloated body tried to belt out “I Will Always Love You” with her tired drug addled cigarette hampered raspy voice, the sadness of her life and her lack of preparedness, for life itself, was astoundingly sad.

As the story is told, Whitney’s parents were gone a lot and that meant they, Whitney and her siblings, were not raised in an environment that allowed them to grow mindful of the workings of the world. When her brother Gary bragged about how he and Whitney could out drug use Bobby Brown, he was stating it with pride – really, he felt good about this. That both Gary and Whitney indicated they were abused by a woman at very young ages only tells part of why they were ill prepared to deal with the complexity of wealth and fame.

What the film lacked was depth and maybe this was because Whitney lacked depth. The film stated, she liked to party, she liked to sleep, she liked sex, and she liked that she was fawned over. Maybe that was the point, Whitney had a talent that she didn’t have to work at and then rode this talent into the depths of insolvency. Her lack of practiced effort to be in-charge of her talent and life was born out by how the film showed that her amazing rendition of the Star Spangle Banner at the Super Bowl was the first time she ever sang it. What made this notable was that her arranger had the music switched from 3/4 time to 4/4 time to take advantage of her voice. Although an amazing rendition and feat to sing it for first time in this way, it also showed that she didn’t work at her gift and relied on it to make her money to support her lifestyle which was loaded with hangers on who ended up bankrupting her.

Proof of this such greed by her team was when her father sued her for $100 million dollars for his part in securing a record deal. Everybody ignored her rampant and public drug use. Her father even told her she didn’t have to go into a treatment center.

Her real only friend, Robyn Crawford, with whom she had an intimate relationship with, was canned because her overbearing and measly talented husband Bobby Brown was jealous and gave Whitney an ultimatum.

What the film didn’t show, and it could have been true, that Whitney was capable of anything much more than singing. Proved out by the people she kept around to do things for her and she even farmed off parenting of her daughter Bobby Kristina.

We all know the end. It was very sad and an end to the life of a major powerful singing talent. However, as this film unfolded, seeing her life as was filmed it could have only ended this way.

All told, the film was well done. Great intersperses of Whitney singing brought some joy and reflective pauses to a film about self-destruction. The interviews were to the point and allowed for and showed the interviewees emotive pauses. When Bobby Brown was asked about drug use, he stated that this film wasn’t supposed to explore this and had nothing to do with Whitney’s life. Bobby’s objective stupidity and his harm on Whitney and their now dead daughter, reign as proof.

Kevin McDonald did a great job of splicing together interesting material about this incredibly voiced person. But who was Whitney? I’m still left with that question.

Overall: I liked the film and the opportunity to hear Whitney’s talent, but who was she?

Ant-Man and the Wasp

First Hit: It’s been a long time since a Marvel film brought joy, fun, and a story that worked—this one did.

I’ve really struggled watching Marvel films of comic book heroes. Most of the more recent Marvel films put these characters into today’s current world or some future world and they must fight some alien power to save the world, or some piece of it.

Here we have fun packed into an engaging story.

Scott Lang aka Ant-Man (Paul Rudd) is under house arrest. He’s got an ankle bracelet and agent Jimmy Woo (Randall Park) keeps coming over to check his ankle bracelet much to the amusement of Lang’s daughter Maggie (Judy Greer).

His former superhero mate Wasp / Hope Van Dyne (Evangeline Lilly) and her father Dr. Hank Pym (Michael Douglas) are attempting to build a machine that will allow them to find Janet Van Dyne / Wasp (Michelle Pfeiffer) who got stuck into a microscopic quantum realm.

Dr. Pym invented the ability to shrink and expand physical forms including people and that is how Ant-Man and Wasp were created. When Janet got lost in the realm, he believed she was still alive. In reaching out from her microscopic quantum realm, she contacts Lang.

Lang, Hope, and Dr. Pym believed they could rescue Janet, so the film is about how they find a way to finish a machine to make the rescue. However, there are opposing forces including Ava Starr / Ghost (Hannah John-Karmen) who needs Janet’s energy to unbecome a ghost. Ghost is supported by a former colleague of Pym, Bill Foster (Laurence Fishburne). Another group trying to get control of the machine Pym is making is Sunny Burch (Walter Goggins), a low level criminal. However, helping Lang is his security firm CEO, Luis (Michael Pena).

Rudd is great in this role. He’s perfect at keeping the humor in this role, while having enough ability to make the role as Ant-Man realistic. Park is hilarious as the agent trying to catch Lang violating parole. Greer was wonderful as Lang’s daughter. Her precocious nature was perfect. Lilly was wonderful as Wasp, Pym’s daughter, and Lang’s old flame. Douglas was fun as Pym. He still carries a bravado that made his earlier films work. Pfeiffer was strong in this limited but pivotal role. John-Karmen was very good as Ghost and one trying to become whole. Fishburne was perfect as Foster. Goggins was good as the lower level mob guy thinking he could make a big score. Pena was fantastic. He carries the humor in this film perfectly. Chris McKenna and Erik Sommers wrote a wonderful film that captured humor, the spirit of superheroes, and had a storyline that was fun and worked. Peyton Reed did an excellent job of putting this story on the screen. I loved seeing San Francisco this way.

Overall: This was a fun film to watch and, in the end, thoroughly enjoyable.

Leave No Trace

First Hit: Sublimely acted and evenly paced film about a man and his daughter living in a public forest.

