Wildlife

First Hit: Finely crafted story about a young man coming into his own while witnessing a failing marriage.

This was actor Paul Dano’s directing debut and he nailed it. When creating a complex, stylistic, story that depends on his actors' ability to convey a story, it’s important that the director get the most out of subtle yet powerful story.

It also is a benefit if the director has actors that can make the story come alive. In Wildlife, we watch Carey Mulligan (playing wife Jeanette Brinson), Jake Gyllenhaal (playing husband Jerry Brinson), and Ed Oxenbould (playing son Joe Brinson).

Jeanette and Jerry are a struggling to survive couple in Montana. It’s in the 1960s and they’ve moved there in hopes of bettering their life. Jerry has had problems keeping jobs and here he works for a golf course, but the owner thinks, as an employee  he’s overstepped his boundaries with customers. They fire him, and his despondence is in direct conflict with his natural ability to be friendly, optimistic, and ability to look for the upside. He's confused and hurting.

He and Jeanette help Joe with his homework because the moving from place to place has made it difficult for Joe to find traction in school. But as this story evolves Joe gets to grow and learn about himself and in this film, we see this slow, sure transition.

Jeanette, who has the second most screen time must find her place in life. When Jerry leaves them to fight fires because he needs to find some work. The tension in the family starts to really show when Jerry leaves to go fight fires. Jeanette, unhappy with his decision, finds work for herself and also begins to change her unsatisfied life. While teaching people to swim she becomes close with Warren Miller (Bill Camp) who is one of the more successful men in town. Looking for some security in her life, she begins to flirt with Warren.

Joe, watching all this, is confused. Getting a job as a photographer’s assistant, he begins to learn something about himself and his place in the family. Some of the conversations with his mom are very revealing in that they show how unsure Jeanette is about what to do as a parent and what will make her happy. When she asks Joe, if he likes his name, I thought the question alone was revealing.

The pacing of this film could use some help, but because the acting was so strong by all four main characters the uneven pace was easily overlooked.

Mulligan was excellent. This was a wonderful and revealing role for her. It showed extraordinary depth. Gyllenhaal was wonderful as the husband. His internal agony and outward optimism was wonderfully balanced. His loud outburst in the kitchen during one of their fights was jarringly perfect. Oxenbould was amazing as the young boy watching his family fall apart. His concern for his father, and love and support for his mom were wonderful. But watching his subtle growth in this story was perfect. Paul Dano and Zoe Kazan wrote a strong script, capturing small town 60s perfectly. Dano got excellent work from his actors.

Overall: This was an excellent, strong, and delicate film.

Bohemian Rhapsody

First Hit: Accurate or not, this film was fun, well-acted, engaging, and joyful.

Like many, I liked and enjoyed much of Queen’s music. The song Bohemian Rhapsody was one of those songs that broke new ground and confounded music executives. The development of having the audience be the music by stomping twice and clapping once in “We Will Rock You,” was brilliant. It became part of their anthem. And finally, “We Are the Champions” is a song that continues to be used world-wide by sports teams as well as lots of other groups.

This film’s focus is on Freddie Mercury (Rami Malek). Born with four extra incisors, his teeth gave him a unique look. His family’s religion, Zoroaster, gave him a homelife that was restrictive and eventually he changed his name from Farrokh Bulsara to Freddy Mercury to help him distance himself from his family and background.

The scenes when the band is figuring out songs together spoke a lot about how they co-created their music. They were misfits together as a group, and they claimed that much of their audience were the misfits in the world.

Freddie grew up confused about his sexual orientation. He did fall in love with Mary Austin (Lucy Boyton) who became his wife, ex-wife, lifelong friend, and supporter. It was with Mary that you could see Freddie relax and not need be “on.”

What made this film work was the music and how the band was always there for the music.

Although, there are misrepresentations in this film about Freddie, when he contracted AIDs, that wasn’t the point, it was about how this group of men worked together to create music together. It was about how Freddie represented Queen as their front man, and that they were a team of musicians.

Malek was sublime as Mercury. Although he didn’t actually sing any of the songs, he lip-synced perfectly while capturing the grandiose way Mercury was the front man for Queen. Boynton was excellent as Mercury’s female love. Gwilym Lee, Ben Hardy, and Joseph Mazzello were extraordinary as Queen band members Brian May, Roger Taylor, and John Deacon respectively. Anthony McCarten and Peter Morgan wrote a wonderful story. Bryan Singer made this story come alive, but I’ve got to say, the music is the star right behind Malek.

Overall: Thoroughly enjoyed the power of Queen’s music and to add great acting by Malek and the band helped even more.

Can You Ever Forgive Me

First Hit: Excellent acting about a caustic, friendless author that finally finds her voice.

Lee Israel (Melissa McCarthy) is a biographer who is fixated on writing Fanny Brice biographies. She appeared once on the NYT Best Seller list but that was years ago. Her Agent tells her she’s got to change, but Lee, an obsessive alcoholic, likes her alienating way of living.

Then Lee loses her late-night editing job because she drinks and swears at her co-workers. Broke, with a sick cat, and behind in her rent she stumbles across an envelope with a typed and signed letter from a famous deceased author. She takes this letter to a book and artifact seller who gives her a few hundred dollars.

Realizing that she could sell forge letters with old typewriters and seasoned paper, she begins a quest of creating letters, signing them, and selling them to collectors and people who sell to collectors.

She befriends Jack Hock (Richard E. Grant) who is a homeless gay man at a bar who is also a drunk. Together the conspire to make and sell lots of these fake letters. Enjoying the fruits of their labor they eat well and Israel gets her old cat healed. Anna (Dolly Wells), one of the buyers of Lee’s fake letter, likes Lee and suggests they have dinner together. Sensing that Anna wants to get close, Lee blows her off but not before she accepts one of Anna’s short stories Anna would like feedback on.

This points out one of the incomplete and unsatisfying parts of the film. The film shows Lee reading this short story but never getting back to Anna. Another aspect of the story I would have liked more visibility into was why was Israel so cold, mean, and alienating towards people.

The forgeries are found out and the FBI is now after Lee. Getting caught through another one of Hock’s blunders, they create a plan to steal real letters and replace the real letters with her fakes.

As one imagines, she gets caught and is told to make restitution for her crimes. The result she now has something to write about and this story is the result.

McCarthy is sublime as Israel. She made this unlikeable character engaging, curiously interesting, and watchable. Grant was fantastic as the bon vivant wanna be that lived life on his charm alone. Wells was strikingly engaging as the bookseller who cared about Israel. I loved her trusting softness. Jane Curtin as Israel’s agent Marjorie was excellent, direct and forthcoming. Nicole Holofcener and Jeff Whitty wrote a strong and engaging screenplay. Marielle Heller did an excellent job of directing this film except I would have liked some closure on Anna’s script storyline.

Overall: This was a crafted film with excellent acting.

The Sisters Brothers

First Hit: This film had drama, comedy and interesting moments that were really strong, but overall it was an odd film.

The title alone will tip you off that this is an unconventional film. It opens with Eli and Charlie Sisters (John C. Reilly and Joaquin Phoenix respectively) in a night time fire fight with some hombres in a cabin. The brothers are deadly and kill everyone and because the barn catches fire as well, the horses burn. One of the scenes that stuck with me throughout was when one of the horses runs out of the barn, on fire. This scene led me to believe that this film could have some difficult to watch scenes, and it did.

Think spider. Think horse mauled by bear. Think suicide. Think chemical burns. Think amputations. Yes, this film has large number of overtly horrible scenes, but there are also thoughtful scenes.

The Sisters Brothers work for the Commodore (Rutger Hauer). They are his hit men. When he wants someone killed, he sends them. After the initial scene, there are a few scenes that attempt to show the brother’s dynamics. Charlie is the younger and wilder of the two brothers. His back story, of killing their father, is briefly explored. Charlie also, like his father, drinks and gets drunk a lot. Eli works at being more thoughtful and progressive. Watch his look in using a toothbrush for the first time. Yet, when push comes to shove he’ll do anything and kill anyone to protect his brother and himself.

Their latest job for the Commodore is to track down Hermann Kermit Warm (Riz Ahmed) who has created a secret formula that, when poured into water, highlights the gold. It makes the gold glow and thereby easy to pluck out of the water bed. Warm is being tracked by John Morris (Jake Gyllenhaal) for the Sisters brothers. He leaves them letters at towns along the way telling them where they are headed.

In one town, Mayfield, named after the town owner, Mayfield (Rebecca Root) the brothers run into a little trouble. She is controlling and decides she can make a name for herself if she kills the brothers. Sending groups of men after the Sisters, they all find their demise at the end of the Sisters Brothers' guns.

When the brothers finally catch up with Warm and Morris, they’ve a change of heart about their plans of working with the Commodore and together with Warm and Morris decide to create riches for themselves and move on.

The ending was a nice surprise and it did complete an odd and interesting story.