From the very beginning this film is work of elegance. The beauty of the forest in the public park, near Portland, OR, where Will (Ben Foster) and Tom (Thomasin McKenzie) are living, presents a sublime backdrop to the beginning of this story.

Will teaches Tom how to cover her tracks, how to hide, and how to escape surveillance. Why? The answer to this, is slowly dosed throughout the film, but never outright explained. This is part of what makes this film excellent.

Each time a helicopter passes overhead, the looks and actions Will takes and makes, gives the audience enough clues pointing to his participation in a war (Middle East) that has him skittish of the public, cities, and the government.

Tom, his daughter is loyal to him and he is her only parent. What happen to her mom, Tom’s wife is not explored. They don’t talk a lot with each other but when they do there is some short speak which has enough in it to keep the audience informed and engaged.

They get found by the Park Rangers and Portland Police and are taken in for questioning. They are separated and questioned and tested. Are there any sexual improprieties between the two? How has she been educated? What is Will willing to do to become more engaged with the world so that he can be reunited with Tom?

The government agencies figure out that he’s not harming Tom, but they insist that Will and Tom need to live in a home, Will needs to work, and Tom needs to go to school. A tree farmer sees an article in the paper about their predicament and offers them mobile home on his land where Will can work helping him, and Tom can go to school.

However, after a few months Will cannot tolerate the lifestyle and tells Tom to pack, they are leaving. They hitch a ride to Washington state where they begin a hike on a logging trail. After spending a very cold night in the wilderness they finally find a logging cabin and get warm.

After Will gets hurt and almost dies, Tom finds help in the way of a group of people living off the grid in a forest. The community is aligned with Will and Tom, in that they don’t like outside interference, help each other out, and leave well enough alone.

In the end, Tom decides she must find her own path while Will finally trusts that she’s found a home without him.

Foster was magnificent. His inward, hidden, brewing of a past that he’s struggling to live with, are fully evident in his performance. His looks and physical movements were perfect for this part. McKenzie was utterly amazing. Her display of loyalty, strength, and integrity towards the truth, her father and being resourceful were sublime. Debra Granik and Anne Rosellini wrote a powerful insightful script. Granik did an amazing job of creating an engaging story with minimal dialogue. The scenes in the forests and in the small places they lived were exceptional.

Overall: This film was finely crafted and Granik’s story was wonderfully presented.

Sicario: Day of the Soldado

First Hit: With a reflection towards today’s boarder issues and cartels, this film also shows us a side of our government that could also exist.

Our government manipulates groups of people to change the course of events to suit themselves.

In this movie, we have the government wanting to start a war between Mexican drug cartels so that it disrupts the flow of people coming into the United States. They want to do this, because their belief is that a terrorist bombing explosion in a Kansas City grocery store was done by Islamic radicals that came through the Mexican border. They believe the cartels are transporting these radicals across the borders.

To create this disruption, our Secretary of Defense James Riley (Matthew Modine) brings on Matt Graver (Josh Brolin) CIA Special Activities Division agent, to figure out how to start a war between two cartels. By doing so he hopes to disrupt the inflow of terrorists across the Mexican border. He says the way to do this is to kidnap one of the cartels children and have the evidence point to the kidnapping by a rival cartel. Once Riley decides to go with this plan, he assigns Cynthia Foards (Catherine Keener) to manage the operation.

Graver brings on Alejandro (Benicio Del Toro) who has a grudge against Carlos Reyes one of the cartels' leaders because they killed his family. Besides being motivated, Garver tells Alejandro he’s got free reign to do what he needs to make this operation happen.

The subplot is about a young boy Miguel Hernandez (Elijah Rodriguez) who is lured by money to become a coyote and take people across the border. Because he lives in the U.S. he can easily go across the border as needed to pick up his cargo of immigrants and take them across the river to the U.S. side.

When Alejandro and Graver kidnaps Isabel Reyes(Isabella Moner), they try to bring her back into Mexico. However, the Mexican police get involved, start a gun fight with the CIA, and try to get the girl back by killing the CIA operatives in convoy. The whole mission goes sour.

Riley and Foards find out that most of the bombers were born U.S. Citizens and not from over the border. This and with the convoy attack, Riley tells Graver to “clean it all up,” meaning kill the girl and Alejandro who escaped the Mexican Police assault. However, Alejandro has some integrity, is in possession of the girl, and decides he’s going to help the girl and himself stay alive and figure out a way out of the mess they're in.

The action is intense in this film and there is humility and kind humanity. As for the latter, there is a sweet sequence when Alejandro meets up with Angel (Bruno Bichir), a deaf man, finds a way to communicate with him, and asks him to help both him and the girl.

Brolin is strong in this CIA role. He carries the right amount of commanding surety in his character. Modine is excellent as Secretary of Defense. Keener was OK as the mission’s commander. Del Toro was excellent as the assassin with a heart. Moner was a revelation in this role. She showed wisdom far deeper than her age and perfect for the role. Rodriguez was very good as the brooding young man trying to find his way through his life. Bichir was wonderful as the deaf man who helps Alejandro and Reyes. Taylor Sheridan wrote a strong script that bordered on being too complicated for the required action. Stefano Sollima did a wonderful job of directing the action in this film.

Overall: I liked the relatedness to today’s border issues along with the movie's dramatization of the ugly truth that our government is not above throwing people away to cover their mistakes.