Reilly was fantastic as the older more thoughtful but loyal brother. I enjoyed his thoughtful dialogue about his life. The bit with the shawl and the hooker was interesting and moving. Phoenix was strong as the slightly touched, yet smart brother. The intensity of the brother’s dinner conversation in a San Francisco restaurant was excellent on both actor’s part. How their conversation elevated was wonderfully done. Gyllenhaal was wonderful as the bookish, thoughtful tracker and writer for the Commodore. Ahmed was wonderful as the chemist and dreamer of an egalitarian society. Root was strong as the matriarch of the town named after her. Hauer had a minor, yet pivotal role. Carol Kane (as Sisters Brothers’ mother) was great. Loved seeing Kane in a role again. Perfect casting decision. Jacques Audiard and Thomas Bidegain wrote an odd, yet interesting and thought-provoking script. Audiard made some amazing choices about scenes and the scenery that this movie was shot in. I thought the San Francisco city scenes to be interesting as well as the Sisters’ dialogue while in the city.

Overall: Despite some difficult scenes to watch, this was an odd film, but the chemistry between the actor’s characters was amazingly wonderful.

Hunter Killer

First Hit: As far as submarine-based films, it was OK, but the added ground team made it better.

My dad (who died 23 years ago today) loved submarine films. His favorite was the 1958 thriller Run Silent Run Deep. He’d sit there and watch it every time it came on television (after seeing it on the big screen) and recite the dialogue with the actors. Maybe it was because he loved the ocean, or that he was in the Navy, I don’t know, but when I see submarine films, I think of him.

In this movie, a U.S. submarine is, at close range, following a Russian sub under arctic ice in the Barents Sea. Then unknowingly, another Russian sub, hiding in a carve out slice of ice, torpedoes and sinks the U.S. Sub. Then there is an explosion and the Russian sub sinks.

Rear Admiral John Fisk (Common) with National Security Advisor Analyst Jayne Norquist (Linda Cardellini) advocates figuring out what to do and wants to send another submarine in to figure out what happened to the sub and if there are any survivors. Chief Joint Chief of Staff Charles Donnegan (Gary Oldman) is opposed to this and wants to gear up to start another world war against the Russians.

Meanwhile we get a short glimpse of SEAL Lieutenant Bill Beaman (Toby Stephens) and his team practicing maneuvers.

Then when Fisk sends the USS Arkansas sub commanded by newly inaugurated Captain Joe Glass (Gerard Butler) to find the previously sunk U.S. Sub, they also find the sunk Russian Sub.

They hear something on the Russian Sub and make a rescue of the captain and two other men. When Glass shows the Russian Captain, Sergei Andropov (Michael Nyqvist) that his Russian sub was sabotaged and sunk by someone on board, he realizes that something is going on with his country.

Sensing Russian problems, Beaman’s team parachutes into the Russian base to find the Russian President Zakarin (Alexander Diachenko) is being held hostage by Defence Minister Dmitri Durov (Mikhail Gorevoy) who is instigating a coup.

The plan is to have Beaman’s team kidnap the Russian President and escape by getting on board Glass’s sub which will be guided into the Russian base by Andropov. All this is to prevent an all-out war between the two countries.

I thought some of the scenes in the subs were well done. I loved when the men on the con were leaning as the sub dove. I thought the attitude of the SEALs was perfect. I enjoyed the sharpshooting by the youngest member of this team. I enjoyed the grit and determination shown by Captain Glass, especially when he was challenging Andropov to help him.

There is a far amount of suspense in the film, but it does have an obviousness that we know how it will end. Thought that Donnegan’s character was over the top and don’t know if that was direction or just Oldman being over the top.

Butler was excellent as the come up from the ranks Captain of the USS Arkansas. There was a certain amount of grittiness in his approach that worked for this role. Common seemed a little out of his element in this role. He didn’t quite exemplify a Rear Admiral. Oldman's character was unprofessional, for the position, in the ranting he showed. Nyqvist was excellent as the closed mouth long time professional sailor. Diachenko was OK as the Russian President. He didn’t quite come off as being strong. Gorevoy was a poor choice as someone to pull off a coup. His character felt fearful and weak most of the time. Stephens was great and exemplified a Navy SEAL leader, rough, demanding and with a heart underneath. Cardellini was good as a NSA Senior Analyst. Arne Schmidt and Jamie Moss wrote a good script. Donovan Marsh did a good job of directing this film. Some of the scenes in the sub were fantastic as were some of the on-land scenes. However, really thought that Oldman’s role was a big downfall as was the war room scene with the US President.

Overall: An OK thriller but it will not go down as an all-time great submarine-based film.